Tag Archives: ENGLAND
The travel show BBC
The Travel Show is a BBC travel programme. The new programme launched in 27 April 2013.
Using a network of correspondents in London, Tokyo, Sydney, New York and Kuala Lumpur, the programme aims to provide unique insight into the world of travel. It first aired in the UK in late February, after Winter Olympics coverage, in a Friday morning slot on BBC Two. A Sunday evening slot was also added on the BBC News channel in April 2014 and BBC iPlayer.
Sources Wikipedia & Youtube
Dame Julie Andrews DBE (born Julia Elizabeth Wells; 1 October 1935) is an English actress, singer, and author. Throughout her career of over 75 years, she has received numerous accolades, including an Academy Award, a British Academy Film Award, two Primetime Emmy Awards, three Grammy Awards, and six Golden Globe Awards.
Andrews was made a Disney Legend in 1991, and has been honoured with a Honorary Golden Lion as well as the AFI Life Achievement Award. In 2000, Andrews was made a dame by Queen Elizabeth II for services to the performing arts.
Andrews, a child actress and singer, appeared in the West End in 1948 and made her Broadway debut in The Boy Friend (1954). Billed as “Britain’s youngest prima donna“, she rose to prominence starring in Broadway musicals such as My Fair Lady (1956) playing Eliza Doolittle and Camelot (1960) playing Queen Guinevere. On 31 March 1957, Andrews starred in the premiere of Rodgers and Hammerstein‘s written-for-television musical Cinderella, a live, colour CBS network broadcast seen by over 100 million viewers. Andrews made her feature film debut in Walt Disney‘s Mary Poppins (1964) and won the Academy Award for Best Actress for her performance in the title role. The following year she starred in the musical film The Sound of Music (1965), playing Maria von Trapp and won the Golden Globe Award for Best Actress – Motion Picture Comedy or Musical.
Between 1964 and 1986, Andrews starred in various films working with directors including her husband Blake Edwards, George Roy Hill, and Alfred Hitchcock in The Americanization of Emily (1964), Hawaii (1966), Torn Curtain (1966), Thoroughly Modern Millie (1967), Star! (1968), The Tamarind Seed (1974), 10 (1979), S.O.B. (1981), Victor/Victoria (1982), That’s Life! (1986), and Duet for One (1986). After 1986 her workload decreased, appearing in two films in 1991 and not again until 2000. After the turn of the new millennium, however, her career had a revival. From 2001 to 2004 Andrews starred in The Princess Diaries (2001) and The Princess Diaries 2: Royal Engagement (2004). From 2004 to 2018 she lent her voice to the Shrek and Despicable Me animated films and Aquaman (2018). In 2017 she co-created and hosted a children’s educational show titled Julie’s Greenroom, for which she received two Daytime Emmy Award nominations. Beginning in 2020, Andrews voiced the narrator Lady Whistledown in the Netflix series Bridgerton. She has also worked hosting performance shows such as Great Performances and narrating documentaries such as the 2004 Emmy-winning series Broadway: The American Musical.
In 2002, Andrews was ranked No. 59 in the BBC’s poll of the 100 Greatest Britons. In 2003, she revisited her first Broadway success, this time as a stage director, with a revival of The Boy Friend. Apart from her musical career, she is also an author of children’s books and has published two autobiographies, Home: A Memoir of My Early Years (2008) and Home Work: A Memoir of My Hollywood Years (2019).
Julia Elizabeth Wells was born on 1 October 1935 in Walton-on-Thames, Surrey, England. Her mother, Barbara Ward Wells (née Morris; 1910–1984) was born in Chertsey and married Edward Charles “Ted” Wells (1908–1990), a teacher of metalwork and woodwork, in 1932.
Andrews was conceived as a result of an affair her mother had with a family friend. Andrews discovered her true parentage from her mother in 1950, although it was not publicly disclosed until her 2008 autobiography.
With the outbreak of World War II, her parents went their separate ways and were soon divorced. Each remarried: Barbara to Ted Andrews, in 1943, and Ted Wells in 1944 to Winifred Maud (Hyde) Birkhead, a war widow and former hairstylist at a war work factory that employed them both in Hinchley Wood, Surrey. Wells assisted with evacuating children to Surrey during the Blitz, while Andrews’s mother joined her husband in entertaining the troops through the Entertainments National Service Association. Andrews lived briefly with Wells and her brother, John in Surrey. In 1940, Wells sent her to live with her mother and stepfather, who Wells thought would be better able to provide for his talented daughter’s artistic training. According to Andrews’s 2008 autobiography Home, while Andrews had been used to calling her stepfather “Uncle Ted”, her mother suggested it would be more appropriate to refer to her stepfather as “Pop”, while her father remained “Dad” or “Daddy” to her, a change which she disliked. The Andrews family was “very poor” and “lived in a bad slum area of London,” at the time, stating that the war “was a very black period in my life.” According to Andrews, her stepfather was violent and an alcoholic. He twice, while drunk, tried to get into bed with his stepdaughter, resulting in Andrews fitting a lock on her door.
As the stage career of her mother and stepfather improved, they were able to afford better surroundings, first to Beckenham and then, as the war ended, back to the Andrews’s hometown of Hersham. The family took up residence at the Old Meuse, in West Grove, Hersham, a house (now demolished) where Andrews’s maternal grandmother had served as a maid. Andrews’s stepfather sponsored lessons for her, first at the independent arts educational school Cone-Ripman School (ArtsEd) in London, and thereafter with concert soprano and voice instructor Madame Lilian Stiles-Allen. Andrews said of Stiles-Allen, “She had an enormous influence on me,” adding, “She was my third mother – I’ve got more mothers and fathers than anyone in the world.” In her memoir Julie Andrews – My Star Pupil, Stiles-Allen records, “The range, accuracy and tone of Julie’s voice amazed me … she had possessed the rare gift of absolute pitch”, though Andrews herself refutes this in her 2008 autobiography Home. According to Andrews, “Madame was sure that I could do Mozart and Rossini, but, to be honest, I never was”. Of her own voice, she says, “I had a very pure, white, thin voice, a four-octave range – dogs would come from miles around.” After Cone-Ripman School, Andrews continued her academic education at the nearby Woodbrook School, a local state school in Beckenham.
Termed “Britain’s youngest prima donna”, Andrews’s classically trained soprano voice, lauded for its “pure and clear” sound, has been described as light, bright and operatic in tone. When a young Andrews was taken by her parents to be examined by a throat specialist, the doctor concluded that she had “an almost adult larynx.” Despite the continual encouragement to pursue opera by her voice teacher, English soprano Lilian Stiles-Allen, Andrews herself felt that her voice was unsuited for the genre and “too big a stretch”. At the time, Andrews described her own voice as “extremely high and thin”, feeling that it lacked “the necessary guts and weight for opera”, preferring musical theatre instead.
As Andrews aged, so did her voice, which began to naturally deepen. Losing her vast upper register, her “top notes” became increasingly difficult to sing while “her middle register matured into the warm golden tone” for which she has become known, according to Tim Wong of The Daily Telegraph.
Musically, she had always preferred singing music that was “bright and sunny”, choosing to avoid songs that were sad or otherwise written in a minor key, for fear of losing her voice “in a mess of emotion”. She cited this as another reason for avoiding opera.
Additional informations about “the sound of music” : The original Broadway cast. The original Broadway cast was started by Mary Martin. Her singing style was very different than Julie Andrews’s style.
(Mary Martin was Larry hagman’s mother)
Sources Youtube / Wikipedia
The King’s Speech
The King’s Speech is a 2010 British historical drama film directed by Tom Hooper and written by David Seidler. Colin Firth plays the future King George VI who, to cope with a stammer, sees Lionel Logue, an Australian speech and language therapist played by Geoffrey Rush. The men become friends as they work together, and after his brother abdicates the throne, the new king relies on Logue to help him make his first wartime radio broadcast upon Britain’s declaration of war on Germany in 1939.
Seidler read about George VI’s life after learning to manage a stuttering condition he developed during his own youth. He started writing about the relationship between the therapist and his royal patient as early as the 1980s, but at the request of the King’s widow, Queen Elizabeth The Queen Mother, postponed work until her death in 2002. He later rewrote his screenplay for the stage to focus on the essential relationship between the two protagonists. Nine weeks before filming began, Logue’s notebooks were discovered and quotations from them were incorporated into the script.
Principal photography took place in London and around Britain from November 2009 to January 2010. Hard light was used to give the story a greater resonance and wider-than-normal lenses were employed to recreate the Duke of York’s feelings of constriction. A third technique Hooper employed was the off-centre framing of characters.
The King’s Speech was a major box office and critical success. It was widely praised by film critics for its visual style, art direction, screenplay, directing, score, and acting. Other commentators discussed the film’s representation of historical detail, especially the reversal of Winston Churchill‘s opposition to abdication. The film received many awards and nominations, particularly for Colin Firth’s performance, which resulted in his first Oscar win for Best Actor. At the 83rd Academy Awards, The King’s Speech received 12 Oscar nominations, more than any other film in that year, and subsequently won four, including Best Picture. Censors initially gave it adult ratings due to profanity, though these were later revised downwards after criticism by the makers and distributors in the UK and some instances of swearing were muted in the US. On a budget of £8 million, it earned over £250 million internationally.
At the official closing of the British Empire Exhibition at Wembley Stadium, Prince Albert, Duke of York, the second son of King George V, addresses the crowd with a strong stammer. His search for treatment has been discouraging, but his wife, Elizabeth, persuades him to see the Australian-born Lionel Logue, a non-medically trained Harley Street speech defects therapist. “Bertie”, as he is called by his family, believes the first session is not going well, but Lionel, who insists that all his patients address him as such, has his potential client recite Hamlet‘s “To be, or not to be” soliloquy while hearing classical music played on a pair of headphones. Bertie is frustrated at the experiment but Lionel gives him the acetate recording that he has made of the reading as a souvenir.
After Bertie’s father, King George V, broadcasts his 1934 Royal Christmas Message, he explains to Bertie that the wireless will play a significant part in the role of the royal family, allowing them to enter the homes of the people, and that Bertie’s brother’s neglect of his responsibilities make training in it necessary. The attempt at reading the message himself is a failure, but that night Bertie plays the recording Lionel gave him and is astonished at the lack of stutter there. He therefore returns for daily treatments to overcome the physical and psychological roots of his speaking difficulty.
George V dies in 1936, and his eldest son David ascends the throne as King Edward VIII. A constitutional crisis arises with the new king over a prospective marriage with the twice-divorced American socialite Wallis Simpson. Edward, as the supreme governor of the Church of England, cannot marry her, even if she receives her second divorce, since both her previous husbands are alive.
At an unscheduled session, Bertie expresses his frustration that, while his speech has improved when speaking to most people, he still stammers when talking to David, at the same time revealing the extent of Edward VIII’s folly with Simpson. When Lionel insists that Bertie himself could make a good king, Bertie accuses Lionel of speaking treason and quits Lionel in anger. Bertie must now face the Accession Council without any assistance.
Bertie and Lionel only come together again after King Edward decides to abdicate in order to marry. Bertie, urged ahead by Prime Minister Stanley Baldwin, ascends the throne as King George VI and visits Lionel’s home with his wife before their coronation, much to the surprise of Mrs. Logue when she comes upon Queen Elizabeth having tea at her dining room table. This is the first time that she learns who her husband’s patient has been.
Bertie and Lionel’s relationship is questioned by the King’s advisors during the preparations for his coronation in Westminster Abbey. The archbishop of Canterbury, Cosmo Gordon Lang, brings to light that George never asked for advice from his advisors about his treatment and that Lionel has never had formal training. Lionel explains to an outraged Bertie that at the time he started with speech defects there were no formal qualifications and that the only known help that was available for returning Great War shell-shocked Australian soldiers was from personal experience. Bertie remains unconvinced until provoked to protest at Lionel’s disrespect for King Edward’s Chair and the Stone of Scone. Only at this pivotal moment, after realising he has just expressed himself without impairment, is Bertie able to rehearse with Lionel and complete the ceremony.
As the new king, Bertie is in a crisis when he must broadcast to Britain and the Empire following the declaration of war on Nazi Germany in 1939. Lionel is summoned to Buckingham Palace to prepare the king for his speech. Knowing the challenge that lies before him, Lang, Winston Churchill, and Prime Minister Neville Chamberlain are present to offer support. The King and Logue are then left in the broadcasting room. He delivers his speech with Logue conducting him, but by the end he is speaking freely. Preparing to leave the room for the congratulations of those present, Logue mentions to the King that he still has difficulty enunciating w and the King jokes back, “I had to throw in a few so they’d know it was me.”
As the Royal Family step onto the palace balcony and are applauded by the crowd, a title card explains that Logue, who received the Royal Victorian Order for service to the Crown, was always present at King George VI’s speeches during the war and that they remained friends until the King’s death from lung cancer in 1952.
- Colin Firth as King George VI
- Geoffrey Rush as Lionel Logue
- Helena Bonham Carter as Queen Elizabeth
- Guy Pearce as King Edward VIII
- Timothy Spall as Winston Churchill
- Derek Jacobi as Cosmo Gordon Lang
- Jennifer Ehle as Myrtle Logue
- Michael Gambon as King George V
- Freya Wilson as Princess Elizabeth
- Ramona Marquez as Princess Margaret
- Patrick Ryecart as Lord Wigram
- Simon Chandler as Lord Dawson of Penn
- Claire Bloom as Queen Mary
- Orlando Wells as Prince George, Duke of Kent
- Eve Best as Wallis Simpson
- Anthony Andrews as Stanley Baldwin
Charles Spencer Chaplin, dit Charlie Chaplin , né le 16 avril 1889 probablement à Londres (Royaume-Uni) et mort le 25 décembre 1977 à Corsier-sur-Vevey (Suisse), est un acteur, réalisateur, scénariste, producteur et compositeur britannique.
Devenu une idole du cinéma muet à partir du milieu des années 1910, et plus particulièrement du burlesque, grâce à son personnage de Charlot (désigné simplement comme « the tramp » — le vagabond — dans les versions originales), il acquiert ensuite une notoriété et une reconnaissance plus large pour ses performances d’acteur comme pour ses réalisations. Durant une carrière longue de 65 ans, il joue dans plus de 80 films. Sa vie publique et privée, ainsi que ses prises de position, font par ailleurs l’objet d’adulations comme de controverses.
Chaplin grandit dans la misère entre un père absent et une mère en grandes difficultés financières, tous deux artistes de music-hall, qui se séparent deux ans après sa naissance. Plus tard, sa mère est internée à l’hôpital psychiatrique alors que son fils a quatorze ans. À l’âge de cinq ans, il fait sa première apparition sur scène. Il commence très tôt à se produire dans des music-halls et devient rapidement acteur. À 19 ans, il est remarqué par l’imprésario Fred Karno et réalise une tournée aux États-Unis. Il joue au cinéma pour la première fois en 1914 dans le film Pour gagner sa vie et travaille avec les sociétés de production Essanay, Mutual et First National. En 1918, il est l’une des personnalités les plus connues au monde.
En 1919, Chaplin cofonde la société United Artists et obtient ainsi le contrôle total sur ses œuvres. Parmi ses premiers longs-métrages figurent Charlot soldat (1918), Le Kid (1921), L’Opinion publique (1923), La Ruée vers l’or (1925) et Le Cirque (1928). Il refuse de passer au cinéma sonore et continue de produire des films muets dans les années 1930, comme Les Lumières de la ville (1931) et Les Temps modernes (1936). Ses œuvres deviennent ensuite plus politiques, avec notamment Le Dictateur (1940), dans lequel il se moque d’Hitler et de Mussolini. Sa popularité décline dans les années 1940 en raison de controverses au sujet de ses liaisons avec des femmes bien plus jeunes que lui et d’un procès en reconnaissance de paternité. Chaplin est également accusé de sympathies communistes et les enquêtes du FBI et du Congrès lui font perdre son visa américain. Il choisit de s’établir en Suisse en 1952. Il abandonne son personnage de Charlot dans ses derniers films, dont Monsieur Verdoux (1947), Les Feux de la rampe (1952), Un roi à New York (1957) et La Comtesse de Hong-Kong (1967).
Chaplin écrit, réalise et produit la plupart de ses films, en plus d’y jouer et d’en composer la musique. Il est perfectionniste et son indépendance financière lui permet de consacrer plusieurs années au développement de chacune de ses œuvres. Bien qu’étant des comédies de type slapstick, ses films intègrent des éléments de pathos et sont marqués par des thèmes sociaux et politiques ainsi que par des éléments autobiographiques. En 1972, l’Academy of Motion Picture Arts and Sciences lui a remis un Oscar d’honneur pour sa contribution inestimable à l’industrie cinématographique et plusieurs de ses œuvres sont aujourd’hui considérées comme faisant partie des plus grands films de tous les temps.
Même si Chaplin a encore des projets de film, sa santé devient très fragile dans le milieu des années 1970. Plusieurs affectent son élocution et il doit utiliser un fauteuil roulant.
Parmi ses dernières réalisations figurent la création d’une autobiographie en images, My Life in Pictures (1974) et la resonorisation de L’Opinion publique en 1976 Il apparaît également dans un documentaire sur sa vie, The Gentleman Tramp (1975), réalisé par Richard Patterson. En 1975, la reine Élisabeth II le fait chevalier.
En octobre 1977, la santé de Chaplin s’est détériorée au point qu’il demande une attention de tous les instants Il meurt d’un AVC dans son sommeil le matin du 25 décembre 1977, à l’âge de 88 ans. Selon ses dernières volontés, une petite cérémonie funéraire anglicane est organisée le 27 décembre et il est inhumé dans le cimetière de Corsier-sur-Vevey Parmi les hommages du monde du cinéma, le réalisateur René Clair écrit : « il était un monument du cinéma » ; l’acteur Bob Hope a quant à lui déclaré : « nous avons eu de la chance de vivre à son époque ».
Le 1er mars 1978, le cercueil de Chaplin est exhumé et volé par deux mécaniciens automobiles, un Polonais, Roman Wardas, et un Bulgare, Gantcho Ganev. Leur but est d’extorquer une rançon de cent mille francs suisses à Oona Chaplin afin de pouvoir ouvrir plus tard un garage automobile. Ils sont arrêtés lors d’une vaste opération de police le 17 mai 1978 et le cercueil est retrouvé enterré dans un champ de maïs près du village voisin de Noville. Il est réenterré dans le cimetière de Corsier-sur-Vevey et un caveau en béton armé est ajouté pour empêcher tout nouvel incident.
Sources Wikipedia / YouTube / Diverses
Laugh with Mr Bean / Riez avec Mr Bean
Julie Andrews – Jack Lemmon in THAT’S LIFE
via Julie Andrews – Jack Lemmon in THAT’S LIF
Meghan and Harry
Saturday 19th of May 2018
Sources BFM TV
SIR CLIFF RICHARD ( Harry Rodger Webb )
CLIFF RICHARDS : THE artist
He started life as Harry Webb and spent some of his childhood years in India. Cliff Richard was inspired by the music of Elvis Presley and at age 16, formed a band, ‘The Quintones’, with school friends and performed at their local Youth Club. From there, Cliff Richard went from strength to strength and became a global star.
Having moved to India to help build a system of railways, Rodger Webb married Dorothy Dazely in 1939 and the following year the couple had a baby boy – Harry Rodger Webb.
Born in The King’s English Hospital in Lucknow, Harry was educated in Howrah, until his family moved to England in 1948, following Home Rule in India.
After a privileged life in India, the Webbs faced poverty, and were forced to sleep on mattresses at the houses of various relatives. In 1951, they were given a…
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Victor Maynard (Bill Nighy) is an experienced and efficient assassin living a lonely life in accordance with his family’s business. Victor follows a family line of professional assassins, and he completes his assignments quickly and without remorse.
One afternoon, after killing one of his targets, he hesitates in killing the pet parrot, Roger, and instead takes him as a gift to his mother, Louisa (Eileen Atkins) an intimidating woman who was, until recently, also Victor’s housemate.
In celebration of his 55th birthday, she gives him a leather bound book with newspaper clippings of each of his kills from his first to his most recent, leaving pages for future hits to be included.
She also expresses concern that he might be homosexual, wondering why he hasn’t produced a successor.
Rose (Emily Blunt) is a not-so-average girl with a talent for thievery.
Her most recent theft involves the sale of a fake Rembrandt painting (painted by her friend in the Restoration Department of the National Gallery) to Ferguson (Rupert Everett), managing to swindle him out of £900,000.
Ferguson soon discovers the swap and hires the best hitman, Victor Maynard, to dispose of her. Victor takes the case and immediately tracks Rose down, missing several opportunities to kill her, and accidentally killing a random stall customer in a changing room.
He follows her to a balcony opposite her hotel room and tries to shoot her through the window, but is interrupted by the arrival of the front doorman.
Victor sets up a microphone and headset to keep her under surveillance, but falls asleep, unable to listen to their noisy lovemaking. He wakes the following morning, just as she is leaving. He has the opportunity to shoot but pauses.
His mother, Louisa, is disappointed by this missed target (and has apparently killed Roger with a knitting needle) and suggests that Victor apologize to his employer and offer to do the hit for free. He tracks Rose down in a parking garage where he sees another hitman ready to kill her. He takes the preemptive shot, killing the other assassin.
He and Rose get into her car, only to be forced out again by Mike (Gregor Fisher), another assassin hiding in the back seat of her Mini. Mike throws Victor’s gun away and lines them up on the wall to be shot and killed, but instead is wounded by Tony (Rupert Grint), an apparently homeless young man who had picked up the dead man’s gun. Saying it was his first time handling a firearm, he impresses Victor enough to consider a protégé.
But he sends Tony home and Victor and Rose flee. Mike starts firing at them and they nearly run over Tony on his way out of the garage, forcing him to join the ride.
Rose offers Victor his price of £30,000 a week for her protection, believing that he is merely a private detective. They travel to a luxury hotel where they can lay low, but by chance get a room on the same floor as Ferguson. Ferguson hires Dixon (Martin Freeman), reputed to be second only to Maynard in proficiency, to kill Rose and Maynard. After several close calls, Mike, who is also Ferguson’s bodyguard, discovers their whereabouts when he spots a pair of boots that Rose had stolen from his dead partner.
Tony is ambushed in the bathroom and nearly drowned in the bathtub by Mike, but he turns the tables and accidentally shoots Mike’s ear off before the three of them escape the hotel. Ferguson and Mike pursue them in a high-speed chase through the streets of London until Mike loses control and crashes the car, sending the pair to the hospital.
They travel to Maynard’s home, an exclusive farm deep in the countryside, where his furniture is shrink-wrapped and his cat, Snowy, resides with him. Maynard takes Tony on as his apprentice in “private detective” work.
One night (after a sensual foot-massage between Victor and Rose), Rose is attacked by Louisa (Victor’s mother), who had come back to the house to finish what her son had started. He eventually talks her down and after she leaves, the three of them work on becoming friends.
Rose and Tony help Victor celebrate his birthday, and, after a brief period of sexual confusion between Tony and Maynard, Victor falls in love with and sleeps with Rose. Afterwards, his attitude becomes more friendly, and Victor peels off the plastic coverings on all of his furniture and opens up the house. Meanwhile, Rose looks around Victor’s room, finding the leather book that his mother had given him and learning that she was actually his target for assassination.
She also finds Victor’s father’s first gun, a Broomhandle Mauser, and steals it for protection. She runs out of the house after making it clear that she trusts neither Victor nor Tony, and returns to the National Gallery, only to find her friend dead and Dixon and his assistant, Fabian (Geoff Bell), waiting for her.
They quickly return to Victor’s home, and Tony and Victor gain the upper hand when Louisa appears, killing Fabian with a machine gun. Dixon withdraws the old gun Rose had taken from Victor’s room and fires at Victor. It backfires, sending the bolt into his skull. Victor, Tony and Rose bury the pair in the back yard and return to their lives.
Three years later, Victor and Rose are married with a son named Angel and Tony has moved in with them. While Angel is playing one morning, Tony comes outside asking Victor and Rose where the cat had gone off to. They look at Angel in awe as he is innocently patting soft dirt into the yard, suggesting he killed and buried the cat. Victor smiles with pride.
- Bill Nighy as Victor Maynard: A middle aged hit man who is hired by Ferguson to kill Rose after she cons Ferguson out of £1,000,000. After purposely missing an opportunity to shoot Rose, Ferguson sends his henchmen to do the deed. Victor kills one henchman and injures another when he is looking for Rose and, concealing his true profession, helps her escape with the help of local slacker, Tony. He adopts Tony as his apprentice and Victor realizes he’s fallen in love with Rose.
- Emily Blunt as Rose: A confident con artist who oversteps the mark when she cons Ferguson out of £1,000,000 and leaves him with a convincing copy of a Rembrandt self-portrait. Realizing the danger she is in, she stays with Victor and Tony in an attempt to escape her attempted assassination. Her adventurous lifestyle takes a turn when she realizes her enjoyment of Victor’s company.
- Rupert Grint as Tony: A young man who witnesses Victor shooting Ferguson’s bodyguard and decides to stay with Victor for safety. Victor employs him as an apprentice (with Tony thinking Victor is a private detective and later, upon learning Victor is a hit man, taking it in stride) and he soon realizes he has a ‘killer instinct’.
- Eileen Atkins as Louisa Maynard: Victor’s intimidating mother who, while impressed with his profession, is concerned as to what will happen to the family business.
- Rupert Everett as Ferguson: A London gangster who hires Victor to kill Rose.
- Martin Freeman as Hector Dixon: A sadistic assassin who plays second-fiddle to Victor Maynard. While influenced by Victor, Dixon jumps at the opportunity given to him by Ferguson to dispose of the greatest hit-man ever known.
- Gregor Fisher as Mike: Ferguson’s incompetent henchman whose several attempts to kill Victor, Rose, and Tony leave him in hospital … and with one ear.
- Geoff Bell as Fabian: Dixon’s dull-witted partner.
Sources : Wikipedia / Youtube
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Tears in heaven…First time played…Souvenirs…
We always prefer to let you show videos…let you see pictures…let you listen music and souvenirs than to talk uselessly.
We, ( in our studios) consider that the best way to express our feelings : It’s “music” “videos” and “pictures”. Words could be used but as we ( you) are coming from different countries and readers / listeners are from north america to Russia … From South America to Middle East…From Africa to Asian countries..Well, Music, photos and videos are the best way to express what we like, what we could feel.
Here is an “old” video for an interview : “Eric Clapton”, presenting for the first time his golden hit ” tears in heaven”. We found it on the social networks and of course we are glad to share it with you.
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