Dîner de famille
Dîner de famille
Les ménages sont divers et assez fantasques souvent.
Des couples de tous les âges, de toutes catégories sociales et culturelles.
De quoi brasser relativement large entre les couples vivant en zone urbaine
Et ceux vivant en zone rurale.
Leur trait principal (commun ) qui les caractérise : Le scinisme ( sympa), la méchanceté gratuite envers leurs voisins, envers leurs entourage et même entre eux.
Raymond : Gendarme à la retraite s’ennuie. Huguette, son épouse : Femme au foyer passe son temps à taquiner son mari ( et réciproquement)
Huguette est une fan inconditionnelle d’un chanteur : Michael François.
Huguette & Raymond ont une fille : Caroline. Fille pour laquelle, ils n’ont aucun sentiment, pire, c’est presque de la destestation et moquerie qu’ils expriment lorsqu’ils parlent d’elle.
Un couple Quinquagénaire. Liliane est esthéticienne. José Fonctionnaire à la mairie.
Les premières saisons, Liliane poussait fortement son mari à se présenter aux élections municipales. Les campagnes et promos organisées par Liliane . L’impression ( et c’est la réalité ) que José se présente en candidat aux élections en tant que maire parce que c’est Liliane qui le veut.
En fait, nous voyons Liliane gérer toute sa campagne électorale ; José suivant sagement pas convaincu et pas réellement intéressé par le poste.
Le slogan de la campagne électorale : Osez José
Sa passion : Le foot. Assez paresseux, il ne rate aucune occasion pour rentrer plus tôt à la maison. Son épouse le pousse assez souvent de repartir travailler.
Ils ont un enfant : Manu. Le point faible de Liliane. Manu qui vit en chine pour son boulot.
La plupart du temps, José , gauche et maladroit blesse ses amis aussi bien que sa femme sans pour autant réaliser l’impact de ses paroles et gestes.
Cédric, gestionnaire, salarié durant les premiers épisodes. Par la suite, il va connaitre le chômage. Radin,
En revanche, sa compagne ( qui devient son épouse par la suite) s’auto proclame « femme d’affaires » et recrute des stagiaires à la pelle qu’elle (mal)traite comme des soldats à sa disposition.
Cédric et Marion se considèrent très beaux, très intelligents et pensent que les autres les jalousent. (ce qui n’est nullement le cas : quant à l’intelligence notamment )
Emma :bricoleuse au caractère assez “cash”.
D’ailleurs, elle occupe un poste chez Bricoflex. Côté culture, ce n’est pas son fort. Même si parfois elle essaie de faire des efforts pour donner la réplique à son conjoint.
Justement Fabien : Fier d’être professeur « agrégé ». Il n’est même pas bricoleur du dimanche. Plus posé, il lui arrive souvent d’agir bizarrement notamment lorsqu’il s’agit de combattre ses peurs et phobies. Peur de tout. Il suffit qu’il visionne un film d’horreur en soirée et ce, « malgré lui », c’est parti pour une nuit blanche.
Ils ont transformé leur maison en maison d’hôte ( ou gîte ) mais étant amateurs dans ce domaine, ce n’est pas trop leur fort « la fidélisation des clients »
Philippe est Pharmacien. Bourgeois à la tête de sa pharmacie qui engendre des recettes énormes. Philippe ne s’en cache pas. Il répète à qui veut qu’il est pharmacien. Il considère qu’il a réussi sa vie « puisqu’il est pharmacien » . Beaucoup plus âgé que Camille , Philippe vit dans l’angoisse que Camille le quitte. A cause de son âge justement
Philippe a 2 enfants issus d’une première union avec Isabelle : Ulysse et Camille.
Ulysse paresseux et vivant aux crochets de son père.
Camille : Professeur de Yoga. Assez ouverte ( voire trop parfois ). Elle reprend ses histoires amoureuses de nombreuses fois durant ses conversations avec ses invités. Ce qui choque et fait peur à Philippe.
A préciser que Camille essaie d’imposer à Philippe un régime alimentaire drastique.
C’est le dernier né des couples de « scènes de ménages » : Ils viennent remplacer le duo ( Marion et Fabien )
Léo et Leslie sont un couple assez « nerd » (geek ) passionnés de nouvelles technologies.
Photos : M6, Le parisien, Google, programme tv, antenne réunion, Paris Match, Ouest France etc… diverses autres sources.
Article : Satellite Team.
Autres articles cinéma / TV :
#Periscope #Live #Oldies #60s #70s #80s
We are proud to present VERONICA MEREU
Nous sommes fiers de vous présenter VERONICA MEREU
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For RadioSatellite : Instrumental music / Lounge / Jazz :
Guido : Presenting his program : In the Zone (Lounge) (Netherlands)
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For RadioSatellite2 : Oldies Pop from 60s to 80s + Soft Jazz + Blues + Country Music
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Music composition + Audio and Video creation : by Pierre .
It is used worldwide as an anti-fascist hymn of freedom and resistance. The song has much older origins though in the hardships of the mondina women, the paddy field workers in the late 19th century who sang it as a protest against harsh working conditions in the paddy fields in North Italy.
“Bella ciao” was originally sung as “Alla mattina appena alzata” by seasonal worker of paddy fields of rice, especially in Italy’s Po Valley from the late 19th century to the first half of the 20th century with different lyrics.
The work of monda (weeding) was widespread in northern Italy in that era. The work consisted of removing the weeds growing in rice fields that hindered the healthy growth of young rice plants. It took place during the flooding of the fields, from the end of April to the beginning of June every year, during which the delicate shoots needed to be protected, during their first stages of their development, from temperature differences between the day and the night.
It consisted of two phases: transplanting the plants and pruning the weeds. The work of monda was an extremely tiring task, carried out mostly by women known as mondinas (rice-weeders) that came of the poorest social classes. The workers would spend their workdays with their bare feet in water up to their knees and their back bent for many hours. The atrocious working conditions, long hours and very low pay led to constant dissatisfaction and led, at times to rebellious movements and riots in the early years of the twentieth century.
The struggles against the supervising padroni was even harder with the abundance of clandestine workers ready to compromise even further the already low wages just to get work. Besides “Bella ciao”, similar songs by the mondina women included “Sciur padrun da li beli braghi bianchi” and “Se otto ore vi sembran poche”.
Other similar versions of the antecedents of “Bella ciao” appeared over the years, indicating that “Alla mattina appena alzata” must have been composed in the later half of the 19th century. The earliest written version is dated 1906 and comes from near Vercelli, Piedmont.
“Bella ciao” was revived by the anti-fascist resistance movement active in Italy between 1943 and 1945 with different lyrics of resistance. The author of the lyrics is unknown.
In addition to the original Italian, the song has been recorded by various artists in many different languages, including #Arabic, #Bosnian, #Breton, #Catalan, #Chinese (known as “啊朋友再见“), #Croatian, #Danish, #English, #Esperanto, #Finnish, #German, #Hungarian, #Japanese, #Persian, #Norwegian, #Occitan, #Russian, #Serbian, #Slovenian, #Spanish, #Syriac, #Tagalog, #Telugu, #Thai, #Tibetan, and #Ukrainian.
A rewritten version of the song can be heard on Chumbawamba’s acoustic album A Singsong and a Scrap.
Former Yugoslav punk rock bands KUD Idijoti and later Goblini recorded their versions of the track.
Hungarian punk rock band Aurora has performed the song.
Folk musician Leslie Fish has written and performed several versions of the song, one of which can be found on the album Smoked Fish.
Folk artist Mirah lent her voice to this song on her 2004 album, To All We Stretch the Open Arm.
Anita Lane recorded a version in English for her 2001 album, Sex O’Clock.
Breton folk punk band Les Ramoneurs de menhirs recorded a version in Breton and French but called it “BellARB”.
Danish psychedelic rock group Savage Rose have recorded a version of this song on the albums En Vugge Af Stål from 1982 and Ild Og Frihed (1989).
San Francisco punk band La Plebe perform “Bella Ciao” on their album, Brazo en Brazo.
French-born musician of Spanish origin Manu Chao has also recorded a version of the song.
The tune has been used in a song in the Indian Tollywood movie Businessman, starring Mahesh Babu, Music by S.S.Thaman.
Italian ska punk band Talco recorded the song on their 2006 album Combat Circus.
Konstantin Wecker and Hannes Wader, two German “Liedermacher” performed it live on their collaboration album Was für eine Nacht.
Yugoslav musician Goran Bregovic has recorded one version on his album Champagne for Gypsies (2012).
German folk duo Zupfgeigenhansel recorded a free adaptation on their 1982 album Miteinander that, instead of glorifying the death of the partisan, paints him as a reluctant anti-hero who is scared and despises war, but feels he has no other choice because of the atrocities he has seen.
Thai anti-fascism band, “Faiyen” (ไฟเย็น, “Cold Flame”) recorded a Thai version of the song called “Plodploy Plianplaeng” (Thai: ปลดปล่อย เปลี่ยนแปลง, “Liberate and Change”). It has been used by the Red Shirts anti-fascism group since 2011.
Spanish punk rock band boikot recorded a modified version in Spanish.
An a cappela version was recorded by the Swingle Singers in 1991 on their album “Folk Music Around The World”
Belarusian folk punk band Dzieciuki recorded a modified version in Belarusian under the name “Трымайся, браце!” (“Hold fast, brother”)
Syriac (Aramaic) version created by Beith Souryoye Morounoye under the name “foosh bashlom (Bella ciao)”
Patric recorded Bèla Ciaò, a version in Occitan for his 2010 album, Colors.
Mike Singer recorded an Electro dance version in June 2018.
Source Wikipedia / Youtube
Damian Muller’s ORIGINAL & refreshing songs will make you laugh, sometimes cry, and always smile. “YOU’VE STILL GOT IT” is his second CD of his own songs that will touch your heart with his real-life, uplifting, humorous, and poignant stories. The CD features an ALL-STAR CAST of incredible musicians: Jim Van Cleve, Aaron Ramsey, Seth Taylor, Russ Carson, and tight blend of smooth family harmonies.
Damian is a long-time Richmond, VA songwriter and performer.
In addition to being an award-winning bluegrass bassist, Damian is currently the principal bassist for The Richmond Philharmonic Orchestra.
About “YOU’VE STILL GOT IT”
Produced by Jim Van Cleve & Damian Muller
Recorded by David Hall at Studio Studio, Franklin, TN
1. THERE’S NO FUTURE LIVING IN THE PAST – Hard Driving Bluegrass – about meeting someone from your past. It may take you back to that time in your life, but you can’t spend your life looking back.
2. HALF AND INCH OF SNOW – Hilarious yet true story whenever it snows anywhere in the south. Upbeat acoustic swing style.
3. THE BEAUTY OF AMERICA – A poignant patriotic ballad for our time – Inspired by the many good things in this country that make us proud to be Americans.
4. YOU’VE STILL GOT IT – a Bouncy Bluegrass Song – Everyone who’s been in a relationship a long time wants to hear that they’ve still got it.
5. GALAX STATE OF MIND – Upbeat Bluegrass – There’s nothing quite like spending a week at the fiddlers convention in Galax, Virginia playing music night and day.
6. CLAP YOUR HANDS – Bluegrass Gospel – Everyone and every church has many reasons to celebrate!
7. ON MY WAY – a touching true story about someone who lived his faith every day of his life.
8. THINGS ARE LOOKING UP – Hard Driving & Lighthearted Bluegrass – This is for anyone who found their true love the second time around.
9. NEVER TOO OLD – Acoustic ballad any baby boomer or senior can relate to. It’s never too old to find love & happiness.
10. SHENANDOAH HOME – Upbeat Bluegrass – Going to Shenandoah National Park always feels like going home. However, for folks whose families lived there before it was a park, going home takes on a different meaning.
11. BE NOT AFRAID – a wonderful Bluegrass Gospel Quartet inspired by the scriptures.
12. LOVE LIVES FOREVER – a touching Bluegrass Ballad about remembering our grandparents’ love – and wanting to pass that love on to our own grandchildren.
13. LONG WAY TO GO – an exciting, upbeat Gospel Bluegrass Quartet with terrific harmonies & a great message.
From his last Album, we can listen to Steady Work
Saturday 19th of May 2018
Sources BFM TV
TOP 100 of countries / Listeners for MARCH 2018
Listeners by country and by connection for RADIO SATELLITE
Reminder: Radio Satellite plays “instrumental” music (#JamesLast, #FaustoPapetti, #EnnioMorricone, #Zamfir….)
Radio Satellite2 : Plays Oldies Pop Rock music and also Some soft jazz programs and blues. (#Eric_Clapton, #Elton_john, #JohnDenver, #Abba, #BeeGees, #TheCarpenters, #TheEverlyBrothers, #The_Statler_Brothers, #Beatles, #BarryWhite, #TomJones and more…)
He started life as Harry Webb and spent some of his childhood years in India. Cliff Richard was inspired by the music of Elvis Presley and at age 16, formed a band, ‘The Quintones’, with school friends and performed at their local Youth Club. From there, Cliff Richard went from strength to strength and became a global star.
Having moved to India to help build a system of railways, Rodger Webb married Dorothy Dazely in 1939 and the following year the couple had a baby boy – Harry Rodger Webb.
Born in The King’s English Hospital in Lucknow, Harry was educated in Howrah, until his family moved to England in 1948, following Home Rule in India.
After a privileged life in India, the Webbs faced poverty, and were forced to sleep on mattresses at the houses of various relatives. In 1951, they were given a…
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ART GARFUNKEL (Simon and Garfunkel
BARRY GIBB (Bee Gees )
DAVID MC CALLUM
SOUND OF MUSIC TEAM ( Von Trapp family in movie)
LEE AAKER ( Aka RUSTY in RINTINTIN )
Sources : Google
He sold more than 45 million records, had 38 top-40 hits, and appeared in more than 12 Hollywood films.
According to Billboard, Boone was the second-biggest charting artist of the late 1950s, behind only Elvis Presley, and was ranked at No. 9 in its listing of the Top 100 Top 40 Artists 1955–1995.
Until the 2010s, Boone held the Billboard record for spending 220 consecutive weeks on the charts with one or more songs each week.
At the age of 23, he began hosting a half-hour ABC variety television series, The Pat Boone Chevy Showroom, which aired for 115 episodes (1957–1960). Many musical performers, including Edie Adams, Andy Williams, Pearl Bailey, and Johnny Mathis, made appearances on the show. His cover versions of rhythm and blues hits had a noticeable effect on the development of the broad popularity of rock and roll. Elvis Presley was the opening act for a 1955 Pat Boone show in Cleveland, Ohio.
As an author, Boone had a number-one bestseller in the 1950s (Twixt Twelve and Twenty, Prentice-Hall). In the 1960s, he focused on gospel music and is a member of the Gospel Music Hall of Fame. He continues to perform and speak as a motivational speaker, a television personality, and a conservative political commentator.
Boone was born Charles Eugene Boone on June 1, 1934, in Jacksonville, Florida, the son of Margaret Virginia (Pritchard) and Archie Altman Boone. Boone was reared primarily in Nashville, Tennessee, a place he still visits. His family moved to Nashville from Florida when Boone was two years old. He attended and graduated in 1952 from David Lipscomb High School in Nashville. His younger brother, whose professional name is Nick Todd, was also a pop singer in the 1950s and is now a church music leader.
In a 2007 interview on The 700 Club, Boone claimed that he is the great-great-great-great grandson of the American pioneer Daniel Boone.
He is a cousin of two stars of Western television series: Richard Boone of CBS’s Have Gun – Will Travel and Randy Boone, of NBC’s The Virginian and CBS’s Cimarron Strip. Research done a few years ago by The Boone Society found that Pat and his siblings are not biological descendants of Daniel Boone, nor of any of Daniel’s brothers.
Pat’s siblings were notified and have acknowledged that the research done by The Boone Society is true.
In November 1953, when he was 19 years old, Boone married Shirley Lee Foley, daughter of country music great Red Foley and his wife, singer Judy Martin. They have four daughters: Cheryl Lynn (better known as Cherry), Linda Lee, Deborah Ann (better known as Debby), and Laura Gene. Starting in the late 1950s, Boone and his family were residents of Leonia, New Jersey.
In college, he primarily attended David Lipscomb College, later Lipscomb University, in Nashville. He graduated in 1958 from Columbia University School of General Studies magna cum laude and also attended North Texas State University, now known as the University of North Texas, in Denton, Texas.
Boone began his career by performing in Nashville’s Centennial Park
He began recording in 1954 for Republic Records (not to be confused with the current label with that name), and by 1955, for Dot Records.
His 1955 version of Fats Domino’s “Ain’t That a Shame” was a hit. This set the stage for the early part of Boone’s career, which focused on covering R&B songs by black artists for a white American market.
Randy Wood, the owner of Dot, had issued an R&B single by the Griffin Brothers in 1951 called “Tra La La-a”—a different song from the later LaVern Baker one—and he was keen to put out another version after the original had failed. This became the B side of the first Boone single “Two Hearts Two Kisses”, originally by the Charms – whose “Hearts Of Stone” had been covered by the label’s Fontane Sisters.
Once the Boone version was in the shops, it spawned more covers by the Crew-Cuts, Doris Day, and Frank Sinatra.
A number-one single in 1956 by Boone was a second cover and a revival of a then seven-year-old song “I Almost Lost My Mind”, by Ivory Joe Hunter, which was originally covered by another black star, Nat King Cole.
According to an opinion poll of high-school students in 1957, the singer was nearly the “two-to-one favorite over Elvis Presley among boys and preferred almost three-to-one by girls …”
During the late 1950s, he made regular appearances on ABC-TV’s Ozark Jubilee, hosted by his father-in-law.
Boone cultivated a safe, wholesome, advertiser-friendly image that won him a long-term product endorsement contract from General Motors during the late 1950s, lasting through the 1960s.
He succeeded Dinah Shore singing the praises of the GM product: “See the USA in your Chevrolet … drive your Chevrolet through the USA, America’s the greatest land of all!” GM had also sponsored The Pat Boone Chevy Showroom.
In the 1989 documentary Roger & Me, Boone stated that he first was given a Chevrolet Corvette from the GM product line, but after his wife and he started having children, at one child a year, GM supplied him with a station wagon, as well.
Many of Boone’s hit singles were covers of hits from black R&B artists. These included: “Ain’t That a Shame” by Fats Domino; “Tutti Frutti” and “Long Tall Sally” by Little Richard;
“At My Front Door (Crazy Little Mama)” by The El Dorados; and the blues ballads “I Almost Lost My Mind” by Ivory Joe Hunter, “I’ll be Home” by the Flamingos and “Don’t Forbid Me” by Charles Singleton. Boone also wrote the lyrics for the instrumental theme song for the movie Exodus, which he titled “This Land Is Mine”. (Ernest Gold had composed the music.)
As a conservative Christian, Boone declined certain songs and movie roles that he felt might compromise his beliefs—including a role with sex symbol Marilyn Monroe. In one of his first films, April Love, the director, Henry Levin, wanted him to give co-star Shirley Jones a kiss (which was not in the script). Since this would be his first onscreen kiss, Boone said that he wanted to talk to his wife first, to make sure it was all right with her. He had his own film production company, Cooga Mooga Productions.
He appeared as a regular performer on Arthur Godfrey and His Friends from 1955 through 1957, and later hosted his own The Pat Boone Chevy Showroom, on Thursday evenings. In the early 1960s, he began writing a series of self-help books for adolescents, including Twixt Twelve and Twenty.
The British Invasion ended Boone’s career as a hitmaker, though he continued recording throughout the 1960s.
In the 1970s, he switched to gospel and country, and he continued performing in other media, as well.
In 1959, Boone’s likeness was licensed to DC Comics, first appearing in Superman’s Girl Friend, Lois Lane #9 (May 1959) before starring in his own series from the publisher which lasted for five issues from September 1959 to May 1960.
In the 1960s and 1970s. the Boone family toured as gospel singers and made gospel albums, such as The Pat Boone Family and The Family Who Prays.
In the early 1970s, Boone founded the record label Lamb & Lion Records. It featured artists such as Pat, the Pat Boone Family, Debby Boone, Dan Peek, DeGarmo and Key, and Dogwood.
In 1974, Boone was signed to the Motown country subsidiary Melodyland.
The label was later to be renamed Hitsville after a Christian church sued Motown’s president Berry Gordy over the use of the earlier name. The country subsidiary was closed in 1977.
In 1978, Boone became the first target in the Federal Trade Commission’s crackdown on false-claim product endorsements by celebrities.
He had appeared with his daughter Debby in a commercial to claim that all four of his daughters had found a preparation named Acne-Statin a “real help” in keeping their skin clear.
The FTC filed a complaint against the manufacturer, contending that the product did not really keep skin free of blemishes. Boone eventually signed a consent order in which he promised not only to stop appearing in the ads, but also to pay about 2.5% of any money that the FTC or the courts might eventually order the manufacturer to refund to consumers.
Boone said, through a lawyer, that his daughters actually did use Acne-Statin, and that he was “dismayed to learn that the product’s efficacy had not been scientifically established as he believed.”
In 1956 Boone was one of the biggest recording stars in the US. Several film studios pursued him for movies; he decided to go with 20th Century Fox who made Elvis Presley’s first movie.
Fox reworked a play he had bought, Bernadine, into a vehicle for Boone. The resulting film was a solid hit, earning $3.75 million in the US.
Even more popular was April Love (1957), a remake of Home in Indiana. Boone regards it as one of his favourites, “the kind of movie I wish I could have made 20 more of: a musical, appealing characters, some drama, a good storyline, a happy ending, it’s the kind of film which makes you feel good. I never wanted to make a depressing or immoral film.”
In 1957 he was voted the third most popular star in the US.
Less popular was a musical comedy Mardi Gras (1958), which was the last movie of Edmund Goulding. However Journey to the Center of the Earth (1959), a science fiction adventure tale was a huge hit. Boone had been reluctant to do it, and needed to be persuaded by being offered the chance to sing several songs and given a percentage of the profits, but was glad he did.
He produced and starred in a documentary, Salute to the Teenagers (1960) but did not make a film for a while, studying acting with Sanford Meisner. He returned with a military comedy All Hands on Deck (1961), a mild hit.
He was one of several names in another remake, State Fair (1962), a box office disappointment. Musicals were becoming less fashionable in Hollywood, so Boone decided to take on a dramatic role in the Metro-Goldwyn-Mayer-distributed movie The Main Attraction (1962) for Seven Arts Productions, his first movie outside Fox.
It was an unhappy experience for Boone as he disliked the implication his character had sex with Nancy Kwan’s and he got into several public fights with the producers.
He had a deal with Fox to make three films at $200,000 a film with his production company. This was meant to start with a thriller, The Yellow Canary (1963), in which Boone would play an unsympathetic character.
New management came in at the studio which was unenthusiastic about the picture but because Boone had a pay or play deal, they decided to make it anyway, only with a much shorter budget. Boone even paid some money out of his own pocket to help complete it.
Boone’s next movie for Fox was another low budget effort, The Horror of It All (1963), shot in England. He shot a comedy in Ireland Never Put It in Writing (1964) for Allied Artists. Boone’s third film for Fox was an “A” production, Goodbye Charlie (1964) but Boone was in support of Debbie Reynolds and Tony Curtis.
Boone was one of the many names in The Greatest Story Ever Told (1965). He appeared in The Perils of Pauline (1967), a pilot for a TV series that did not eventuate, which was screened in some theatres. Boone’s last film of note was The Cross and the Switchblade (1970).
In 1997, Boone released In a Metal Mood: No More Mr. Nice Guy, a collection of heavy metal covers. To promote the album, he appeared at the American Music Awards in black leather. He was then dismissed from Gospel America, a TV show on the Trinity Broadcasting Network. After making a special appearance on TBN with the president of the network, Paul Crouch, and his pastor, Jack Hayford, many fans accepted his explanation of the leather outfit being a “parody of himself”. Trinity Broadcasting then reinstated him, and Gospel America was brought back.
In 2003, the Nashville Gospel Music Association recognized his gospel recording work by inducting him into its Gospel Music Hall of Fame.
In September 2006, Boone released Pat Boone R&B Classics – We Are Family, featuring cover versions of 11 R&B hits, including the title track, plus “Papa’s Got A Brand New Bag”, “Soul Man”, “Get Down Tonight”, “A Woman Needs Love”, and six other classics.
Boone and his wife, Shirley, live in Beverly Hills, a suburb of Los Angeles. At one time, their neighbors were Ozzy Osbourne and his family. A sound-alike of Boone’s cover of Osbourne’s song “Crazy Train” became the theme song for The Osbournes (though the original Boone version appears on The Osbournes soundtrack).
In 2010, plans were announced for the Pat Boone Family Theater at Broadway at the Beach in Myrtle Beach, South Carolina. The attraction was never built.
In 2011 Boone acted as a spokesperson for Security One Lending, a reverse mortgage company.
Since at least 2007 Boone has acted as a spokesperson for Swiss America Trading Corporation, a broker of gold and silver coins that warns of “America’s Economic Collapse”.
Pat Boone grew up in the Church of Christ.
In the 1960s, Boone’s marriage nearly came to an end because of his use of alcohol and his preference for attending parties.
However, after coming into contact with the Charismatic Movement, Shirley began to focus more on her religion and eventually influenced Pat and their daughters toward a similar religious focus.
At this time, they attended the Inglewood Church of Christ in Inglewood, California.
In the spring of 1964, Boone spoke at a “Project Prayer” rally attended by 2,500 at the Shrine Auditorium in Los Angeles.
The gathering, which was hosted by Anthony Eisley, a star of ABC’s Hawaiian Eye series, sought to flood the United States Congress with letters in support of school prayer, following two decisions in 1962 and 1963 of the United States Supreme Court which struck down the practice as in conflict with the Establishment Clause of the First Amendment to the United States Constitution.
Joining Boone and Eisley at the Project Prayer rally were Walter Brennan, Lloyd Nolan, Rhonda Fleming, Gloria Swanson, and Dale Evans. Boone declared, “what the communists want is to subvert and undermine our young people. … I believe in the power of aroused Americans, I believe in the wisdom of our Constitution. … the power of God.”
It was noted that Roy Rogers, John Wayne, Ronald Reagan, Mary Pickford, Jane Russell, Ginger Rogers, and Pat Buttram had endorsed the goals of the rally and would also have attended had their schedules not been in conflict.
In the early 1970s, the Boones hosted Bible studies for celebrities such as Doris Day, Glenn Ford, Zsa Zsa Gabor, and Priscilla Presley at their Beverly Hills home. The family then began attending The Church On The Way in Van Nuys, a Foursquare Gospel megachurch pastored by Jack Hayford.
On an April 22, 2016, broadcast of Fox News Radio’s The Alan Colmes Show, Boone discussed an episode of Saturday Night Live which included a sketch entitled God Is A Boob Man; the sketch parodied the film God’s Not Dead 2 in which Boone had a role.
He described the sketch as “blasphemy”, stating that the Federal Communications Commission should forbid any such content, and that it should revoke the broadcast licenses of any “network, or whoever is responsible for the shows.”
Sources : Wikipedia / Youtube
In 1964, he landed the role of Rodney Harrington on the ABC nighttime soap opera Peyton Place. The series was an instant hit and boosted O’Neal’s career. He later found success in films, most notably Love Story (1970), for which he received Academy Award and Golden Globe nominations as Best Actor, What’s Up, Doc? (1972), Paper Moon (1973), Stanley Kubrick‘s Barry Lyndon (1975), and A Bridge Too Far (1977). He had a recurring role in the TV series Bones as Max, the father of the series’ protagonist.
O’Neal was born in Los Angeles, California, the eldest son of actress Patricia Ruth Olga (née Callaghan; 1907–2003) and novelist and screenwriter Charles O’Neal.
His father was of English and Irish descent, while his mother was of paternal Irish and maternal Ashkenazi Jewish ancestry.
His brother, Kevin, is an actor and screenwriter.
O’Neal attended University High School in Los Angeles, and trained there to become a Golden Gloves boxer. During the late 1950s, his father had a job writing on a television series called Citizen Soldier, and moved the family to Munich, where O’Neal attended Munich American High School.
O’Neal appeared in guest roles on series that included The Many Loves of Dobie Gillis, Leave It to Beaver, Bachelor Father, Westinghouse Playhouse, Perry Mason and Wagon Train.
From 1962 to 1963, he was a regular on NBC’s Empire, another modern day western, where he played “Tal Garrett”. Also, was in an episode of My Three Sons as Chug Williams in 1962.
In 1964 he was cast as Rodney Harrington in the prime time serial drama Peyton Place. The series was a big success, making national names of its cast including O’Neal. Several were offered movie roles, including Mia Farrow and Barbara Parkins.
Eventually O’Neal was cast in the lead of The Big Bounce (1969), based on an Elmore Leonard novel. Then he played an Olympic athlete in The Games (1970). Neither film was particularly successful.
The Games had been co written by Erich Segal, who recommended O’Neal for the lead in Love Story, based on Segal’s novel and script.
A number of actors had turned down the role including Beau Bridges and Jon Voight before it was offered to O’Neal. His fee was $25,000; he had an offer that paid five times as much to appear in a Jerry Lewis film but O’Neal knew that Love Story was the better prospect and selected that instead.
“I hope the young people like it,” he said before the film came out. “I don’t want to go back to TV. I don’t want to go back to those NAB conventions.”
In between the film’s production and release. O’Neal appeared in a TV movie written by Eric Ambler, Love Hate Love, which received good ratings. He also made a Western, Wild Rovers with William Holden for director Blake Edwards.
Love Story turned out to be a box office phenomenon. It made O’Neal a star and earned him a nomination for an Academy Award for Best Actor (although O’Neal was bitter he was never given a percentage of the profits, unlike co-star Ali MacGraw).
Wild Rovers, badly cut by MGM, was considerably less popular, yet O’Neal was going to make another film for MGM, Deadly Honeymoon from a novel by Larry Block.
However, O’Neal pulled out – Peter Bogdanovich later said MGM head Jim Aubrey was “cruel” to O’Neal.
(The film became Nightmare Honeymoon.) He was also wanted by director Nic Roeg to appear opposite Julie Christie in an adaptation of Out of Africa that was never made.
Instead O’Neal starred in What’s Up Doc? (1972) for Bogdanovich opposite Barbra Streisand. This was the third-highest-grossing film of 1972 and led to him receiving an offer to star in a movie for Stanley Kubrick, Barry Lyndon.
While that was in pre production, O’Neal played a jewel thief in The Thief Who Came to Dinner (1972) opposite Jacqueline Bisset and Warren Oates. Then he was reunited with Bogdanovich for Paper Moon (1973) in which he starred opposite his daughter Tatum O’Neal. Tatum won an Oscar for her performance in a very popular movie and in 1973, Ryan O’Neal was voted by exhibitors as the second most popular star in the country, behind Clint Eastwood.
O’Neal spent over a year making Barry Lyndon (1975) for Kubrick.
The resulting film was considered a commercial disappointment and had a mixed critical reception; it won O’Neal a Harvard Lampoon Award for the Worst Actor of 1975. Its reputation has risen in recent years but O’Neal says his career never recovered from the film’s reception.
“Oh it’s all right but he [Kubrick] completely changed the picture during the year he spent editing it,” said O’Neal.
O’Neal had been originally meant to star in Bogdanovich’s At Long Last Love but was replaced by Burt Reynolds. He made Nickelodeon (1976) with Reynolds, Bogdanovich and Tatum O’Neal, for a fee of $750,000. The film flopped at the box office.
He followed this with a small role in the all-star war film A Bridge Too Far (1977), playing General James Gavin. O’Neal’s performance as a hardened general was much criticised, although O’Neal was only a year older than Gavin at the time of the events in the film.
“Can I help it if I photograph like I’m 16 and they gave me a helmet that was too big for my head?” he later said. “At least I did my own parachute jump.”
The film performed poorly at the US box office but did well in Europe.
O’Neal initially turned down a reported $3 million to star in Oliver’s Story (1978), a sequel to Love Story.
Instead he appeared in the car-chase film The Driver (1978), directed by Walter Hill, who had written The Thief Who Came to Dinner.
This was a box office disappointment in the US but, like A Bridge Too Far, did better overseas. Hill later said he “was so pleased with Ryan in the movie and I was very disappointed that people didn’t particularly give him any credit for what he did. To me, he’s the best he’s ever been. I cannot imagine another actor.”
O’Neal was meant to follow this with The Champ (1979), directed by Franco Zeffirelli, but decided to pull out after Zeffirelli refused to cast O’Neal’s son Griffin opposite him. Instead he agreed to make Oliver’s Story after all once the script was rewritten.
However the film was a flop at the box office.
“What I have to do now, seriously, is win a few hearts as an actor,” he said in 1978. “The way Cary Grant did. I know I’ve got a lot of winning to do. But I’m young enough. I’ll get there…”
Around this time, O’Neal was meant to star in The Bodyguard, from a Lawrence Kasdan script, opposite Diana Ross for director John Boorman. However the film fell over when Ross pulled out, and it would not be made until 1992, with Kevin Costner in O’Neal’s old role.
There was some talk he would appear in a film from Michelangelo Antonioni, Suffer or Die, but this did not eventuate.
O’Neal instead played a boxer in a comedy, The Main Event, reuniting him with Streisand. He received a fee of $1 million plus a percentage of the profits. The Main Event was a sizeable hit at the box office.
A 1980 profile of O’Neal described him:
“ Unlike most stars of the post-Hoffman era he is very handsome, especially when moustached: he has blond curly hair and a toothpaste smile: he seems to lead an interesting life.
Maybe he would really come on if he had the apprenticeship of the stars of the 30s: for he is, to underline the point, a throwback to that era. There are no nervous tics, solemnity is at bag; his is an easy, genial presence, and thank heaven for it! ”
O’Neal was looking to follow it as the lead in the film version of The Thorn Birds to be directed by Arthur Hiller but the book ended up being adapted as a mini series.
Instead O’Neal made a British-financed thriller, Green Ice (1981), for the most money he had ever received up front.
The movie had a troublesome production (the original director quit during filming) and flopped at the box office.
He had a cameo in Circle of Two, a film his daughter made with Richard Burton.
O’Neal says Burton told him during filming he was “five years away from winning acceptance as a serious actor. On the other hand, my agent, Sue Mengers says I’m right on the threshold. Split the difference, that’s two and a half years. One good picture, that’s all I need…”
However, in the early 80s he focused on comedies. He received $2 million for the lead in So Fine.
This was followed by Partners (1982), a farce written by Francis Veber in which O’Neal played a straight cop who goes undercover as one half of a gay couple.
He then played a film director loosely based on Peter Bogdanovich in Irreconcilable Differences (1984); he received no upfront fee but got a percentage of the profits.
It was a minor box office success.
A 1984 profile called him “the Billy Martin of Hollywood, whether it’s his love affair with Farrah Fawcett… his precocious actor daughter Tatum or fisticuffs with his son Griffin. He just can’t seem to stay out of the news.” O’Neal said he felt more like Rocky Marciano, “wondering why guys are always picking fights with me. If I’m in a good picture, they’ll like me. If I’m not they’ll hate me. Hey I’m mad too when I don’t make good pictures.”
O’Neal said too many of the roles he had played were “off the beaten path for me”. In particular he regretted doing The Thief Who Came to Dinner, A Bridge Too Far, The Driver, So Fine, Partners and Green Ice.
He blamed this in part on having to pay alimony and child support. He also said agent Sue Mengers encouraged him to constantly work.
“If I could get a good director to choose me for a picture, I was okay,” he said. “But they stopped calling me in the mid-70s… I made a whole bunch of pictures that didn’t make any money and people lost interest in me… Directors take me reluctantly. I feel I’m lucky to be here in the first place and they know it too. I’m a glamour boy, a Hollywood product. I have a TV background and they can point to the silly movies I’ve made.”
He tried something different playing a gambler in Fever Pitch (1985), the last movie for Richard Brooks. Even less conventional was Tough Guys Don’t Dance (1987) for director Norman Mailer. Both movies flopped at the box office.
O’Neal had a good supporting role in the romantic comedy Chances Are (1989). He returned to TV opposite his then-partner Farrah Fawcett in Small Sacrifices (1989).
He and Fawcett made a short-lived CBS series Good Sports (1991).
He had a good role in Faithful (1996) with Cher. It was directed by Paul Mazursky who later said of O’Neal:
He’s sweet as sugar, and he’s volatile. He’s got some of that Irish stuff in him, and he can blow up a bit. One day he was doing a scene, and I said, ‘Bring it down a little bit,’ and Ryan said, ‘I quit! You can’t say “Bring it down” to me that loud!’ I said, ‘If you quit, I’m going to break your nose.’ He started to cry. He’s sort of a big baby at times, but he’s a good guy, and he’s very talented. He’s had a strange career, but he was a monster star.
He is a recurring character on Fox’s Bones (2007–2017; died in the hospital after a shootout saving his grandchildren).
In 2011, Ryan and Tatum attempted to restore their broken father/daughter relationship after 25 years. Their reunion and reconciliation process was captured in the Oprah Winfrey Network series, Ryan and Tatum: The O’Neals.
In 2016, O’Neal reunited with Love Story co-star Ali MacGraw in a staging of A.R. Gurney’s play Love Letters.
O’Neal said that in 2009 he “made a tremendous amount of money on real estate, more than [he] deserve[s]”.
O’Neal was in a long-term relationship with actress Farrah Fawcett from 1979 until 1997.
They then reunited in 2001 and were together until her death in 2009.
He was previously married to actresses Joanna Moore and Leigh Taylor-Young; both marriages ended in divorce.
He has four children: Tatum O’Neal and Griffin O’Neal (with Moore), Patrick O’Neal (with Taylor-Young), and Redmond James Fawcett O’Neal (with Fawcett).
“I got married at 20, and I was not a real mature 20,” said O’Neal. “My first child was born when I was 21. I was a man’s man; I didn’t discover women until I was married, and then it was too late.”
O’Neal had custody of Tatum and Griffin due to his first wife’s drug and alcohol issues. He had romances with Ursula Andress, Bianca Jagger, Anouk Aimee, Jacqueline Bisset, Barbra Streisand, Diana Ross, and Anjelica Huston.
For several years, O’Neal was estranged from his elder three children. However, in 2011, Tatum reconciled with her father with a book and a television show. On August 4, O’Neal, Tatum, and Patrick attended Redmond’s court appearance on firearms and drug charges.
In 2001, O’Neal was diagnosed with chronic myelogenous leukemia (CML). After struggling with leukemia, O’Neal was frequently seen at Fawcett’s side when she was battling cancer.
He told People magazine, “It’s a love story. I just don’t know how to play this one. I won’t know this world without her. Cancer is an insidious enemy.” In April 2012, O’Neal revealed he had been diagnosed with stage IV prostate cancer. He reported that it had been detected early enough to give a prognosis of full recovery.
Sources : Wikipedia / YouTube
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