
Stars from old movies, where are they today?

He and Mayim discuss the power of music, the science of acting, and the psychological awareness that comes with Dustin’s performances. Dustin explains why he is so observant and in touch with his emotions and his thoughts about death and spirituality, and Mayim breaks down hypervigilance. Dustin reveals what it was like to be directed by Mayim in her new film, As They Made Us.
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DUSTIN HOFFMAN
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Theme Song Written, Produced and Performed by Ed Robertson. Mixed by Kenny Luong.
BIALIK BREAKDOWN. by MAYIM BIALIK
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Modern Family, ou Famille moderne au Québec, est une série télévisée américaine en 250 épisodes de 22 minutes créée par Christopher Lloyd II et Steven Levitan, et diffusée entre le 23 septembre 2009 et le 8 avril 2020 sur le réseau ABC et en simultané au Canada sur Citytv puis sur le réseau Global pour la onzième saison. Elle a le format de documentaire parodique dans lequel les personnages regardent parfois la caméra, brisant le quatrième mur, et les événements sont décrits lorsqu’ils se déroulent par les personnages à leur façon après montage. Sa filiation avec la série française Fais pas ci, fais pas ça est sujette à controverse, les producteurs de cette dernière affirmant avoir eu la primeur de l’idée.
En France, la série est diffusée depuis le 20 septembre 2010 sur Paris Première (saisons 1 et 2), le 20 juin 2012 sur M6, depuis le 8 mars 2014 sur W9 (saisons 1 et 4)et depuis le 23 février 2015 sur 6ter, au Québec, depuis le 11 janvier 2012 sur Télé-Québecet en Belgique, depuis le 17 septembre 2011 sur RTL TVI et sur Q2 et sur Netflix.
Modern Family is an American family sitcom television series created by Christopher Lloyd and Steven Levitan for the American Broadcasting Company. It ran for 11 seasons, from September 23, 2009, to April 8, 2020. It follows the lives of three diverse family set-ups in suburban Los Angeles, linked by patriarch Jay Pritchett.
Christopher Lloyd and Steven Levitan conceived the series while sharing stories of their own “modern families”. Modern Family employs an ensemble cast and is presented in mockumentary style, with the characters frequently speaking directly to the camera in confessional interview segments.
The series was renewed for an eleventh and final season on February 5, 2019, which premiered on September 25, 2019. The series finale aired on April 8, 2020.
Modern Family was acclaimed by critics throughout its first few seasons. Its critical reception became more mixed as it progressed, but it maintained a loyal fan base throughout its 11 seasons and was continuously popular. The final season received generally positive reviews, and the finale episode had 7.37 million first-run viewers. The retrospective documentary that aired before the final episode had 6.72 million first-run viewers.
The show won the Emmy Award for Outstanding Comedy Series in each of its first five years and the Emmy Award for Outstanding Supporting Actor in a Comedy Series four times, twice each for Eric Stonestreet and Ty Burrell, as well as the Outstanding Supporting Actress in a Comedy Series twice for Julie Bowen. It won a total of 22 Emmy awards from 75 nominations. It also won the Golden Globe Award for Best Television Series – Musical or Comedy in 2011.
The broadcast syndication rights to the series were sold to NBCUniversal’s USA Network, the stations of Fox Television Stations, and various other local stations in other markets for a fall 2013 premiere. The success of the series led to it being the 10th-highest revenue-generating show for 2012, earning $2.13 million an episode.
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The film stars Audrey Hepburn as Eliza Doolittle and Rex Harrison as Henry Higgins, with Stanley Holloway, Gladys Cooper and Wilfrid Hyde-White in supporting roles. A critical and commercial success, it became the second highest-grossing film of 1964 and won eight Academy Awards, including Best Picture, Best Actor, and Best Director. In 1998, the American Film Institute named it the 91st greatest American film of all time. In 2006 it was ranked eighth in the AFI’s Greatest Movie Musicals list.
In 2018, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant.”
In London, Professor Henry Higgins, a scholar of phonetics, believes that the accent and tone of one’s voice determines a person’s prospects in society (“Why Can’t the English?”). At the Covent Garden fruit-and-vegetable market one evening, he meets Colonel Hugh Pickering, himself a phonetics expert who had come from India to see him. Higgins boasts he could teach even Eliza Doolittle, the young flower seller woman with a strong Cockney accent, to speak so well he could pass her off as a duchess at an embassy ball. Eliza’s ambition is to work in a flower shop, but her accent makes that impossible (“Wouldn’t It Be Loverly”). The following morning, Eliza shows up at Higgins’ home, seeking lessons. Pickering is intrigued and offers to cover all the attendant expenses if Higgins succeeds. Higgins agrees and describes how women ruin lives (“I’m an Ordinary Man”).
Eliza’s father, Alfred P. Doolittle, a dustman, learns of his daughter’s new residence (“With a Little Bit of Luck”). He shows up at Higgins’ house three days later, ostensibly to protect his daughter’s virtue, but in reality to extract some money from Higgins, and is bought off with £5. Higgins is impressed by the man’s honesty, his natural gift for language, and especially his brazen lack of morals. Higgins recommends Alfred to a wealthy American who is interested in morality.
Eliza endures Higgins’ demanding teaching methods and treatment of her personally (“Just You Wait”), while the servants feel both annoyed with the noise as well as pitiful for Higgins (“Servants’ Chorus”). She makes no progress, but just as she, Higgins, and Pickering are about to give up, Eliza finally “gets it” (“The Rain in Spain”); she instantly begins to speak with an impeccable upper-class accent, and is overjoyed at her breakthrough (“I Could Have Danced All Night”).
As a trial run, Higgins takes her to Ascot Racecourse (“Ascot Gavotte”), where she makes a good impression initially, only to shock everyone by a sudden lapse into vulgar Cockney while cheering on a horse. Higgins partly conceals a grin behind his hand. At Ascot, she meets Freddy Eynsford-Hill, a young, upper-class man who becomes infatuated with her (“On the Street Where You Live”).
Higgins then takes Eliza to an embassy ball for the final test, where she dances with a foreign prince. Also present is Zoltan Karpathy, a Hungarian phonetics expert trained by Higgins, who is an impostor detector. After he dances with Eliza, he declares that she is a Hungarian princess.
Afterward, Eliza’s hard work is barely acknowledged, with all the praise going to Higgins (“You Did It”). This and his callous treatment of her, especially his indifference to her future, causes her to walk out on him, but not before she throws Higgins’ slippers at him, leaving him mystified by her ingratitude (“Just You Wait (Reprise)”). Outside, Freddy is still waiting (“On the Street Where You Live (Reprise)”) and greets Eliza, who is irritated by him as all he does is talk (“Show Me”). Eliza tries to return to her old life but finds that she no longer fits in. She meets her father, who has been left a large fortune by the wealthy American to whom Higgins had recommended him, and is resigned to marrying Eliza’s stepmother. Alfred feels that Higgins has ruined him, lamenting that he is now bound by “middle-class morality”, in which he gets drunk before his wedding day (“Get Me to the Church On Time”). Eliza eventually ends up visiting Higgins’ mother, who is outraged at her son’s callous behavior.
The next day, Higgins finds Eliza gone and searches for her (“A Hymn to Him”), eventually finding her at his mother’s house. Higgins attempts to talk Eliza into coming back to him. He becomes angered when she announces that she is going to marry Freddy and become Karpathy’s assistant (“Without You”). He makes his way home, stubbornly predicting that she will come crawling back. However, he comes to the unsettling realization that she has become an important part of his life (“I’ve Grown Accustomed to Her Face”). He enters his house feeling lonely, reflecting on his callous behaviour and missing Eliza so much that he turns on his gramophone and listens to her voice. Suddenly, Eliza reappears at the door and turns it off to catch his attention, with Higgins asking, “Eliza, where the devil are my slippers?”.
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Lately Paddy and I have been on a quest to find the best milkshake in our area. It is a craving we can’t describe – but in the depth of winter, we love to have ice cream – and right now, we are sampling milkshakes in lots of different places. Usually it is a chocolate shake – but occasionally we throw in a strawberry one. Pat had a vanilla milkshake once but decided that was a waste of time since it was so ‘blah’ – that is his technical term. We have tested small local shops as well as chains – and not just the same franchise of a chain – but different locations because strange as it may sound – they all make them differently!
Of course, throughout this quest we have to try to not get so big we can’t get in the car to go on our…
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