Nous vous présentons la nouvelle grille du Printemps Eté 2020
We present to you the new Spring Summer 2020 grid
Dans les années 60 et 70 : Rien que prononcer le nom de cette star provoquait des cris de joie et d’amour parmi les jeunes et moins jeunes de l’époque.
JOAN BAEZ est plus qu’une artiste. En fait c’était et c’est toujours une militante pacifiste contre toutes sortes d’injustices, d’inégalités sociales, contre toute discrimination raciale, religieuse et communautaire.
Son combat aux côtés de Martin Luther King est à souligner. A l’époque, pas si loin que cela, aux USA : Les enfants noirs n’avaient pas le droit d’aller à l’école. Il fallait leur créer des écoles rien que pour eux. Les noirs adultes et jeunes ne pouvaient pas prendre le bus réservé aux blancs…Oui… Il s’agit bien des USA voici quelques 40 ou 50 ans.
Joan Baez faisait partie de cette lutte. D’ailleurs, on l’accusait d’être “communiste”
(pour la mentalité US à l’époque : Défendre la paix et la cessation de la guerre au vietnam, défendre le port des armes aux USA….Cela signifiait que ces américains militants pour la paix, étaient communistes ou à la solde de l’ex URSS.
Aussi bizarre que cela paraisse.
Revenons à Joan Baez.
Sur une chaine Franco Allemande : ARTE, nous avons eu le plaisir de “re-découvrir” JOAN BAEZ grâce à un reportage ayant pour titre “how sweet the sound”
Une voix pure provenant du ciel.. Cette voix s’est teintée par la suite avec l’âge mais durant plus de 30 ans, sa voix fut une des 3 ou 4 voix pures et limpides que le monde de la musique a pu connaitre ces 100 dernières années.
Sans oublier son jeu de guitare : Les pickings qu’elle maîtrise à merveille. Tous les grands maestros de guitare ont toujours essayé d’imiter sans réussir. Ils l’ont dit, avoué que son jeu est unique. Il suffit de la voir jouer à la guitare pour comprendre.
(Le reportage intégral: ci-dessous )
Joan Baez de mère Ecossaise et de père mexicain a vécu une enfance heureuse entre père, mère et ses 2 soeurs (Mimi et Pauline).
Nous vous proposons de lire sa biographie via ce lien de Wikipedia. C’est plus simple et plus détaillé.
Suite à ce reportage, sur ARTE, nous avons assisté à son concert ayant eu lieu à l‘OLYMPIA en 2018. Un super show où JOAN Accompagnée par son fils Gabriel Harris aux percussions. Accompagné du super talentueux, musicien “multi-fonctions” Dirk Powell ( guitare, banjo, piano, solo guitare, guitare bass… https://www.facebook.com/dirkpowellmusic) .
La belle voix de Grace Stumberg (https://www.facebook.com/grace.l.stumberg)
Un show souvenir qui a marqué tous les spectateurs et téléspectateurs.
Voici le show
Son militantisme très actif, très social ne l’a pas empêché à chanter sa foi et chanter Dieu à travers ses tubes pacifistes, solidaires et militants.
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Shortly before his father’s death in a 1973 plane crash, Croce’s family moved west to San Diego, California, where he was raised by his mother, Ingrid Croce.
At the age of four Croce was completely blinded as the result of serious physical abuse by his mother’s boyfriend. Between the ages of four and ten, Croce gradually regained vision in his left eye. It was during this difficult time in Croce’s life that he began to play the piano. “I learned to play music by listening and playing along to the radio and to records…” Croce says, “At some point I was given the music of Ray Charles and Stevie Wonder as inspiration, which it was, and has been ever since.”
Croce’s first paying gig was at the age of 12, when he was paid $20 to perform at a Bar Mitzvah party. By the age of 16, Croce was performing regularly at San Diego nightclubs as a sideman and band leader. Croce reflected, “I was into every kind of music… you might say I was unfocused, but I consider an eclectic taste in music to be the foundation of versatility.” His house burned down when he was age 15.
Croce and his wife Marlo have two children, daughter Camille and son Elijah.
Ron Goldstein and Peter Bauman of Private Music signed Croce to his first recording contract at age 19.
He recorded two albums for Private Music: his self-titled debut, A. J. Croce, produced by T-Bone Burnett and John Simon, and That’s Me in the Bar, produced by Jim Keltner, and featuring artists such as Ry Cooder, David Hidalgo, and Keltner himself. Croce is also the owner/operator of his own record label, Seedling Records.
Croce’s third release, Fit to Serve, was recorded in Memphis, and produced by Jim Gaines, who had previously produced Van Morrison, Santana, and The Steve Miller Band. Croce then took a musical turn with the release of his album Transit. He explained, “I had been playing blues-based music for a long time, and I was ready to try something new.
“Transit was compared by critics to the work of John Lennon, Elvis Costello, Bob Dylan, and Van Morrison. Glen Starkey of New Times labeled Croce “a song crafter of the first order”.
Croce’s next three albums were self-produced. Adrian James Croce (Croce’s only pop-oriented album) was the only independently produced album of 2004 to chart in Top 40 charts in America. In Europe it was on the charts for six months, sitting in between songs by U2 and Coldplay. That same year Adrian James Croce won Best Pop album at the San Diego Music Awards.
His 2006 release Cantos on his own label Seedling Records notably features Ben Harper. In 2009, his album Cage of Muses was released on Seedling Records, garnering a 4-start review from Rolling Stone Magazine.
In 2013, Croce signed with Compass Records and has since released his latest album, Twelve Tales. Croce considers Twelve Tales to be his most ambitious recording project to date. He recorded two songs with each of six legendary producers in five U.S. cities throughout a year long period, at the same time releasing one song per month exclusively on iTunes in 2013.
The full album was released on CD and LP in 2014. The album’s producers are: the late ‘Cowboy’ Jack Clement, famous for his work with Elvis Presley and Johnny Cash; Rock n’ Roll Hall of Famer Allen Toussaint, notable producer of classic New Orleans recordings by artists such as Dr. John and Irma Thomas; Golden Globe-nominated Mitchell Froom, whose work includes Randy Newman and Crowded House; Grammy winning engineer and producer Kevin Killen, who has produced multiple albums by Elvis Costello; Notable A&R executive and record producer Tony Berg whose sessions have included Bob Dylan and Fiona Apple; and Greg Cohen, avant-garde bass player and producer, known for his work with Tom Waits.
Croce co-wrote a few of the songs on Twelve Tales, including one song with legendary songwriter Leon Russell. Croce’s albums have charted on eight radio charts including AAA, Blues, College, Jazz, and Americana.
He has performed as an opening act for artists such as Carlos Santana, Rod Stewart, Aretha Franklin, Dr. John, Lyle Lovett, James Brown, B.B. King, Dave Matthews, Earth, Wind and Fire, Rod Stewart and Ray Charles. Croce has sat in with many notable artists live, including Willie Nelson, Ben Harper, Ry Cooder, the Neville Brothers, Waylon Jennings, and David Hidalgo (Los Lobos). He has also performed on national television, on shows including The Tonight Show with Jay Leno, Late Show with David Letterman, Late Night with Conan O’Brien, The Today Show, Good Morning America, MTV, CNN, and Austin City Limits.
In 2015 Croce’s performance on the show “Music City Roots” began airing nationwide on PBS, including in Los Angeles and Nashville. It will air on 85 stations across the country 2015. It was announced that later this year Compass Records will release a re-issue of Croce’s highly regarded sophomore album, “That’s Me In the Bar” for its 20th anniversary. All of Croce’s 2015 concerts will feature a set from that album.
J. Croce (1993)
Fit to Serve (1998)
Adrian James Croce (2004)
Early On – The American Recordings 1993–1998 (2005)
Cage of Muses (2009)
Twelve Tales (2014)