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It is used worldwide as an anti-fascist hymn of freedom and resistance. The song has much older origins though in the hardships of the mondina women, the paddy field workers in the late 19th century who sang it as a protest against harsh working conditions in the paddy fields in North Italy.
“Bella ciao” was originally sung as “Alla mattina appena alzata” by seasonal worker of paddy fields of rice, especially in Italy’s Po Valley from the late 19th century to the first half of the 20th century with different lyrics.
The work of monda (weeding) was widespread in northern Italy in that era. The work consisted of removing the weeds growing in rice fields that hindered the healthy growth of young rice plants. It took place during the flooding of the fields, from the end of April to the beginning of June every year, during which the delicate shoots needed to be protected, during their first stages of their development, from temperature differences between the day and the night.
It consisted of two phases: transplanting the plants and pruning the weeds. The work of monda was an extremely tiring task, carried out mostly by women known as mondinas (rice-weeders) that came of the poorest social classes. The workers would spend their workdays with their bare feet in water up to their knees and their back bent for many hours. The atrocious working conditions, long hours and very low pay led to constant dissatisfaction and led, at times to rebellious movements and riots in the early years of the twentieth century.
The struggles against the supervising padroni was even harder with the abundance of clandestine workers ready to compromise even further the already low wages just to get work. Besides “Bella ciao”, similar songs by the mondina women included “Sciur padrun da li beli braghi bianchi” and “Se otto ore vi sembran poche”.
Other similar versions of the antecedents of “Bella ciao” appeared over the years, indicating that “Alla mattina appena alzata” must have been composed in the later half of the 19th century. The earliest written version is dated 1906 and comes from near Vercelli, Piedmont.
“Bella ciao” was revived by the anti-fascist resistance movement active in Italy between 1943 and 1945 with different lyrics of resistance. The author of the lyrics is unknown.
In addition to the original Italian, the song has been recorded by various artists in many different languages, including #Arabic, #Bosnian, #Breton, #Catalan, #Chinese (known as “啊朋友再见“), #Croatian, #Danish, #English, #Esperanto, #Finnish, #German, #Hungarian, #Japanese, #Persian, #Norwegian, #Occitan, #Russian, #Serbian, #Slovenian, #Spanish, #Syriac, #Tagalog, #Telugu, #Thai, #Tibetan, and #Ukrainian.
A rewritten version of the song can be heard on Chumbawamba’s acoustic album A Singsong and a Scrap.
Former Yugoslav punk rock bands KUD Idijoti and later Goblini recorded their versions of the track.
Hungarian punk rock band Aurora has performed the song.
Folk musician Leslie Fish has written and performed several versions of the song, one of which can be found on the album Smoked Fish.
Folk artist Mirah lent her voice to this song on her 2004 album, To All We Stretch the Open Arm.
Anita Lane recorded a version in English for her 2001 album, Sex O’Clock.
Breton folk punk band Les Ramoneurs de menhirs recorded a version in Breton and French but called it “BellARB”.
Danish psychedelic rock group Savage Rose have recorded a version of this song on the albums En Vugge Af Stål from 1982 and Ild Og Frihed (1989).
San Francisco punk band La Plebe perform “Bella Ciao” on their album, Brazo en Brazo.
French-born musician of Spanish origin Manu Chao has also recorded a version of the song.
The tune has been used in a song in the Indian Tollywood movie Businessman, starring Mahesh Babu, Music by S.S.Thaman.
Italian ska punk band Talco recorded the song on their 2006 album Combat Circus.
Konstantin Wecker and Hannes Wader, two German “Liedermacher” performed it live on their collaboration album Was für eine Nacht.
Yugoslav musician Goran Bregovic has recorded one version on his album Champagne for Gypsies (2012).
German folk duo Zupfgeigenhansel recorded a free adaptation on their 1982 album Miteinander that, instead of glorifying the death of the partisan, paints him as a reluctant anti-hero who is scared and despises war, but feels he has no other choice because of the atrocities he has seen.
Thai anti-fascism band, “Faiyen” (ไฟเย็น, “Cold Flame”) recorded a Thai version of the song called “Plodploy Plianplaeng” (Thai: ปลดปล่อย เปลี่ยนแปลง, “Liberate and Change”). It has been used by the Red Shirts anti-fascism group since 2011.
Spanish punk rock band boikot recorded a modified version in Spanish.
An a cappela version was recorded by the Swingle Singers in 1991 on their album “Folk Music Around The World”
Belarusian folk punk band Dzieciuki recorded a modified version in Belarusian under the name “Трымайся, браце!” (“Hold fast, brother”)
Syriac (Aramaic) version created by Beith Souryoye Morounoye under the name “foosh bashlom (Bella ciao)”
Patric recorded Bèla Ciaò, a version in Occitan for his 2010 album, Colors.
Mike Singer recorded an Electro dance version in June 2018.
Source Wikipedia / Youtube
Damian Muller’s ORIGINAL & refreshing songs will make you laugh, sometimes cry, and always smile. “YOU’VE STILL GOT IT” is his second CD of his own songs that will touch your heart with his real-life, uplifting, humorous, and poignant stories. The CD features an ALL-STAR CAST of incredible musicians: Jim Van Cleve, Aaron Ramsey, Seth Taylor, Russ Carson, and tight blend of smooth family harmonies.
Damian is a long-time Richmond, VA songwriter and performer.
In addition to being an award-winning bluegrass bassist, Damian is currently the principal bassist for The Richmond Philharmonic Orchestra.
About “YOU’VE STILL GOT IT”
Produced by Jim Van Cleve & Damian Muller
Recorded by David Hall at Studio Studio, Franklin, TN
1. THERE’S NO FUTURE LIVING IN THE PAST – Hard Driving Bluegrass – about meeting someone from your past. It may take you back to that time in your life, but you can’t spend your life looking back.
2. HALF AND INCH OF SNOW – Hilarious yet true story whenever it snows anywhere in the south. Upbeat acoustic swing style.
3. THE BEAUTY OF AMERICA – A poignant patriotic ballad for our time – Inspired by the many good things in this country that make us proud to be Americans.
4. YOU’VE STILL GOT IT – a Bouncy Bluegrass Song – Everyone who’s been in a relationship a long time wants to hear that they’ve still got it.
5. GALAX STATE OF MIND – Upbeat Bluegrass – There’s nothing quite like spending a week at the fiddlers convention in Galax, Virginia playing music night and day.
6. CLAP YOUR HANDS – Bluegrass Gospel – Everyone and every church has many reasons to celebrate!
7. ON MY WAY – a touching true story about someone who lived his faith every day of his life.
8. THINGS ARE LOOKING UP – Hard Driving & Lighthearted Bluegrass – This is for anyone who found their true love the second time around.
9. NEVER TOO OLD – Acoustic ballad any baby boomer or senior can relate to. It’s never too old to find love & happiness.
10. SHENANDOAH HOME – Upbeat Bluegrass – Going to Shenandoah National Park always feels like going home. However, for folks whose families lived there before it was a park, going home takes on a different meaning.
11. BE NOT AFRAID – a wonderful Bluegrass Gospel Quartet inspired by the scriptures.
12. LOVE LIVES FOREVER – a touching Bluegrass Ballad about remembering our grandparents’ love – and wanting to pass that love on to our own grandchildren.
13. LONG WAY TO GO – an exciting, upbeat Gospel Bluegrass Quartet with terrific harmonies & a great message.
From his last Album, we can listen to Steady Work
For those who like old fashion trains
A train filmed from the highway
ART GARFUNKEL (Simon and Garfunkel
BARRY GIBB (Bee Gees )
DAVID MC CALLUM
SOUND OF MUSIC TEAM ( Von Trapp family in movie)
LEE AAKER ( Aka RUSTY in RINTINTIN )
Sources : Google
He is widely known for his brand of poetic lyrics, Americana, working class, sometimes political sentiments centered on his native New Jersey, his distinctive voice, and his lengthy and energetic stage performances—with concerts from the 1970s to the present decade running at up to four hours in length. His artistic endeavors reflect both his personal growth and the zeitgeist of the times.
Springsteen’s recordings have included both commercially accessible rock albums and more somber folk-oriented works. His most successful studio albums, Born to Run (1975) and Born in the U.S.A. (1984) find pleasures in the struggles of daily American life. He has sold more than 120 million records worldwide and more than 64 million records in the United States, making him one of the world’s best-selling artists of all time.
He has earned numerous awards for his work, including 20 Grammy Awards, two Golden Globes, and an Academy Award as well as being inducted into both the Songwriters Hall of Fame and the Rock And Roll Hall Of Fame in 1999. In 2009, Springsteen was a Kennedy Center Honors recipient, in 2013 was named MusiCares person of the year, and in 2016 was awarded the Presidential Medal of Freedom.
He married Patti Scialfa in 1991, and the couple have had three children – Evan James, Jessica Rae and Sam Ryan.
Bruce Frederick Joseph Springsteen was born on September 23, 1949, at Monmouth Medical Center in Long Branch, New Jersey.
He was brought home from the hospital to Freehold Borough where he spent his childhood. He lived on South Street and attended Freehold Borough High School. His father, Douglas Frederick Springsteen, was of Dutch and Irish ancestry, and worked as a bus driver, among other vocations, although he was mostly unemployed. Springsteen said his mother, Adele Ann (née Zerilli), a legal secretary and of Italian ancestry, was the main breadwinner.
His maternal grandfather was born in Vico Equense, a town near Naples.
He has two younger sisters, Virginia and Pamela. Pamela had a brief film career, but left acting to pursue still photography full-time; she took photos for his Human Touch, Lucky Town and The Ghost of Tom Joad albums.
Springsteen’s last name is topographic and of Dutch origin, literally translating to “jumping stone” but more generally meaning a kind of stone used as a stepping stone in unpaved streets or between two houses.
The Springsteens are among the early Dutch families who settled in the colony of New Netherland in the 1600s.
Raised a Roman Catholic, Springsteen attended the St. Rose of Lima Catholic school in Freehold Borough, where he was at odds with the nuns and rejected the strictures imposed upon him, even though some of his later music reflects a Catholic ethos and includes a few rock-influenced, traditional Irish-Catholic hymns
In a 2012 interview, he explained that it was his Catholic upbringing rather than political ideology that most influenced his music. He noted in the interview that his faith had given him a “very active spiritual life”, although he joked that this “made it very difficult sexually.” He added: “Once a Catholic, always a Catholic.”
In the ninth grade, Springsteen transferred to the public Freehold High School, but did not fit in there either. Former teachers have said he was a “loner, who wanted nothing more than to play his guitar.” He completed high school, but felt so uncomfortable that he skipped his own graduation ceremony. He briefly attended Ocean County College, but dropped out.
Springsteen grew up hearing fellow New Jersey singer Frank Sinatra on the radio. He became interested in being involved in music himself when, in 1956 at the age of seven, he saw Elvis Presley on The Ed Sullivan Show.
In 1964, Springsteen bought his first guitar for $18. 1964 was also an important year for Springsteen, having seen The Beatles’ appearance on The Ed Sullivan Show.
Thereafter he started playing for audiences with a band called the Rogues at local venues such as the Elks Lodge in Freehold. In 1965, Springsteen’s mother took out a loan to buy her 16-year-old son a $60 Kent guitar, an act he subsequently memorialized in his song “The Wish”.
In the same year, he went to the house of Tex and Marion Vinyard, who sponsored young bands in town. They helped him become the lead guitarist and subsequently one of the lead singers of the Castiles.
His first gig with the Castiles was possibly at a trailer park on New Jersey Route 34. The Castiles recorded two original songs at a public recording studio in Brick Township and played a variety of venues, including Cafe Wha? in Greenwich Village. Marion Vinyard said that she believed the young Springsteen when he promised he would make it big.
Called for conscription in the United States Armed Forces when he was 18, Springsteen failed the physical examination and did not serve in the Vietnam War. He had suffered a concussion in a motorcycle accident when he was 17, and this together with his “crazy” behavior at induction gave him a classification of 4F, which made him unacceptable for service.
In the late-1960s, Springsteen performed briefly in a power trio known as Earth, playing in clubs in New Jersey, with one major show at the Hotel Diplomat in New York City. Earth consisted of John Graham on bass, and Mike Burke on drums.
Bob Alfano was later added on organ, but was replaced for two gigs by Frank ‘Flash’ Craig.
Springsteen acquired the nickname “The Boss” during this period; when he played club gigs with a band he took on the task of collecting the band’s nightly pay and distributing it amongst his bandmates.
The nickname also reportedly sprang from games of Monopoly that Springsteen would play with other Jersey Shore musicians.
Springsteen is not fond of this nickname, due to his dislike of bosses, but seems to have since tacitly accepted it. Previously he had the nickname “Doctor”.
From 1969 through early 1971, Springsteen performed with Steel Mill (originally called Child), which included Danny Federici, Vini Lopez, Vinnie Roslin and later Steve Van Zandt and Robbin Thompson. During this time he performed regularly at venues on the Jersey Shore, in Richmond, Virginia, Nashville, Tennessee, and a set of gigs in California, quickly gathering a cult following.
San Francisco Examiner music critic Philip Elwood gave Springsteen credibility in his glowing assessment of Steel Mill: “I have never been so overwhelmed by totally unknown talent.” Elwood went on to praise their “cohesive musicality” and, in particular, singled out Springsteen as “a most impressive composer”.
His prolific songwriting ability, with “More words in some individual songs than other artists had in whole albums”, as his future record label would describe it in early publicity campaigns, brought his skill to the attention of several people who were about to change his life: new managers Mike Appel and Jim Cretecos, who in turn brought him to the attention of Columbia Records talent scout John Hammond, who auditioned Springsteen in May 1972.
Even after Springsteen gained international acclaim, his New Jersey roots showed through in his music, and he often praised “the great state of New Jersey” in his live shows. Drawing on his extensive local appeal, he has routinely sold out consecutive nights in major New Jersey, Philadelphia and New York venues. He has also made many surprise appearances at The Stone Pony and other shore nightclubs over the years.
Springsteen was signed to Columbia Records in 1972 by Clive Davis, after having initially piqued the interest of John Hammond, who had signed Bob Dylan to the same label a decade earlier.
Despite the expectations of Columbia Records’ executives that Springsteen would record an acoustic album, he brought many of his New Jersey-based colleagues into the studio with him, thus forming the E Street Band (although it would not be formally named for several months). His debut album Greetings from Asbury Park, N.J., released in January 1973, established him as a critical favorite though sales were slow.
In September 1973, Springsteen’s second album The Wild, the Innocent & the E Street Shuffle was released, again to critical acclaim but no commercial success. Springsteen’s songs became grander in form and scope, with the E Street Band providing a less folksy, more R&B vibe, and the lyrics often romanticized teenage street life. ”
In the May 22, 1974 issue of Boston’s The Real Paper music critic Jon Landau wrote, after seeing a performance at the Harvard Square Theater, “I saw rock and roll future, and its name is Bruce Springsteen.
And on a night when I needed to feel young, he made me feel like I was hearing music for the very first time.” Landau helped to finish the epic new album Born to Run and subsequently became Springsteen’s manager and producer. Given an enormous budget in a last-ditch effort at a commercially viable record, Springsteen became bogged down in the recording process while striving for a “Wall of Sound” production. But fed by the release of an early mix of “Born to Run” to nearly a dozen radio stations, anticipation built toward the album’s release.
On August 13, 1975, Springsteen and the E Street Band began a five-night, 10-show stand at New York’s The Bottom Line club. This attracted major media attention and was broadcast live on WNEW-FM. (Decades later, Rolling Stone magazine would name the stand as one of the 50 Moments That Changed Rock and Roll.)
Oklahoma City rock radio station WKY, in association with Carson Attractions, staged an experimental promotional event that resulted in a sold out house at the (6,000 seat) Civic Center Music Hall.
With the release of Born to Run on August 25, 1975, Springsteen finally found success. The album peaked at No. 3 on the Billboard 200, and while reception at US top 40 radio outlets for the album’s two singles was not overwhelming.
Springsteen appeared on the covers of both Time and Newsweek in the same week, on October 27 of that year. So great did the wave of publicity become that he eventually rebelled against it during his first venture overseas, tearing down promotional posters before a concert appearance in London
By the late 1970s, Springsteen had earned a reputation in the pop world as a songwriter whose material could provide hits for other bands. Manfred Mann’s Earth Band had achieved a US No. 1 pop hit with a heavily rearranged version of Greetings’ “Blinded by the Light” in early 1977.
Patti Smith reached No. 13 with her take on Springsteen’s unreleased “Because the Night” (with revised lyrics by Smith) in 1978, while The Pointer Sisters hit No. 2 in 1979 with Springsteen’s also unreleased “Fire”. Although not a critical success, long time friend Southside Johnny recorded Springsteen’s “The Fever” in early 1976 and “Talk to Me” in 1978. The two of them along with Steve Van Zandt collaborated to produce “Trapped Again” in 1978.
In September 1979, Springsteen and the E Street Band joined the Musicians United for Safe Energy anti-nuclear power collective at Madison Square Garden for two nights, playing an abbreviated set while premiering two songs from his upcoming album.
Springsteen continued to focus on working-class life with the 20-song double album The River in 1980, which included an intentionally paradoxical range of material from good-time party rockers to emotionally intense ballads, and finally yielded his first hit Top Ten single as a performer, “Hungry Heart”.
The River was followed in 1982 by the stark solo acoustic Nebraska. Recording sessions had been held to expand on a demo tape Springsteen had made at his home on a simple, low-tech four-track tape deck. However, during the recording process Springsteen and producer Jon Landau realized the songs worked better as solo acoustic numbers than full band renditions and the original demo tape was released as the album.
Although the recordings of the E Street Band were shelved, other songs from these sessions would later be released, including “Born in the U.S.A” and “Glory Days”.
Springsteen is probably best known for his album Born in the U.S.A. (1984), which sold 15 million copies in the U.S., 30 million worldwide, and became one of the best-selling albums of all time with seven singles hitting the Top 10.
During the Born in the U.S.A. Tour, Springsteen met actress Julianne Phillips, whom he would marry in 1985. He also that year took part in the recording of the USA For Africa charity song “We Are The World”; however he declined to play at Live Aid. He later stated that he “simply did not realise how big the whole thing was going to be”.
He has since expressed regret at turning down Bob Geldof’s invitation, stating that he could have played a couple of acoustic songs had there been no slot available for a full band performance.
Springsteen was inducted into the Rock and Roll Hall of Fame in 1999 by Bono (the lead singer of U2), a favor he returned in 2005.
In 2002, Springsteen released his first studio effort with the full band in 18 years, The Rising, produced by Brendan O’Brien. The album, mostly a reflection on the September 11 attacks, was a critical and popular success. (Many of the songs were influenced by phone conversations Springsteen had with family members of victims of the attacks who in their obituaries had mentioned how his music touched their lives.)
The title track gained airplay in several radio formats, and the record became Springsteen’s best-selling album of new material in 15 years.
At the Grammy Awards of 2003, Springsteen performed The Clash’s “London Calling” along with Elvis Costello, Dave Grohl, and E Street Band member Steven Van Zandt and No Doubt’s bassist, Tony Kanal, in tribute to Joe Strummer; Springsteen and the Clash had once been considered multiple-album-dueling rivals at the time of the double The River and the triple Sandinista!.
In 2004, Springsteen and the E Street Band participated in the Vote for Change tour, along with John Mellencamp, John Fogerty, the Dixie Chicks, Pearl Jam, R.E.M., Bright Eyes, the Dave Matthews Band, Jackson Browne, and other musicians.
Devils & Dust was released on April 26, 2005, and was recorded without the E Street Band. It is a low-key, mostly acoustic album, in the same vein as Nebraska and The Ghost of Tom Joad although with a little more instrumentation.
Some of the material was written almost 10 years earlier during, or shortly after, the Ghost of Tom Joad Tour, with a few having been performed then but not released.
In the early 1980s, Springsteen met Patti Scialfa at The Stone Pony, a bar in New Jersey where local musicians regularly perform. On that particular evening she was performing alongside one of Springsteen’s pals, Bobby Bandiera, with whom she had written “At Least We Got Shoes” for Southside Johnny. Springsteen liked her voice and after the performance, introduced himself to her. Soon after that, they started spending time together and became friends.
Early in 1984, Springsteen asked Scialfa to join the E Street Band for the upcoming Born in the U.S.A. Tour. According to the book Bruce Springsteen on Tour 1969–2005 by Dave Marsh, it looked like Springsteen and Scialfa were on the brink of becoming a couple through the first leg of the tour. But before that could happen, Barry Bell introduced Julianne Phillips to Springsteen and on May 13, 1985, they were married.
Springsteen and Scialfa lived in New Jersey, before moving to Los Angeles, where they decided to start a family.
On July 25, 1990, Scialfa gave birth to the couple’s first child, Evan James Springsteen.
On June 8, 1991, Springsteen and Scialfa married at their Los Angeles home in a very private ceremony, only attended by family and close friends.
Their second child, Jessica Rae Springsteen, was born on December 30, 1991; and their third child, Samuel Ryan Springsteen, was born on January 5, 1994.
In April 2006, Springsteen released We Shall Overcome: The Seeger Sessions.
Springsteen’s next album, titled Magic, was released on October 2, 2007. Recorded with the E Street Band, it had 10 new Springsteen songs plus “Long Walk Home”, performed once with the Sessions band, and a hidden track (the first included on a Springsteen studio release), “Terry’s Song”, a tribute to Springsteen’s long-time assistant Terry Magovern, who died on July 30, 2007.
Magic debuted at No. 1 in Ireland and the UK. Greatest Hits reentered the Irish charts at No. 57, and Live in Dublin almost cracked the top 20 in Norway again. Sirius Satellite Radio also restarted E Street Radio on September 27, 2007, in anticipation of Magic.
Radio conglomerate Clear Channel Communications was alleged to have sent an edict to its classic rock stations to not play any songs from the new album, while continuing to play older Springsteen material.
Sources: YouTube / Wikipedia
For further informations about Bruce Springsteen’s tours :
In 1964, he landed the role of Rodney Harrington on the ABC nighttime soap opera Peyton Place. The series was an instant hit and boosted O’Neal’s career. He later found success in films, most notably Love Story (1970), for which he received Academy Award and Golden Globe nominations as Best Actor, What’s Up, Doc? (1972), Paper Moon (1973), Stanley Kubrick‘s Barry Lyndon (1975), and A Bridge Too Far (1977). He had a recurring role in the TV series Bones as Max, the father of the series’ protagonist.
O’Neal was born in Los Angeles, California, the eldest son of actress Patricia Ruth Olga (née Callaghan; 1907–2003) and novelist and screenwriter Charles O’Neal.
His father was of English and Irish descent, while his mother was of paternal Irish and maternal Ashkenazi Jewish ancestry.
His brother, Kevin, is an actor and screenwriter.
O’Neal attended University High School in Los Angeles, and trained there to become a Golden Gloves boxer. During the late 1950s, his father had a job writing on a television series called Citizen Soldier, and moved the family to Munich, where O’Neal attended Munich American High School.
O’Neal appeared in guest roles on series that included The Many Loves of Dobie Gillis, Leave It to Beaver, Bachelor Father, Westinghouse Playhouse, Perry Mason and Wagon Train.
From 1962 to 1963, he was a regular on NBC’s Empire, another modern day western, where he played “Tal Garrett”. Also, was in an episode of My Three Sons as Chug Williams in 1962.
In 1964 he was cast as Rodney Harrington in the prime time serial drama Peyton Place. The series was a big success, making national names of its cast including O’Neal. Several were offered movie roles, including Mia Farrow and Barbara Parkins.
Eventually O’Neal was cast in the lead of The Big Bounce (1969), based on an Elmore Leonard novel. Then he played an Olympic athlete in The Games (1970). Neither film was particularly successful.
The Games had been co written by Erich Segal, who recommended O’Neal for the lead in Love Story, based on Segal’s novel and script.
A number of actors had turned down the role including Beau Bridges and Jon Voight before it was offered to O’Neal. His fee was $25,000; he had an offer that paid five times as much to appear in a Jerry Lewis film but O’Neal knew that Love Story was the better prospect and selected that instead.
“I hope the young people like it,” he said before the film came out. “I don’t want to go back to TV. I don’t want to go back to those NAB conventions.”
In between the film’s production and release. O’Neal appeared in a TV movie written by Eric Ambler, Love Hate Love, which received good ratings. He also made a Western, Wild Rovers with William Holden for director Blake Edwards.
Love Story turned out to be a box office phenomenon. It made O’Neal a star and earned him a nomination for an Academy Award for Best Actor (although O’Neal was bitter he was never given a percentage of the profits, unlike co-star Ali MacGraw).
Wild Rovers, badly cut by MGM, was considerably less popular, yet O’Neal was going to make another film for MGM, Deadly Honeymoon from a novel by Larry Block.
However, O’Neal pulled out – Peter Bogdanovich later said MGM head Jim Aubrey was “cruel” to O’Neal.
(The film became Nightmare Honeymoon.) He was also wanted by director Nic Roeg to appear opposite Julie Christie in an adaptation of Out of Africa that was never made.
Instead O’Neal starred in What’s Up Doc? (1972) for Bogdanovich opposite Barbra Streisand. This was the third-highest-grossing film of 1972 and led to him receiving an offer to star in a movie for Stanley Kubrick, Barry Lyndon.
While that was in pre production, O’Neal played a jewel thief in The Thief Who Came to Dinner (1972) opposite Jacqueline Bisset and Warren Oates. Then he was reunited with Bogdanovich for Paper Moon (1973) in which he starred opposite his daughter Tatum O’Neal. Tatum won an Oscar for her performance in a very popular movie and in 1973, Ryan O’Neal was voted by exhibitors as the second most popular star in the country, behind Clint Eastwood.
O’Neal spent over a year making Barry Lyndon (1975) for Kubrick.
The resulting film was considered a commercial disappointment and had a mixed critical reception; it won O’Neal a Harvard Lampoon Award for the Worst Actor of 1975. Its reputation has risen in recent years but O’Neal says his career never recovered from the film’s reception.
“Oh it’s all right but he [Kubrick] completely changed the picture during the year he spent editing it,” said O’Neal.
O’Neal had been originally meant to star in Bogdanovich’s At Long Last Love but was replaced by Burt Reynolds. He made Nickelodeon (1976) with Reynolds, Bogdanovich and Tatum O’Neal, for a fee of $750,000. The film flopped at the box office.
He followed this with a small role in the all-star war film A Bridge Too Far (1977), playing General James Gavin. O’Neal’s performance as a hardened general was much criticised, although O’Neal was only a year older than Gavin at the time of the events in the film.
“Can I help it if I photograph like I’m 16 and they gave me a helmet that was too big for my head?” he later said. “At least I did my own parachute jump.”
The film performed poorly at the US box office but did well in Europe.
O’Neal initially turned down a reported $3 million to star in Oliver’s Story (1978), a sequel to Love Story.
Instead he appeared in the car-chase film The Driver (1978), directed by Walter Hill, who had written The Thief Who Came to Dinner.
This was a box office disappointment in the US but, like A Bridge Too Far, did better overseas. Hill later said he “was so pleased with Ryan in the movie and I was very disappointed that people didn’t particularly give him any credit for what he did. To me, he’s the best he’s ever been. I cannot imagine another actor.”
O’Neal was meant to follow this with The Champ (1979), directed by Franco Zeffirelli, but decided to pull out after Zeffirelli refused to cast O’Neal’s son Griffin opposite him. Instead he agreed to make Oliver’s Story after all once the script was rewritten.
However the film was a flop at the box office.
“What I have to do now, seriously, is win a few hearts as an actor,” he said in 1978. “The way Cary Grant did. I know I’ve got a lot of winning to do. But I’m young enough. I’ll get there…”
Around this time, O’Neal was meant to star in The Bodyguard, from a Lawrence Kasdan script, opposite Diana Ross for director John Boorman. However the film fell over when Ross pulled out, and it would not be made until 1992, with Kevin Costner in O’Neal’s old role.
There was some talk he would appear in a film from Michelangelo Antonioni, Suffer or Die, but this did not eventuate.
O’Neal instead played a boxer in a comedy, The Main Event, reuniting him with Streisand. He received a fee of $1 million plus a percentage of the profits. The Main Event was a sizeable hit at the box office.
A 1980 profile of O’Neal described him:
“ Unlike most stars of the post-Hoffman era he is very handsome, especially when moustached: he has blond curly hair and a toothpaste smile: he seems to lead an interesting life.
Maybe he would really come on if he had the apprenticeship of the stars of the 30s: for he is, to underline the point, a throwback to that era. There are no nervous tics, solemnity is at bag; his is an easy, genial presence, and thank heaven for it! ”
O’Neal was looking to follow it as the lead in the film version of The Thorn Birds to be directed by Arthur Hiller but the book ended up being adapted as a mini series.
Instead O’Neal made a British-financed thriller, Green Ice (1981), for the most money he had ever received up front.
The movie had a troublesome production (the original director quit during filming) and flopped at the box office.
He had a cameo in Circle of Two, a film his daughter made with Richard Burton.
O’Neal says Burton told him during filming he was “five years away from winning acceptance as a serious actor. On the other hand, my agent, Sue Mengers says I’m right on the threshold. Split the difference, that’s two and a half years. One good picture, that’s all I need…”
However, in the early 80s he focused on comedies. He received $2 million for the lead in So Fine.
This was followed by Partners (1982), a farce written by Francis Veber in which O’Neal played a straight cop who goes undercover as one half of a gay couple.
He then played a film director loosely based on Peter Bogdanovich in Irreconcilable Differences (1984); he received no upfront fee but got a percentage of the profits.
It was a minor box office success.
A 1984 profile called him “the Billy Martin of Hollywood, whether it’s his love affair with Farrah Fawcett… his precocious actor daughter Tatum or fisticuffs with his son Griffin. He just can’t seem to stay out of the news.” O’Neal said he felt more like Rocky Marciano, “wondering why guys are always picking fights with me. If I’m in a good picture, they’ll like me. If I’m not they’ll hate me. Hey I’m mad too when I don’t make good pictures.”
O’Neal said too many of the roles he had played were “off the beaten path for me”. In particular he regretted doing The Thief Who Came to Dinner, A Bridge Too Far, The Driver, So Fine, Partners and Green Ice.
He blamed this in part on having to pay alimony and child support. He also said agent Sue Mengers encouraged him to constantly work.
“If I could get a good director to choose me for a picture, I was okay,” he said. “But they stopped calling me in the mid-70s… I made a whole bunch of pictures that didn’t make any money and people lost interest in me… Directors take me reluctantly. I feel I’m lucky to be here in the first place and they know it too. I’m a glamour boy, a Hollywood product. I have a TV background and they can point to the silly movies I’ve made.”
He tried something different playing a gambler in Fever Pitch (1985), the last movie for Richard Brooks. Even less conventional was Tough Guys Don’t Dance (1987) for director Norman Mailer. Both movies flopped at the box office.
O’Neal had a good supporting role in the romantic comedy Chances Are (1989). He returned to TV opposite his then-partner Farrah Fawcett in Small Sacrifices (1989).
He and Fawcett made a short-lived CBS series Good Sports (1991).
He had a good role in Faithful (1996) with Cher. It was directed by Paul Mazursky who later said of O’Neal:
He’s sweet as sugar, and he’s volatile. He’s got some of that Irish stuff in him, and he can blow up a bit. One day he was doing a scene, and I said, ‘Bring it down a little bit,’ and Ryan said, ‘I quit! You can’t say “Bring it down” to me that loud!’ I said, ‘If you quit, I’m going to break your nose.’ He started to cry. He’s sort of a big baby at times, but he’s a good guy, and he’s very talented. He’s had a strange career, but he was a monster star.
He is a recurring character on Fox’s Bones (2007–2017; died in the hospital after a shootout saving his grandchildren).
In 2011, Ryan and Tatum attempted to restore their broken father/daughter relationship after 25 years. Their reunion and reconciliation process was captured in the Oprah Winfrey Network series, Ryan and Tatum: The O’Neals.
In 2016, O’Neal reunited with Love Story co-star Ali MacGraw in a staging of A.R. Gurney’s play Love Letters.
O’Neal said that in 2009 he “made a tremendous amount of money on real estate, more than [he] deserve[s]”.
O’Neal was in a long-term relationship with actress Farrah Fawcett from 1979 until 1997.
They then reunited in 2001 and were together until her death in 2009.
He was previously married to actresses Joanna Moore and Leigh Taylor-Young; both marriages ended in divorce.
He has four children: Tatum O’Neal and Griffin O’Neal (with Moore), Patrick O’Neal (with Taylor-Young), and Redmond James Fawcett O’Neal (with Fawcett).
“I got married at 20, and I was not a real mature 20,” said O’Neal. “My first child was born when I was 21. I was a man’s man; I didn’t discover women until I was married, and then it was too late.”
O’Neal had custody of Tatum and Griffin due to his first wife’s drug and alcohol issues. He had romances with Ursula Andress, Bianca Jagger, Anouk Aimee, Jacqueline Bisset, Barbra Streisand, Diana Ross, and Anjelica Huston.
For several years, O’Neal was estranged from his elder three children. However, in 2011, Tatum reconciled with her father with a book and a television show. On August 4, O’Neal, Tatum, and Patrick attended Redmond’s court appearance on firearms and drug charges.
In 2001, O’Neal was diagnosed with chronic myelogenous leukemia (CML). After struggling with leukemia, O’Neal was frequently seen at Fawcett’s side when she was battling cancer.
He told People magazine, “It’s a love story. I just don’t know how to play this one. I won’t know this world without her. Cancer is an insidious enemy.” In April 2012, O’Neal revealed he had been diagnosed with stage IV prostate cancer. He reported that it had been detected early enough to give a prognosis of full recovery.
Sources : Wikipedia / YouTube
John was an American singer, songwriter, actor, activist, and humanitarian. He was one of the most popular acoustic artists of the 1970s and one of the greatest songwriters of the 20th century. After traveling and living in numerous locations while growing up in his military family, Denver began his music career in folk music groups in the late 1960s. His greatest commercial success was as a solo singer, starting in the 1970s. Throughout his life, Denver recorded and released approximately 300 songs, about 200 of which he composed.
He performed primarily with an acoustic guitar and sang about his joy in nature, his enthusiasm for music, and his relationship trials. Denver’s music appeared on a variety of charts, including country and western, the Billboard Hot 100, and adult contemporary, in all earning him twelve…
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One afternoon, after killing one of his targets, he hesitates in killing the pet parrot, Roger, and instead takes him as a gift to his mother, Louisa (Eileen Atkins) an intimidating woman who was, until recently, also Victor’s housemate.
In celebration of his 55th birthday, she gives him a leather bound book with newspaper clippings of each of his kills from his first to his most recent, leaving pages for future hits to be included.
She also expresses concern that he might be homosexual, wondering why he hasn’t produced a successor.
Rose (Emily Blunt) is a not-so-average girl with a talent for thievery.
Her most recent theft involves the sale of a fake Rembrandt painting (painted by her friend in the Restoration Department of the National Gallery) to Ferguson (Rupert Everett), managing to swindle him out of £900,000.
Ferguson soon discovers the swap and hires the best hitman, Victor Maynard, to dispose of her. Victor takes the case and immediately tracks Rose down, missing several opportunities to kill her, and accidentally killing a random stall customer in a changing room.
He follows her to a balcony opposite her hotel room and tries to shoot her through the window, but is interrupted by the arrival of the front doorman.
Victor sets up a microphone and headset to keep her under surveillance, but falls asleep, unable to listen to their noisy lovemaking. He wakes the following morning, just as she is leaving. He has the opportunity to shoot but pauses.
His mother, Louisa, is disappointed by this missed target (and has apparently killed Roger with a knitting needle) and suggests that Victor apologize to his employer and offer to do the hit for free. He tracks Rose down in a parking garage where he sees another hitman ready to kill her. He takes the preemptive shot, killing the other assassin.
He and Rose get into her car, only to be forced out again by Mike (Gregor Fisher), another assassin hiding in the back seat of her Mini. Mike throws Victor’s gun away and lines them up on the wall to be shot and killed, but instead is wounded by Tony (Rupert Grint), an apparently homeless young man who had picked up the dead man’s gun. Saying it was his first time handling a firearm, he impresses Victor enough to consider a protégé.
But he sends Tony home and Victor and Rose flee. Mike starts firing at them and they nearly run over Tony on his way out of the garage, forcing him to join the ride.
Rose offers Victor his price of £30,000 a week for her protection, believing that he is merely a private detective. They travel to a luxury hotel where they can lay low, but by chance get a room on the same floor as Ferguson. Ferguson hires Dixon (Martin Freeman), reputed to be second only to Maynard in proficiency, to kill Rose and Maynard. After several close calls, Mike, who is also Ferguson’s bodyguard, discovers their whereabouts when he spots a pair of boots that Rose had stolen from his dead partner.
Tony is ambushed in the bathroom and nearly drowned in the bathtub by Mike, but he turns the tables and accidentally shoots Mike’s ear off before the three of them escape the hotel. Ferguson and Mike pursue them in a high-speed chase through the streets of London until Mike loses control and crashes the car, sending the pair to the hospital.
They travel to Maynard’s home, an exclusive farm deep in the countryside, where his furniture is shrink-wrapped and his cat, Snowy, resides with him. Maynard takes Tony on as his apprentice in “private detective” work.
One night (after a sensual foot-massage between Victor and Rose), Rose is attacked by Louisa (Victor’s mother), who had come back to the house to finish what her son had started. He eventually talks her down and after she leaves, the three of them work on becoming friends.
Rose and Tony help Victor celebrate his birthday, and, after a brief period of sexual confusion between Tony and Maynard, Victor falls in love with and sleeps with Rose. Afterwards, his attitude becomes more friendly, and Victor peels off the plastic coverings on all of his furniture and opens up the house. Meanwhile, Rose looks around Victor’s room, finding the leather book that his mother had given him and learning that she was actually his target for assassination.
She also finds Victor’s father’s first gun, a Broomhandle Mauser, and steals it for protection. She runs out of the house after making it clear that she trusts neither Victor nor Tony, and returns to the National Gallery, only to find her friend dead and Dixon and his assistant, Fabian (Geoff Bell), waiting for her.
They quickly return to Victor’s home, and Tony and Victor gain the upper hand when Louisa appears, killing Fabian with a machine gun. Dixon withdraws the old gun Rose had taken from Victor’s room and fires at Victor. It backfires, sending the bolt into his skull. Victor, Tony and Rose bury the pair in the back yard and return to their lives.
Three years later, Victor and Rose are married with a son named Angel and Tony has moved in with them. While Angel is playing one morning, Tony comes outside asking Victor and Rose where the cat had gone off to. They look at Angel in awe as he is innocently patting soft dirt into the yard, suggesting he killed and buried the cat. Victor smiles with pride.
Sources : Wikipedia / Youtube
Daily on Radio Satellite2 at 09h00PM EST (USA).
Mostly folk is a program proposed, produced and presented by ARTIE MARTELLO
Also on Radio’s Satellite2 Apps for your smartphones / tablets :
Here is episode 335 : Enjoy
We (teams) lived a pure happiness during these 3 hours of show.
Yes…It was a physical show: Dances, somersaults, young people performing breathtaking acrobatics. Fantastic dances and choreographies.
A synchronized show synchronized. Twenty actresses and actors who are also singers (beautiful voices), dancers …. To summarize, as said “a pure jewel” “pure happiness”
The show mixes Grease‘s English-language hits and some titles in French. Anyway, the show was translated to English on 2 screens in Mogador theater, for non-French speakers, for tourists.
This show can be easily exported and can be performed on various stages / stage boards around the world. In fact, it’s an international show.
The day you read this article, if the show is still played, do not hesitate to go there with your family. The comedy is worth the detour
Last point to be specified: It’s a Live Show: It means…. The singers are “really” singing.
It’s not a playback. There is an orchestra. This orchestra consists of 8 musicians : pianist / synth, solo electric guitar, bass guitar, drummer, trumpet player etc …
Here are 2 videos: One taken by one of our team members.
The other whose source is youtube (Théotha Paris)
+ A link to an article presenting Grease’s musical team at the Mogador Theater in Paris.
Some of the team ( artists )
For further details, you can check this website
Article in French : http://www.radiosatellite2.com/archives/2017/11/05/35836619.html
#RadioSatellite2 and #RadioSatellite 24 / 7 Live Shows. High audio Quality.
He had 35 records in the U.S. Billboard Top 40, and five of his pre-1955 records sold more than a million copies, being certified gold. During 1955 to 1960, he had eleven top 10 hits and his record sales were reportedly surpassed only by Elvis Presley. During his career, Domino sold over 65 million records.His musical style was based on traditional rhythm and blues, accompanied by saxophones, bass, piano, electric guitar, and drums.
Video : Source Youtube : Historic Films Stock Footage Archive
Once again I made my annual pilgrimage down to the northern rivers area of NSW to celebrate Australia day with my family. This part of northern NSW is about a 3 hour drive south from Brisbane.
Australia Day is our official National Day which is celebrated annually on January 26th. It marks the anniversary of the arrival of the first fleet of British ships into Port Jackson Sydney in 1788
In contemporary Australia, the holiday is marked by the presentation of the Australian of the Year awards. It is an official public holiday in all states and territories and celebrated with festivals, concerts and ceremonies, large and small, in communities and cities around the nation.
For us, it is time with family.
The beginning of our day commenced with our early morning walk where we were watched by some of the the many locals. They are always so curious and usually…
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Set in Modesto, California in 1962, the film is a study of the cruising and rock and roll cultures popular among the post–World War II baby boom generation. The film is told in a series of vignettes, telling the story of a group of teenagers and their adventures over a single night.
The genesis of American Graffiti was in Lucas‘ own teenage years in early 1960s Modesto. He was unsuccessful in pitching the concept to financiers and distributors but found favor at Universal Pictures after United Artists, 20th Century Fox, Columbia Pictures, Metro-Goldwyn-Mayer, Warner Bros., and Paramount Pictures turned him down. Filming was initially set to take place in San Rafael, California, but the production crew was denied permission to shoot beyond a second day.
American Graffiti premiered on August 2, 1973 at the Locarno International Film Festival in Switzerland and was released on August 11, 1973 in the United States. The film received widespread critical acclaim and was nominated for the Academy Award for Best Picture. Produced on a $777,000 budget, it has become one of the most profitable films of all time. Since its initial release, American Graffiti has garnered an estimated return of well over $200 million in box office gross and home video sales, not including merchandising. In 1995, the United States Library of Congress deemed the film “culturally, historically, or aesthetically significant” and selected it for preservation in the National Film Registry.
In early September 1962 in Modesto, California, on the last evening of summer vacation, recent high school graduates and longtime friends, Curt Henderson and Steve Bolander, meet John Milner, the drag-racing king of the town, and Terry “The Toad” Fields in the parking lot of the local Mel’s Drive-In diner. Curt and Steve are scheduled to travel the next morning to Northeastern United States to start college. Despite receiving a $2,000 scholarship from the local Moose Lodge, Curt has second thoughts about leaving Modesto. Steve gives Toad his 1958 Chevrolet Impala to watch while he’s away at college until he returns at Christmas. Steve’s girlfriend, Laurie, who is also Curt’s sister, arrives in her car. Steve suggests to Laurie, who is already glum about him going to college, that they see other people while he is away in order to “strengthen” their relationship. Though not openly upset, she is displeased with his proposal which affects their interactions the rest of the evening.
Curt accompanies Steve, last year’s high school student class president, and Laurie, the current head cheerleader, to the back-to-high-school sock hop. In one story line, Curt is desperate to find a beautiful blonde girl driving a white 1956 Ford Thunderbird that he sees en route to the dance: at a stoplight, she appears to say “I love you” before disappearing around the corner. After leaving the hop, Curt is coerced by a group of greasers (“The Pharaohs”) to participate in an initiation rite that involves hooking a chain to a police car and ripping out its back axle. The Pharaohs tell Curt that “The Blonde” is a trophy wife or prostitute, but he refuses to believe either.
Determined to get a message to the blonde girl, Curt drives to the local radio station to ask DJ Wolfman Jack, who is omnipresent on the car radios, to announce a message for the blonde girl. Inside the radio station, Curt encounters a bearded man who tells him that the voice of The Wolfman is pre-taped from afar.
The man still accepts the message from Curt to see what he could do. As he is leaving the station, Curt sees the man talking into the microphone and hears the voice of The Wolfman, and realizes the man is the actual DJ himself.
Sure enough, The Wolfman eventually reads the message on the radio for “The Blonde” to meet Curt or call him at a number which happens to be a telephone booth. Curt waits by the telephone booth and early the next morning, he is awakened by the phone ringing. It turns out to be “The Blonde” who says she knows him and maybe she would see him cruising the coming night. Curt replies probably not, intimating that he decided to go to college and will be leaving that morning.
The Toad, in Steve’s car, and John, in his yellow 1932 Ford Deuce Coupé hot rod, cruise the strip of Modesto. Toad, who is normally socially inept with girls, successfully picks up a flirtatious, and somewhat rebellious, girl named Debbie. John inadvertently picks up Carol, an annoying 12-year-old who seems fond of him. Another drag racer, the handsome and arrogant Bob Falfa, is searching out John in order to challenge him to a race.
Steve and Laurie have a series of arguments and make-ups through the evening. They finally split and, as the story lines intertwine, Bob Falfa picks up Laurie in his black 1955 Chevrolet One-Fifty Coupé. Bob finally finds John and goads him into racing. A parade of cars follow them to “Paradise Road” to watch the race. Laurie rides shotgun with Bob as Toad starts the race. As Bob begins taking a lead in the race, he loses control of the car when a front tire blows, and the car plunges into a ditch and rolls over. Steve and John leap out of their cars and rush to the wreck as a dazed Bob and Laurie stagger out of the car before it explodes. Distraught, Laurie grips Steve tightly and begs him not to leave her. He assures her that he will stay in Modesto.
At the airfield in the morning, Curt says goodbye to his parents, his sister Laurie, Steve, John and The Toad. As the plane takes off, Curt, gazing out of the window, sees the white Ford Thunderbird belonging to the mysterious blonde driving down a country road.
Richard Dreyfuss as Curt Henderson
Ron Howard as Steve Bolander
Paul Le Mat as John Milner
Charles Martin Smith as Terry “The Toad” Fields
Cindy Williams as Laurie Henderson
Candy Clark as Debbie Dunham
Mackenzie Phillips as Carol Morrison
Wolfman Jack as himself
Bo Hopkins as Joe Young
Manuel Padilla, Jr. as Carlos
Harrison Ford as Bob Falfa
Lynne Marie Stewart as Bobbie Tucker
Terry McGovern as Mr. Wolfe
Kathleen Quinlan as Peg
Scott Beach as Mr. Gordon
Susan Richardson as Judy
Kay Lenz as Jane
Debralee Scott as Falfa’s Girl
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