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He is widely known for his brand of poetic lyrics, Americana, working class, sometimes political sentiments centered on his native New Jersey, his distinctive voice, and his lengthy and energetic stage performances—with concerts from the 1970s to the present decade running at up to four hours in length. His artistic endeavors reflect both his personal growth and the zeitgeist of the times.
Springsteen’s recordings have included both commercially accessible rock albums and more somber folk-oriented works. His most successful studio albums, Born to Run (1975) and Born in the U.S.A. (1984) find pleasures in the struggles of daily American life. He has sold more than 120 million records worldwide and more than 64 million records in the United States, making him one of the world’s best-selling artists of all time.
He has earned numerous awards for his work, including 20 Grammy Awards, two Golden Globes, and an Academy Award as well as being inducted into both the Songwriters Hall of Fame and the Rock And Roll Hall Of Fame in 1999. In 2009, Springsteen was a Kennedy Center Honors recipient, in 2013 was named MusiCares person of the year, and in 2016 was awarded the Presidential Medal of Freedom.
He married Patti Scialfa in 1991, and the couple have had three children – Evan James, Jessica Rae and Sam Ryan.
Bruce Frederick Joseph Springsteen was born on September 23, 1949, at Monmouth Medical Center in Long Branch, New Jersey.
He was brought home from the hospital to Freehold Borough where he spent his childhood. He lived on South Street and attended Freehold Borough High School. His father, Douglas Frederick Springsteen, was of Dutch and Irish ancestry, and worked as a bus driver, among other vocations, although he was mostly unemployed. Springsteen said his mother, Adele Ann (née Zerilli), a legal secretary and of Italian ancestry, was the main breadwinner.
His maternal grandfather was born in Vico Equense, a town near Naples.
He has two younger sisters, Virginia and Pamela. Pamela had a brief film career, but left acting to pursue still photography full-time; she took photos for his Human Touch, Lucky Town and The Ghost of Tom Joad albums.
Springsteen’s last name is topographic and of Dutch origin, literally translating to “jumping stone” but more generally meaning a kind of stone used as a stepping stone in unpaved streets or between two houses.
The Springsteens are among the early Dutch families who settled in the colony of New Netherland in the 1600s.
Raised a Roman Catholic, Springsteen attended the St. Rose of Lima Catholic school in Freehold Borough, where he was at odds with the nuns and rejected the strictures imposed upon him, even though some of his later music reflects a Catholic ethos and includes a few rock-influenced, traditional Irish-Catholic hymns
In a 2012 interview, he explained that it was his Catholic upbringing rather than political ideology that most influenced his music. He noted in the interview that his faith had given him a “very active spiritual life”, although he joked that this “made it very difficult sexually.” He added: “Once a Catholic, always a Catholic.”
In the ninth grade, Springsteen transferred to the public Freehold High School, but did not fit in there either. Former teachers have said he was a “loner, who wanted nothing more than to play his guitar.” He completed high school, but felt so uncomfortable that he skipped his own graduation ceremony. He briefly attended Ocean County College, but dropped out.
Springsteen grew up hearing fellow New Jersey singer Frank Sinatra on the radio. He became interested in being involved in music himself when, in 1956 at the age of seven, he saw Elvis Presley on The Ed Sullivan Show.
In 1964, Springsteen bought his first guitar for $18. 1964 was also an important year for Springsteen, having seen The Beatles’ appearance on The Ed Sullivan Show.
Thereafter he started playing for audiences with a band called the Rogues at local venues such as the Elks Lodge in Freehold. In 1965, Springsteen’s mother took out a loan to buy her 16-year-old son a $60 Kent guitar, an act he subsequently memorialized in his song “The Wish”.
In the same year, he went to the house of Tex and Marion Vinyard, who sponsored young bands in town. They helped him become the lead guitarist and subsequently one of the lead singers of the Castiles.
His first gig with the Castiles was possibly at a trailer park on New Jersey Route 34. The Castiles recorded two original songs at a public recording studio in Brick Township and played a variety of venues, including Cafe Wha? in Greenwich Village. Marion Vinyard said that she believed the young Springsteen when he promised he would make it big.
Called for conscription in the United States Armed Forces when he was 18, Springsteen failed the physical examination and did not serve in the Vietnam War. He had suffered a concussion in a motorcycle accident when he was 17, and this together with his “crazy” behavior at induction gave him a classification of 4F, which made him unacceptable for service.
In the late-1960s, Springsteen performed briefly in a power trio known as Earth, playing in clubs in New Jersey, with one major show at the Hotel Diplomat in New York City. Earth consisted of John Graham on bass, and Mike Burke on drums.
Bob Alfano was later added on organ, but was replaced for two gigs by Frank ‘Flash’ Craig.
Springsteen acquired the nickname “The Boss” during this period; when he played club gigs with a band he took on the task of collecting the band’s nightly pay and distributing it amongst his bandmates.
The nickname also reportedly sprang from games of Monopoly that Springsteen would play with other Jersey Shore musicians.
Springsteen is not fond of this nickname, due to his dislike of bosses, but seems to have since tacitly accepted it. Previously he had the nickname “Doctor”.
From 1969 through early 1971, Springsteen performed with Steel Mill (originally called Child), which included Danny Federici, Vini Lopez, Vinnie Roslin and later Steve Van Zandt and Robbin Thompson. During this time he performed regularly at venues on the Jersey Shore, in Richmond, Virginia, Nashville, Tennessee, and a set of gigs in California, quickly gathering a cult following.
San Francisco Examiner music critic Philip Elwood gave Springsteen credibility in his glowing assessment of Steel Mill: “I have never been so overwhelmed by totally unknown talent.” Elwood went on to praise their “cohesive musicality” and, in particular, singled out Springsteen as “a most impressive composer”.
His prolific songwriting ability, with “More words in some individual songs than other artists had in whole albums”, as his future record label would describe it in early publicity campaigns, brought his skill to the attention of several people who were about to change his life: new managers Mike Appel and Jim Cretecos, who in turn brought him to the attention of Columbia Records talent scout John Hammond, who auditioned Springsteen in May 1972.
Even after Springsteen gained international acclaim, his New Jersey roots showed through in his music, and he often praised “the great state of New Jersey” in his live shows. Drawing on his extensive local appeal, he has routinely sold out consecutive nights in major New Jersey, Philadelphia and New York venues. He has also made many surprise appearances at The Stone Pony and other shore nightclubs over the years.
Springsteen was signed to Columbia Records in 1972 by Clive Davis, after having initially piqued the interest of John Hammond, who had signed Bob Dylan to the same label a decade earlier.
Despite the expectations of Columbia Records’ executives that Springsteen would record an acoustic album, he brought many of his New Jersey-based colleagues into the studio with him, thus forming the E Street Band (although it would not be formally named for several months). His debut album Greetings from Asbury Park, N.J., released in January 1973, established him as a critical favorite though sales were slow.
In September 1973, Springsteen’s second album The Wild, the Innocent & the E Street Shuffle was released, again to critical acclaim but no commercial success. Springsteen’s songs became grander in form and scope, with the E Street Band providing a less folksy, more R&B vibe, and the lyrics often romanticized teenage street life. ”
In the May 22, 1974 issue of Boston’s The Real Paper music critic Jon Landau wrote, after seeing a performance at the Harvard Square Theater, “I saw rock and roll future, and its name is Bruce Springsteen.
And on a night when I needed to feel young, he made me feel like I was hearing music for the very first time.” Landau helped to finish the epic new album Born to Run and subsequently became Springsteen’s manager and producer. Given an enormous budget in a last-ditch effort at a commercially viable record, Springsteen became bogged down in the recording process while striving for a “Wall of Sound” production. But fed by the release of an early mix of “Born to Run” to nearly a dozen radio stations, anticipation built toward the album’s release.
On August 13, 1975, Springsteen and the E Street Band began a five-night, 10-show stand at New York’s The Bottom Line club. This attracted major media attention and was broadcast live on WNEW-FM. (Decades later, Rolling Stone magazine would name the stand as one of the 50 Moments That Changed Rock and Roll.)
Oklahoma City rock radio station WKY, in association with Carson Attractions, staged an experimental promotional event that resulted in a sold out house at the (6,000 seat) Civic Center Music Hall.
With the release of Born to Run on August 25, 1975, Springsteen finally found success. The album peaked at No. 3 on the Billboard 200, and while reception at US top 40 radio outlets for the album’s two singles was not overwhelming.
Springsteen appeared on the covers of both Time and Newsweek in the same week, on October 27 of that year. So great did the wave of publicity become that he eventually rebelled against it during his first venture overseas, tearing down promotional posters before a concert appearance in London
By the late 1970s, Springsteen had earned a reputation in the pop world as a songwriter whose material could provide hits for other bands. Manfred Mann’s Earth Band had achieved a US No. 1 pop hit with a heavily rearranged version of Greetings’ “Blinded by the Light” in early 1977.
Patti Smith reached No. 13 with her take on Springsteen’s unreleased “Because the Night” (with revised lyrics by Smith) in 1978, while The Pointer Sisters hit No. 2 in 1979 with Springsteen’s also unreleased “Fire”. Although not a critical success, long time friend Southside Johnny recorded Springsteen’s “The Fever” in early 1976 and “Talk to Me” in 1978. The two of them along with Steve Van Zandt collaborated to produce “Trapped Again” in 1978.
In September 1979, Springsteen and the E Street Band joined the Musicians United for Safe Energy anti-nuclear power collective at Madison Square Garden for two nights, playing an abbreviated set while premiering two songs from his upcoming album.
Springsteen continued to focus on working-class life with the 20-song double album The River in 1980, which included an intentionally paradoxical range of material from good-time party rockers to emotionally intense ballads, and finally yielded his first hit Top Ten single as a performer, “Hungry Heart”.
The River was followed in 1982 by the stark solo acoustic Nebraska. Recording sessions had been held to expand on a demo tape Springsteen had made at his home on a simple, low-tech four-track tape deck. However, during the recording process Springsteen and producer Jon Landau realized the songs worked better as solo acoustic numbers than full band renditions and the original demo tape was released as the album.
Although the recordings of the E Street Band were shelved, other songs from these sessions would later be released, including “Born in the U.S.A” and “Glory Days”.
Springsteen is probably best known for his album Born in the U.S.A. (1984), which sold 15 million copies in the U.S., 30 million worldwide, and became one of the best-selling albums of all time with seven singles hitting the Top 10.
During the Born in the U.S.A. Tour, Springsteen met actress Julianne Phillips, whom he would marry in 1985. He also that year took part in the recording of the USA For Africa charity song “We Are The World”; however he declined to play at Live Aid. He later stated that he “simply did not realise how big the whole thing was going to be”.
He has since expressed regret at turning down Bob Geldof’s invitation, stating that he could have played a couple of acoustic songs had there been no slot available for a full band performance.
Springsteen was inducted into the Rock and Roll Hall of Fame in 1999 by Bono (the lead singer of U2), a favor he returned in 2005.
In 2002, Springsteen released his first studio effort with the full band in 18 years, The Rising, produced by Brendan O’Brien. The album, mostly a reflection on the September 11 attacks, was a critical and popular success. (Many of the songs were influenced by phone conversations Springsteen had with family members of victims of the attacks who in their obituaries had mentioned how his music touched their lives.)
The title track gained airplay in several radio formats, and the record became Springsteen’s best-selling album of new material in 15 years.
At the Grammy Awards of 2003, Springsteen performed The Clash’s “London Calling” along with Elvis Costello, Dave Grohl, and E Street Band member Steven Van Zandt and No Doubt’s bassist, Tony Kanal, in tribute to Joe Strummer; Springsteen and the Clash had once been considered multiple-album-dueling rivals at the time of the double The River and the triple Sandinista!.
In 2004, Springsteen and the E Street Band participated in the Vote for Change tour, along with John Mellencamp, John Fogerty, the Dixie Chicks, Pearl Jam, R.E.M., Bright Eyes, the Dave Matthews Band, Jackson Browne, and other musicians.
Devils & Dust was released on April 26, 2005, and was recorded without the E Street Band. It is a low-key, mostly acoustic album, in the same vein as Nebraska and The Ghost of Tom Joad although with a little more instrumentation.
Some of the material was written almost 10 years earlier during, or shortly after, the Ghost of Tom Joad Tour, with a few having been performed then but not released.
In the early 1980s, Springsteen met Patti Scialfa at The Stone Pony, a bar in New Jersey where local musicians regularly perform. On that particular evening she was performing alongside one of Springsteen’s pals, Bobby Bandiera, with whom she had written “At Least We Got Shoes” for Southside Johnny. Springsteen liked her voice and after the performance, introduced himself to her. Soon after that, they started spending time together and became friends.
Early in 1984, Springsteen asked Scialfa to join the E Street Band for the upcoming Born in the U.S.A. Tour. According to the book Bruce Springsteen on Tour 1969–2005 by Dave Marsh, it looked like Springsteen and Scialfa were on the brink of becoming a couple through the first leg of the tour. But before that could happen, Barry Bell introduced Julianne Phillips to Springsteen and on May 13, 1985, they were married.
Springsteen and Scialfa lived in New Jersey, before moving to Los Angeles, where they decided to start a family.
On July 25, 1990, Scialfa gave birth to the couple’s first child, Evan James Springsteen.
On June 8, 1991, Springsteen and Scialfa married at their Los Angeles home in a very private ceremony, only attended by family and close friends.
Their second child, Jessica Rae Springsteen, was born on December 30, 1991; and their third child, Samuel Ryan Springsteen, was born on January 5, 1994.
In April 2006, Springsteen released We Shall Overcome: The Seeger Sessions.
Springsteen’s next album, titled Magic, was released on October 2, 2007. Recorded with the E Street Band, it had 10 new Springsteen songs plus “Long Walk Home”, performed once with the Sessions band, and a hidden track (the first included on a Springsteen studio release), “Terry’s Song”, a tribute to Springsteen’s long-time assistant Terry Magovern, who died on July 30, 2007.
Magic debuted at No. 1 in Ireland and the UK. Greatest Hits reentered the Irish charts at No. 57, and Live in Dublin almost cracked the top 20 in Norway again. Sirius Satellite Radio also restarted E Street Radio on September 27, 2007, in anticipation of Magic.
Radio conglomerate Clear Channel Communications was alleged to have sent an edict to its classic rock stations to not play any songs from the new album, while continuing to play older Springsteen material.
Sources: YouTube / Wikipedia
For further informations about Bruce Springsteen’s tours :
Nothing to say….
Just enjoy this video
The series revolves around the ship’s captain (played by Gavin MacLeod) and a handful of its crew, with several passengers – played by various guest actors for each episode – having romantic and humorous adventures. It was part of ABC’s popular Saturday-night lineup that included Fantasy Island until that series ended in 1984.
The original 1976 made-for-TV movie on which the show was based (also titled The Love Boat) was itself based on the nonfiction book Love Boats by Jeraldine Saunders, a real-life cruise director. Two more TV movies (titled The Love Boat II and The New Love Boat) would follow before the series began its first season in September 1977.
The executive producer for the series was Aaron Spelling, who produced several TV series for Four Star, and ABC from the 1960s into the 1980s.
In 1997, the episode with segment titles “Hidden Treasure,” “Picture from the Past,” and “Ace’s Salary” (season 9, episode 3) was ranked No. 82 on TV Guide’s 100 Greatest Episodes of All Time. The Love Boat ran for nine seasons plus four specials. A made-for-TV movie, titled The Love Boat: A Valentine Voyage, starring four of the original cast members, aired on February 12, 1990.
Gavin MacLeod as Captain Merrill Stubing
Bernie Kopell as Dr. Adam “Doc” Bricker, ship’s physician
Fred Grandy as Burl “Gopher” Smith, Yeoman Purser (seasons 1–9)
Ted Lange as Isaac Washington, bartender
Lauren Tewes as Julie McCoy, Cruise Director (seasons 1–7, 9 (1 episode), 4 specials)
Jill Whelan as Vicki Stubing, the captain’s daughter (seasons 3–9, 4 specials, made-for-TV movie, plus a guest star appearance in Season 2 episode 8)
Ted McGinley as Ashley “Ace” Covington Evans, ship’s photographer (seasons 7–9),
Pat Klous as Judy McCoy, Julie’s sister and successor as cruise director (seasons 8–9)
MacLeod, Kopell and Lange are the only cast members to appear in every episode of the TV series as well as the last three made-for-TV movies. Grandy was in every episode throughout the run of the series, but was not in the last of the TV movies. MacLeod was not the captain of the Pacific Princess in the first two TV movies and did not appear in them, although when his character was introduced there was a mention of him being “the new captain”.
(The Ship of Love)
#Canada : #TheFunCruise
(The Ship of Love)
(The Love Boat)
The Love Boat
The Love Boat
(The Love Ship)
The Love Boat
(The Love Boat)
(The Love Boat)
(The Pleasure Boat)
(Cruise ship of Love)
(Ship of Love, Ship of Fun)
(Love on Board)
(The Boat of Love)
(The Love Boat)
The Love Boat
(The Boat of Love)
We (teams) lived a pure happiness during these 3 hours of show.
Yes…It was a physical show: Dances, somersaults, young people performing breathtaking acrobatics. Fantastic dances and choreographies.
A synchronized show synchronized. Twenty actresses and actors who are also singers (beautiful voices), dancers …. To summarize, as said “a pure jewel” “pure happiness”
The show mixes Grease‘s English-language hits and some titles in French. Anyway, the show was translated to English on 2 screens in Mogador theater, for non-French speakers, for tourists.
This show can be easily exported and can be performed on various stages / stage boards around the world. In fact, it’s an international show.
The day you read this article, if the show is still played, do not hesitate to go there with your family. The comedy is worth the detour
Last point to be specified: It’s a Live Show: It means…. The singers are “really” singing.
It’s not a playback. There is an orchestra. This orchestra consists of 8 musicians : pianist / synth, solo electric guitar, bass guitar, drummer, trumpet player etc …
Here are 2 videos: One taken by one of our team members.
The other whose source is youtube (Théotha Paris)
+ A link to an article presenting Grease’s musical team at the Mogador Theater in Paris.
Some of the team ( artists )
For further details, you can check this website
Article in French : http://www.radiosatellite2.com/archives/2017/11/05/35836619.html
#RadioSatellite2 and #RadioSatellite 24 / 7 Live Shows. High audio Quality.
Source : GRID RS2 / GRILLE DES PROGRAMMES RS2
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This may not seem like a big deal today, as rock musicians criss-cross the Atlantic all the time, but in May 1958 it was thrilling.
To us, that first generation of rock fans, this guy was the real thing.
And that was important, because, having been completely overlooked by Elvis Presley who’d never come to Britain (and who was by then in the U.S. Army, anyway), there was a feeling that we were getting everything second-hand and missing all the fun.
True, we’d had a couple of would-be early rock stars of our own, but they were limp counterfeits like Tommy Steele, who already seemed to have one eye on becoming the dreaded all-round entertainers.
Jerry Lee Lewis, however, or, “The Killer”, as he was known, had enjoyed two classic worldwide hits with Whole Lotta Shakin’ Goin’ On and Great Balls Of Fire, and had even appeared in a Hollywood rock film, High School Confidential.
Nor was he middle-aged like Bill Haley. He was young and vital.
Could he possibly live up to his advance billing, those of us who bought the music papers wondered, as we read about him on our way to school.
Would he be the wild man of the Louisiana swamps we’d been led to believe?
No sooner had he landed at Heathrow than we had our answer, in no small part due to the inquiries of a Daily Mail reporter called Paul Tanfield.
Meeting the star at the airport, Tanfield noticed that there was a very young girl in The Killer’s party. Tanfield asked whom she might be.
“I’m Myra,” answered the girl. “Jerry’s wife.”
Tanfield was astonished. “And how old is Myra?” he asked Jerry Lee.
“Fifteen,” the singer replied, obviously thinking that sounded suitably mature.
It wasn’t. Despite Lewis’s assertions that Myra was “a grown woman”, as far as Britain was concerned, she was below the age of consent.
The headlines the next day were not good for the star’s first day in Britain.
But they were about to get much worse when it was quickly discovered that Lewis, 22 at the time of the wedding, had been lying.
Myra wasn’t 15. She was 13, and, therefore, absolutely not a “grown woman”.
What’s more, she was the singer’s first cousin once removed.
And if that wasn’t enough, it was also revealed that he may have been bigamously married to her, since he hadn’t yet become divorced from his second wife, whom he’d married at 17, having wed his first wife at 14.
If you’re becoming confused, think how we must have felt back in 1958 as the hillbilly courting behaviour of some citizens of America’s Deep South unfolded in our newspapers.
We’d heard about the phenomenon of the child bride in fiction from the Tennessee Williams’ play and the film Baby Doll. But buttoned-up, respectable, repressed Fifties Britain had never come across the real thing before.
With Jerry Lee, the Louisiana swamps had exceeding all expectations in what they had thrown up.
Goodness gracious, as the man himself was wont to sing. This furore soon was great balls of fire!
In this way began one of the most extraordinary episodes in the history of rock music — and, let’s face it, there have been quite a few.
Right from the beginning, rock and roll music had been soaked in scandal, perhaps not too surprisingly when it’s remembered that the actual words “rock and roll” had been, in black American nightclubs, a euphemism for sexual activity long before they became associated with music.
So, when the music swept the world a couple of years earlier, teachers, preachers, parents and pundits alike had been quick to fulminate against the youthful, on-stage gyrations of Elvis Presley, describing them as obscene, and to read into the lyrics of rock songs a lewd carnality which was probably accurate but being missed by most young fans.
Up to this point, however, most of the outrage against rock had happened in America. Now, as Jerry Lee Lewis and Myra arrived in London, a storm of outrage erupted here, too.
And instantly the fashionable Westbury Hotel in London’s Mayfair, into which The Killer’s retinue was booked, found itself besieged by competing armies of fans, the Press, police and outraged citizens.
To start with, Lewis seemed to find it difficult to understand what all the fuss was about.
In fact, initially he was quite pleased with all the publicity he was getting.
While, for her part, Myra was happy watching children’s television in their suite, chirpily telling anyone who would listen that although her husband had given her a red Cadillac, what she really wanted was a wedding ring.
Were this to happen today, any star would instantly surround himself with a legion of publicists who would do their utmost to put a positive gloss on the situation — not the easiest of tasks, I have to admit.
Come to think of it, just about impossible.
But those were less sophisticated times when it came to media manipulation.
The best thing to do, Jerry Lee decided, was to get on with his tour as if nothing had happened, and, since he maintained he was a God-fearing country boy, to ask the good Lord for help.
Consequently, it is said, he and his whole entourage fell down on their knees and prayed for a full hour before he took the stage at the Gaumont State, Kilburn, North London.
For some reason, God doesn’t seem to have been listening — but then in the Southern states where Lewis came from, many people believed that rock and roll was the Devil’s music.
Whatever the reason, nothing stopped The Killer, dressed in what was described witheringly in one newspaper as a “custard-coloured jacket”, making his British debut to a half-full theatre with a performance that was repeatedly interrupted by whistles and boos and cries of “cradle snatcher” from the audience.
Off stage, things were getting much, much worse.
On learning of Myra’s age, the police had turned up at the Westbury Hotel to interview the star and his bride, after which their notes were passed on to the Director of Public Prosecutions to see if any British laws had been broken.
Meanwhile, in the House of Commons, the Home Office minister, Iain Macleod, was called upon to answer questions from MPs.
Jerry Lee thought he could struggle on and win the fans round. By now, however, the posh Westbury Hotel had had enough.
The star was asked to leave.
Desperately, Lewis and his manager tried to explain that it wasn’t that unusual for girls of 13 to marry in Mississippi, and that the marriage to Myra couldn’t have been bigamous, because at the time of Jerry Lee’s second marriage he’d still been married to his first wife.
Thus the second marriage had been null and void, and as he was now divorced from the first wife, everything was fine and dandy!
Neither the newspaper reporters nor the Rank and Grade organisations, in whose theatres the Jerry Lee concerts were to have taken place, were convinced.
After only three appearances, the tour was cancelled, and Jerry Lee and Myra, his managers and hangers-on, were back on a plane to America.
A little less than nine months later, Myra gave birth to a boy.
The maker of some classic rock hits he might have been, but The Killer’s career never properly recovered. He became a musical pariah.
And after disc jockeys around the world refused to play his records, he never had another big hit.
From $10,000-a-night shows, he was reduced to earning $100 a night.
Myra divorced him in 1970, after 12 years of marriage when she was all of 25, became an estate agent and wrote her autobiography, Great Balls Of Fire, which was filmed with Dennis Quaid as Jerry Lee and Winona Ryder as Myra.
The scandal of 1958 proved, however, to have lasting effects in quite different ways.
It may have been coincidental, but very quickly attempts were made in America to clean up the image of rock and roll.
Payola investigations were begun and several famous disc jockeys were revealed as having taken bribes to play records.
And when the mighty Elvis himself fell in love with a 14-year-old girl, Priscilla Beaulieu, the following year, steps were taken to make sure that not a word of scandal leaked out.
As for us here in Britain, within a few months, we’d come up with our own pop star, someone whose reputation was, and would remain, cleaner than clean.
His name was Cliff Richard.
One thing, however, couldn’t be denied. Although the affair had ruined the career of Jerry Lee Lewis, it had also made him very famous, infamous, actually.
And as the Fifties rolled into the Sixties, rock Svengalis-would soon see that the right kind of scandal, carefully managed and well publicised, could work wonders for the careers of rock stars.
Five years later, Andrew Loog Oldham, the young manager of the Rolling Stones, would give a masterclass in how this could be done.
While the nicely-turned out Beatles began to find fame by sticking carefully, in public, anyway, to the goody-goody script neatly mapped out for them by their manager Brian Epstein, Oldham did everything he could to grab outrageous headlines for the five, gurning, rebellious Rolling Stones.
Stunt followed stunt, from urinating in public, to singing more blatantly than anyone else about sex.
If there was a rule to be broken, the Stones broke it, and in the process built legends for themselves as the bad boys of rock and roll.
Indeed, by the mid-Sixties it had got to the point that just about anything could be believed about them, whether true or not.
There never was a Mars Bar at that party with Marianne Faithfull down at Keith Richards’ house in 1967, but anyone who had followed their careers in the newspapers believed there was, and the band didn’t mind at all.
Confrontational in the extreme, they milked scandal about themselves for all it was worth.
Of course, as with Jerry Lee Lewis and every other rock attraction, there were always a lot of girls involved, though none as young as Myra Lewis — at least, not until, having left the band, 47-year-old bass player Bill Wyman fell for 13-year-old Mandy Smith.
He married her when she was 18.
By the Seventies, outrageous behaviour had become synonymous with rock music, as groups vied with each other for publicity. Some set their amplifiers on fire on stage while others drove cars or pushed grand pianos into swimming pools.
It was all about creating controversy, getting headlines, and nothing to do with music.
Thus the punk group the Sex Pistols swore on television, Ozzy Osbourne was alleged to have bitten the head off a bat and Madonna disgracefully mimed having sex on Top Of The Pops.
And so it goes on, as every new generation of stars struggles to be noticed in the rush.
Sometimes, of course, publicity isn’t sought, as both Michael Jackson and Phil Spector have recently found in lurid and tragic circumstances.
But, believe me, the bigger the headlines about rock music the greater the stepping stones to stardom.
Quite what Jerry Lee Lewis thinks about the behaviour of some of today’s musicians would be worth knowing.
Today, at 73, after suffering from bouts of alcoholism and depression, he still tours.
Appreciated by some stalwart fans as one of the pioneers of rock and roll, he is remembered by most of us, if at all, for that week in London 50 years ago when his bizarre marital life shocked the nation.
FROM : http://www.dailymail.co.uk/
By RAY CONNOLLY FOR MAILONLINE
FROM : http://www.dailymail.co.uk/
By RAY CONNOLLY FOR MAILONLINE