Modern Family, ou Famille moderne au Québec, est une série télévisée américaine en 250 épisodes de 22 minutes créée par Christopher Lloyd II et Steven Levitan, et diffusée entre le 23 septembre 2009 et le 8 avril 2020 sur le réseau ABC et en simultané au Canada sur Citytv puis sur le réseau Global pour la onzième saison
Modern Family, ou Famille moderne au Québec, est une série télévisée américaine en 250 épisodes de 22 minutes créée par Christopher Lloyd II et Steven Levitan, et diffusée entre le 23 septembre 2009 et le 8 avril 2020 sur le réseau ABC et en simultané au Canada sur Citytv puis sur le réseau Global pour la onzième saison. Elle a le format de documentaire parodique dans lequel les personnages regardent parfois la caméra, brisant le quatrième mur, et les événements sont décrits lorsqu’ils se déroulent par les personnages à leur façon après montage. Sa filiation avec la série française Fais pas ci, fais pas ça est sujette à controverse, les producteurs de cette dernière affirmant avoir eu la primeur de l’idée.
En France, la série est diffusée depuis le 20 septembre 2010 sur Paris Première (saisons 1 et 2), le 20 juin 2012 sur M6, depuis le 8 mars 2014 sur W9 (saisons 1 et 4)et depuis le 23 février 2015 sur 6ter, au Québec, depuis le 11 janvier 2012 sur Télé-Québecet en Belgique, depuis le 17 septembre 2011 sur RTL TVI et sur Q2 et sur Netflix.
Modern Family is an American family sitcom television series created by Christopher Lloyd and Steven Levitan for the American Broadcasting Company. It ran for 11 seasons, from September 23, 2009, to April 8, 2020. It follows the lives of three diverse family set-ups in suburban Los Angeles, linked by patriarch Jay Pritchett.
Christopher Lloyd and Steven Levitan conceived the series while sharing stories of their own “modern families”. Modern Family employs an ensemble cast and is presented in mockumentary style, with the characters frequently speaking directly to the camera in confessional interview segments.
The series was renewed for an eleventh and final season on February 5, 2019, which premiered on September 25, 2019. The series finale aired on April 8, 2020.
Modern Family was acclaimed by critics throughout its first few seasons. Its critical reception became more mixed as it progressed, but it maintained a loyal fan base throughout its 11 seasons and was continuously popular. The final season received generally positive reviews, and the finale episode had 7.37 million first-run viewers. The retrospective documentary that aired before the final episode had 6.72 million first-run viewers.
The show won the Emmy Award for Outstanding Comedy Series in each of its first five years and the Emmy Award for Outstanding Supporting Actor in a Comedy Series four times, twice each for Eric Stonestreet and Ty Burrell, as well as the Outstanding Supporting Actress in a Comedy Series twice for Julie Bowen. It won a total of 22 Emmy awards from 75 nominations. It also won the Golden Globe Award for Best Television Series – Musical or Comedy in 2011.
The broadcast syndication rights to the series were sold to NBCUniversal’s USA Network, the stations of Fox Television Stations, and various other local stations in other markets for a fall 2013 premiere. The success of the series led to it being the 10th-highest revenue-generating show for 2012, earning $2.13 million an episode.
(Article could be translated in several languages) Un braquage, comme on dit en anglais ” Hold Up” d’une banque c’est quelque chose que l’on voit dans la vie réelle partout dans le monde. Aussi bien que dans les films et romans. Cependant un “Hold up” d’une banque pour exiger son “propre argent” existant sur son … Continue reading →
I Dream of Jeannie is an American fantasy sitcom television series, created by Sidney Sheldon, starring Barbara Eden as a sultry, 2,000-year-old genie and Larry Hagman, as an astronaut with whom she falls in love and eventually marries. Produced by Screen Gems, the show originally aired for 139 episodes over five seasons, from September 18, 1965, to May 26, 1970, on NBC.
In the pilot episode, “The Lady in the Bottle“, astronaut Captain Tony Nelson, United States Air Force, is on a space flight when his one-man capsule Stardust One comes down far from the planned recovery area, near a deserted island in the South Pacific. On the beach, Tony notices a strange bottle that rolls by itself. When he rubs it after removing the stopper, smoke starts shooting out and a Persian-speaking female genie materializes and kisses Tony on the lips, shocking him.
They cannot understand each other until Tony expresses his wish that Jeannie (a homophone of genie) could speak English, which she then does. Then, per his instructions, she “blinks” and causes a recovery helicopter to show up to rescue Tony, who is so grateful, he tells her she is free, but Jeannie, who has fallen in love with Tony at first sight after being trapped for 2,000 years, re-enters her bottle and rolls it into Tony’s duffel bag so she can accompany him back home. One of the first things Jeannie does, in a subsequent episode, is break up Tony’s engagement to his commanding general’s daughter, Melissa, who, along with that particular general, is never seen or mentioned again. Producer Sidney Sheldon realized the romantic triangle between Jeannie, Tony, and Melissa would not pan out in the long run.
Tony at first keeps Jeannie in her bottle most of the time, but he finally relents and allows her to enjoy a life of her own. However, her life is devoted mostly to his, and most of their existential problems stem from her love for him and her often-misguided efforts to please him, even when he does not want her assistance. His efforts to cover up Jeannie’s antics, because of his fear that he would be dismissed from the space program if her existence were known, brings him to the attention of NASA’s resident psychiatrist, U.S. Air Force Colonel Dr. Alfred Bellows. In a running gag, Dr. Bellows tries over and over to prove to his superiors that Tony is either crazy or hiding something, but he is always foiled (“He’s done it to me again!”) and Tony’s job remains secure. A frequently used plot device is that Jeannie loses her powers when she is confined in a closed space. She is unable to leave her bottle when it is corked, and under certain circumstances, the next person who removes the cork becomes her new master. A multiple-episode story arc involves Jeannie (in miniature) becoming trapped in a safe when it is accidentally locked.
Tony’s best friend and fellow astronaut, United States Army Corps of Engineers Captain Roger Healey, does not know about Jeannie’s magic for the first 16 episodes, although they meet in episode 12. When Roger finds out she is a genie, he steals her bottle, temporarily becoming her master. Roger is often shown as girl-crazy or scheming to make a quick buck. He occasionally has hopes of claiming Jeannie so he can use her to have a lavish lifestyle or gain beautiful girlfriends, but overall he is respectful that Tony is Jeannie’s master. Both Tony and Roger are promoted to the rank of major late in the first season. In later seasons, Roger’s role is retconned to portray him knowing about Jeannie from the beginning (i.e., to him having been with Tony on the space flight that touched down, and thus having seen Jeannie introduce herself to Tony).
Jeannie’s evil fraternal twin sister, mentioned in a second-season episode (also named Jeannie – since, as Barbara Eden’s character explains it, all female genies are named Jeannie — and also portrayed by Barbara Eden, in a brunette wig), proves to have a mean streak starting in the third season (as in her initial appearance in “Jeannie or the Tiger?”), repeatedly trying to steal Tony for herself, with her as the real “master”. Her final attempt in the series comes shortly after Tony and Jeannie are married, with a ploy involving a man played by Barbara Eden’s real-life husband at the time, Michael Ansara (in a kind of in-joke, while Jeannie’s sister pretends to be attracted to him, she privately scoffs at him). The evil sister wears a green costume, with a skirt rather than pantaloons.
Early in the fifth season, Jeannie is called upon by her uncle Sully (Jackie Coogan) to become queen of their family’s native country, Basenji. Tony inadvertently gives grave offense to Basenji national pride in their feud with neighboring Kasja. To regain favor, Tony is required by Sully to marry Jeannie and to avenge Basenji’s honor by killing the ambassador from Kasja when he visits NASA. After Sully puts Tony through an ordeal of nearly killing the ambassador, Tony responds in a fit of anger that he is fed up with Sully and his cohorts and he would not marry Jeannie even if she were “the last genie on earth”. Hearing this, Jeannie bitterly leaves Tony and returns to Basenji. With Jeannie gone, Tony realizes how deeply he loves her. He flies to Basenji to win Jeannie back. Upon their return, Tony introduces Jeannie as his fiancée. She dresses as a modern American woman in public. This changed the show’s premise: hiding Jeannie’s magical abilities rather than her existence. This, however, contradicts what is revealed in “The Birds and Bees Bit”, in which it is claimed that upon marriage a genie loses all of her magical powers.
Michael Ansara as The Blue Djinn (season 2, episode 1), also as King Kamehameha (season 3, episode 19), last as Major Biff Jellico (season 5 episode 12) and directed “One Jeannie Beats Four of a Kind” (season 5 episode 25)
Barbara Eden as Jeannie’s evil fraternal twin sister, Jeannie II (seasons 3–5)
The role of Jeannie’s mother was played by several actresses:
Alfred Hawthorne “Benny” Hill (21 January 1924 – 20 April 1992) was an English actor, comedian, singer and writer. He is remembered for his television programme The Benny Hill Show, an amalgam of slapstick, burlesque and double entendre in a format that included live comedy and filmed segments, with Hill at the focus of almost every segment.
Hill was a prominent figure in British culture for nearly four decades. His show proved to be one of the great success stories of television comedy and was among the most-watched programmes in the UK, with the audience peaking at more than 21 million in 1971. The Benny Hill Show was also exported to half the countries around the world. He received a BAFTA Television Award for Best Writer, a Rose d’Or, and was nominated for the BAFTA for Best Entertainment Performance and two Emmy Awards for Outstanding Variety. In 2006, Hill was voted by the British public number 17 in ITV’s poll of TV’s 50 Greatest Stars.
Outside of television, Hill starred in films including the Ealing comedy Who Done It? (1956), Chitty Chitty Bang Bang (1968) and The Italian Job (1969). His comedy song “Ernie (The Fastest Milkman in the West)” was 1971’s Christmas number one on the UK Singles Chart, and he received an Ivor Novello Award from the British Academy of Songwriters, Composers and Authors in 1972.
The show was produced by Filmways and was created by Paul Henning. It was followed by two other Henning-inspired “country cousin” series on CBS: Petticoat Junction and its spin-off Green Acres, which reversed the rags-to-riches, country-to-city model of The Beverly Hillbillies.
The Beverly Hillbillies ranked among the top 20 most-watched programs on television for eight of its nine seasons, ranking as the No. 1 series of the year during its first two seasons, with 16 episodes that still remain among the 100 most-watched television episodes in American history. It accumulated seven Emmy nominations during its run. It remains in syndicated reruns, and its ongoing popularity spawned a 1993 film adaptation by 20th Century Fox.
Nous avons découvert récemment, un film, pourtant paru en 2014 : ALBERT A L’OUEST
Titre original : A MILLION WAY TO DIE IN THE WEST
Film marrant, comique même.
“Western” en parodie et comédie
Surtout que l’un des acteurs de ce film : LIAM NEESON qui , pour la première fois, sans doute, a joué dans cette catégorie de films de cinéma. En général, Liam Neeson, opte pour des films d’action, de violence, plutôt sérieux ( enfin, dans le sens où ca ne rigole pas).
L’actrice principale : CHARLIZE THERON
L’acteur principal : SETH MAC FARLANE ( producteur et réalisateur du film )
Nous pouvons voir passer DOC BROWN ( Christopher LLOYD ) de passage dans le far west venant du futur ( BACK TO THE FUTURE).
Passage aussi de BILL MAHER qui reproduira , dans le far west, une réplique de ses émissions TV
Pour résumer: Ce film vaut le détour.
Pour vous donner un avant goût, quelques vidéos choisies pour vous dans cet article.
Visionnez les. Ca vaudra le détour
Et si vous avez l’occasion de voir le film ( en DVD ou en VOD ) n’hésitez pas.
Il passe aussi sur les chaines OCS de temps en temps. ( Si vous auriez un abonnement des chaines de ce groupe cinéma)
En 1882, Albert Stark (Seth MacFarlane) vit dans la ville de Vieille Souche (Old Stump en version originale et québécoise). C’est un éleveur de moutons, plutôt lâche, qui vient de perdre sa petite amie Louise (Amanda Seyfried). Il s’entraîne alors pour devenir un as de la gâchette, avec l’aide d’Anna (Charlize Theron), la femme du célèbre hors-la-loi Clinch (Liam Neeson). Mais les choses se compliquent lorsqu’Albert et Anna tombent amoureux l’un de l’autre..
Development for A Million Ways to Die in the West began while MacFarlane and co-writers Sulkin and Wild were watching western movies during the development of Ted. Casting was done between December 2012 and March 2013. Filming began on May 6, 2013, in various locations in New Mexico including Albuquerque and Santa Fe, and it concluded on August 9 that year. Joel McNeely composed the score.
The film was released on May 30, 2014, in the United States, and distributed worldwide by Universal Pictures. The film received mixed reviews from critics, with criticism for its length. It was released on DVD and Blu-ray on October 7, 2014, and earned more than $15 million in home media sales
In 1882, in the town of Old Stump, Arizona, timid sheep farmer Albert Stark (Seth MacFarlane) has broken up with his girlfriend Louise (Amanda Seyfried) as a result of his refusal to participate in a gunfight. He prepares to migrate to San Francisco, believing that the frontier offers nothing for him. Meanwhile, infamous outlaw Clinch Leatherwood (Liam Neeson) robs and kills an old prospector (Matt Clark) for a gold nugget. He orders his right-hand man Lewis (Evan Jones) to escort his wife Anna (Charlize Theron) to Old Stump to lie low while he continues his banditry.
Lewis and Anna arrive in Old Stump under the disguise of two siblings intending to build a farm, but Lewis is arrested after shooting the Pastor’s (John Aylward) son in a saloon. During the brawl, Albert saves Anna from being crushed by two of the patrons, and the two become close friends. They attend a county fair where Louise’s new boyfriend, the arrogant Foy (Neil Patrick Harris), challenges Albert to a shooting contest. Albert is defeated, but Anna steps in and defeats Foy. Foy publicly humiliates Albert, who impulsively challenges Foy to a duel in a week’s time to win back Louise. Anna then spends the week teaching Albert how to shoot.
During a barn dance the night before the duel, Anna gives Foy a Mickey. After leaving the dance, Albert and Anna kiss before heading home. Upon breaking out of jail and murdering the sheriff, Lewis observes the kiss and reports it to Clinch. On the day of the duel, Foy arrives late and gets diarrhea from the laxative he had unknowingly drunk. Albert, who has decided that Louise is not worth fighting for, once again forfeits the duel. He retires to the saloon, but Clinch arrives and demands to know who kissed his wife. He reveals that Anna is his wife and threatens to continue killing more people unless his wife’s lover duels him at noon the next day. Later, Clinch confronts Anna by demanding that she reveal Albert’s name and his whereabouts or he will kill her. Before he attempts to have sex with her, she knocks him unconscious with a rock and escapes.
Anna returns to Albert’s farm to warn him about Clinch, but he chastises her for lying to him. Clinch, having regained consciousness, tracks down Anna to the farm, but Albert helps her escape, then escapes himself. While fleeing, he is captured by a tribe of Apache Indians, who threaten to burn him alive. The Apaches spare him when he reveals that he can speak their language. They give him a bowl of peyote, which sends him flashing back to his birth and through painful events of his childhood before making him realize that he loves Anna.
Meanwhile, Clinch recaptures Anna in town, but Albert returns to Old Stump and confronts him. He wounds Clinch with a bullet poisoned with rattlesnake venom before his own gun is shot out of his hand, but he manages to stall until Clinch fatally succumbs to the poison. Louise attempts to win back Albert, but he rejects her and instead happily enters a relationship with Anna, who becomes his new wife. Albert also receives a bounty for killing Clinch and uses the money to buy more sheep.
In a pre-credits scene, the proprietor of a racist shooting game called “Runaway Slave” at the fair asks who would like to take a shot. Django Freeman (Jamie Foxx) steps up and shoots the man while commenting that “people die at the fair”.
The score was composed by Joel McNeely. The soundtrack was released by Back Lot Music on May 27, 2014. The theme song “A Million Ways to Die” is performed by Alan Jackson. It was released as a single on April 29, 2014. A portion of the Back to the Future theme by Alan Silvestri is used during Christopher Lloyd’s cameo.Near the end of the movie, the refrain of “Tarzan Boy” by Baltimora is used as a fictional “Muslim Death Chant.” Track listing
A Million Ways to Die in the West grossed $43.1 million in North America and $43.3 million in other territories, for a worldwide total of $86.4 million, against its $40 million budget.
The film grossed $16.8 million in its opening weekend, finishing in third place at the box office behind fellow newcomer Maleficent and the previous weekend’s opener X-Men: Days of Future Past. This was below expectations of $26 million. In its second weekend, the film dropped to number five, grossing an additional $7.3 million. In its third weekend, the film dropped to number eight, grossing $3.2 million. In its fourth weekend, the film dropped to number 11, grossing $1.6 million.
Dame Julie AndrewsDBE (born Julia Elizabeth Wells; 1 October 1935) is an English actress, singer, and author. Throughout her career of over 75 years, she has received numerous accolades, including an Academy Award, a British Academy Film Award, two Primetime Emmy Awards, three Grammy Awards, and six Golden Globe Awards.
Andrews was made a Disney Legend in 1991, and has been honoured with a Honorary Golden Lion as well as the AFI Life Achievement Award. In 2000, Andrews was made a dame by Queen Elizabeth II for services to the performing arts.
In 2002, Andrews was ranked No. 59 in the BBC’s poll of the 100 Greatest Britons. In 2003, she revisited her first Broadway success, this time as a stage director, with a revival of The Boy Friend. Apart from her musical career, she is also an author of children’s books and has published two autobiographies, Home: A Memoir of My Early Years (2008) and Home Work: A Memoir of My Hollywood Years (2019).
Julia Elizabeth Wells was born on 1 October 1935 in Walton-on-Thames, Surrey, England.Her mother, Barbara Ward Wells (née Morris; 1910–1984) was born in Chertsey and married Edward Charles “Ted” Wells (1908–1990), a teacher of metalwork and woodwork, in 1932.
Andrews was conceived as a result of an affair her mother had with a family friend. Andrews discovered her true parentage from her mother in 1950, although it was not publicly disclosed until her 2008 autobiography.
With the outbreak of World War II, her parents went their separate ways and were soon divorced. Each remarried: Barbara to Ted Andrews, in 1943, and Ted Wells in 1944 to Winifred Maud (Hyde) Birkhead, a war widow and former hairstylist at a war work factory that employed them both in Hinchley Wood, Surrey. Wells assisted with evacuating children to Surrey during the Blitz, while Andrews’s mother joined her husband in entertaining the troops through the Entertainments National Service Association. Andrews lived briefly with Wells and her brother, John in Surrey. In 1940, Wells sent her to live with her mother and stepfather, who Wells thought would be better able to provide for his talented daughter’s artistic training. According to Andrews’s 2008 autobiography Home, while Andrews had been used to calling her stepfather “Uncle Ted”, her mother suggested it would be more appropriate to refer to her stepfather as “Pop”, while her father remained “Dad” or “Daddy” to her, a change which she disliked. The Andrews family was “very poor” and “lived in a bad slum area of London,” at the time, stating that the war “was a very black period in my life.” According to Andrews, her stepfather was violent and an alcoholic. He twice, while drunk, tried to get into bed with his stepdaughter, resulting in Andrews fitting a lock on her door.
As the stage career of her mother and stepfather improved, they were able to afford better surroundings, first to Beckenham and then, as the war ended, back to the Andrews’s hometown of Hersham. The family took up residence at the Old Meuse, in West Grove, Hersham, a house (now demolished) where Andrews’s maternal grandmother had served as a maid. Andrews’s stepfather sponsored lessons for her, first at the independent arts educational school Cone-Ripman School (ArtsEd) in London, and thereafter with concert soprano and voice instructor Madame Lilian Stiles-Allen. Andrews said of Stiles-Allen, “She had an enormous influence on me,” adding, “She was my third mother – I’ve got more mothers and fathers than anyone in the world.” In her memoir Julie Andrews – My Star Pupil, Stiles-Allen records, “The range, accuracy and tone of Julie’s voice amazed me … she had possessed the rare gift of absolute pitch”,though Andrews herself refutes this in her 2008 autobiography Home. According to Andrews, “Madame was sure that I could do Mozart and Rossini, but, to be honest, I never was”. Of her own voice, she says, “I had a very pure, white, thin voice, a four-octave range – dogs would come from miles around.” After Cone-Ripman School, Andrews continued her academic education at the nearby Woodbrook School, a local state school in Beckenham.
Termed “Britain’s youngest prima donna”, Andrews’s classically trained soprano voice, lauded for its “pure and clear” sound, has been described as light, bright and operatic in tone. When a young Andrews was taken by her parents to be examined by a throat specialist, the doctor concluded that she had “an almost adult larynx.” Despite the continual encouragement to pursue opera by her voice teacher, English soprano Lilian Stiles-Allen, Andrews herself felt that her voice was unsuited for the genre and “too big a stretch”. At the time, Andrews described her own voice as “extremely high and thin”, feeling that it lacked “the necessary guts and weight for opera”, preferring musical theatre instead.
As Andrews aged, so did her voice, which began to naturally deepen. Losing her vast upper register, her “top notes” became increasingly difficult to sing while “her middle register matured into the warm golden tone” for which she has become known, according to Tim Wong of The Daily Telegraph.
Musically, she had always preferred singing music that was “bright and sunny”, choosing to avoid songs that were sad or otherwise written in a minor key, for fear of losing her voice “in a mess of emotion”. She cited this as another reason for avoiding opera.
Additional informations about “the sound of music” : The original Broadway cast. The original Broadway cast was started by Mary Martin. Her singing style was very different than Julie Andrews’s style.
Par hasard, hier, entre 2 enregistrements radio, nous avons découvert ce film d’ALFRED HITCHCOK.
Un film de 1955 : Un des rares films de HITCHCOK qui pourrait être classé dans la catégorie des comédies( mais relativement morbides en revanche). Certaines scènes font même rigoler tellement loufoques paraissaient elles. Chose rare dans les films de ce réalisateur. Du moins, selon nos modestes connaissances cinématographiques (d’amateurs)
Voici donc le résumé de ce film et quelques séquences que nous avons souhaité partager avec vous, pour le plaisir
Dans le petit hameau de Highwater, dans le Vermont, un petit garçon découvre un cadavre fraîchement mort apparu à flanc de colline au-dessus de la ville, il part vite chercher sa mère. Au même moment, un vieux chasseur tombe sur le même cadavre et pense l’avoir tué. Les habitants du lieu sont les uns après les autres confrontés au cadavre Le problème de savoir qui est la personne, qui était responsable de sa mort subite et ce qui devrait être fait avec le corps est «le problème avec Harry».
TRAILER IN FRENCH / BANDE ANNONCE EN FRANÇAIS
Le capitaine Wiles est persuadé qu’il a tué l’homme avec un tir égaré de son fusil en chassant, jusqu’à ce qu’il soit démontré qu’il a effectivement tiré sur un lapin. Jennifer Rogers, l’épouse de Harry, croit qu’elle a tué Harry parce qu’elle l’a frappé violemment avec une bouteille de lait. Mlle Gravely est certaine que l’homme est décédé après un coup du talon de sa botte de randonnée lorsqu’il s’est jeté sur elle hors des buissons, encore étourdi par le coups qu’il a reçu de Jennifer. Sam Marlowe, un artiste peintre original, mais ouvert d’esprit sur l’ensemble de l’événement et est prêt à aider ses voisins et ses nouveaux amis de toutes les manières possibles. En tout cas, personne n’est bouleversé du tout par la mort de Harry.
TRAILER IN ENGLISH
Cependant, ils espèrent tous que le corps ne sera pas porté à l’attention des autorités, incarnées par le zèle du shérif adjoint, Calvin Wiggs, froid et sans humour, et qui gagne des primes à chaque verbalisation ou arrestation. Le capitaine, Jennifer, Mlle Gravely et Sam enterrent le corps puis le déterrent à nouveau plusieurs fois au cours de la journée. Ils cachent ensuite le corps dans une baignoire. Le médecin local alerté diagnostique une mort naturelle, aucun acte criminel n’a donc été commis. Les protagonistes décident alors de replacer le cadavre sur la colline où il a été découvert la première fois, afin de le faire apparaître comme s’il venait d’être découvert.
Entre-temps, Sam et Jennifer sont tombés amoureux et souhaitent se marier, et le capitaine et Miss Gravely sont également devenus un couple. Sam a pu vendre toutes ses peintures à un millionnaire de passage, bien que Sam refuse d’accepter de l’argent et demande à la place quelques cadeaux simples pour ses amis et lui-même dont un lit à deux places pour lui et Jennifer
Edmund Gwenn : le capitaine Albert Wiles, un marin à la retraite