BELLA CIAO


Bella ciao” is an Italian folk song, and later an anti-fascist resistance song. It was used by the Italian partisans during the Italian Civil War between 1943 and 1945 in their struggle against the fascist Italian Social Republic and its Nazi German allies.

It is used worldwide as an anti-fascist hymn of freedom and resistance. The song has much older origins though in the hardships of the mondina women, the paddy field workers in the late 19th century who sang it as a protest against harsh working conditions in the paddy fields in North Italy.

“Bella ciao” was originally sung as “Alla mattina appena alzata” by seasonal worker of paddy fields of rice, especially in Italy’s Po Valley from the late 19th century to the first half of the 20th century with different lyrics.

The work of monda (weeding) was widespread in northern Italy in that era. The work consisted of removing the weeds growing in rice fields that hindered the healthy growth of young rice plants. It took place during the flooding of the fields, from the end of April to the beginning of June every year, during which the delicate shoots needed to be protected, during their first stages of their development, from temperature differences between the day and the night.

bella ciao Rodge Ft Tre Tenori (Album 2018 )

bella ciao Rodge Ft Tre Tenori (Album 2018 )

It consisted of two phases: transplanting the plants and pruning the weeds. The work of monda was an extremely tiring task, carried out mostly by women known as mondinas (rice-weeders) that came of the poorest social classes. The workers would spend their workdays with their bare feet in water up to their knees and their back bent for many hours. The atrocious working conditions, long hours and very low pay led to constant dissatisfaction and led, at times to rebellious movements and riots in the early years of the twentieth century.

The struggles against the supervising padroni was even harder with the abundance of clandestine workers ready to compromise even further the already low wages just to get work. Besides “Bella ciao”, similar songs by the mondina women included “Sciur padrun da li beli braghi bianchi” and “Se otto ore vi sembran poche”.

Other similar versions of the antecedents of “Bella ciao” appeared over the years, indicating that “Alla mattina appena alzata” must have been composed in the later half of the 19th century. The earliest written version is dated 1906 and comes from near Vercelli, Piedmont.

 

“Bella ciao” was revived by the anti-fascist resistance movement active in Italy between 1943 and 1945 with different lyrics of resistance. The author of the lyrics is unknown.

In addition to the original Italian, the song has been recorded by various artists in many different languages, including #Arabic, #Bosnian, #Breton, #Catalan, #Chinese (known as “啊朋友再见“), #Croatian, #Danish, #English, #Esperanto, #Finnish, #German, #Hungarian, #Japanese, #Persian, #Norwegian, #Occitan, #Russian, #Serbian, #Slovenian, #Spanish, #Syriac, #Tagalog, #Telugu, #Thai, #Tibetan, and #Ukrainian.

 

A rewritten version of the song can be heard on Chumbawamba’s acoustic album A Singsong and a Scrap.

Former Yugoslav punk rock bands KUD Idijoti and later Goblini recorded their versions of the track.

Hungarian punk rock band Aurora has performed the song.

Folk musician Leslie Fish has written and performed several versions of the song, one of which can be found on the album Smoked Fish.

Folk artist Mirah lent her voice to this song on her 2004 album, To All We Stretch the Open Arm.

Anita Lane recorded a version in English for her 2001 album, Sex O’Clock.

Breton folk punk band Les Ramoneurs de menhirs recorded a version in Breton and French but called it “BellARB”.

Danish psychedelic rock group Savage Rose have recorded a version of this song on the albums En Vugge Af Stål from 1982 and Ild Og Frihed (1989).

San Francisco punk band La Plebe perform “Bella Ciao” on their album, Brazo en Brazo.

French-born musician of Spanish origin Manu Chao has also recorded a version of the song.

The tune has been used in a song in the Indian Tollywood movie Businessman, starring Mahesh Babu, Music by S.S.Thaman.

Italian ska punk band Talco recorded the song on their 2006 album Combat Circus.

Konstantin Wecker and Hannes Wader, two German “Liedermacher” performed it live on their collaboration album Was für eine Nacht.

Yugoslav musician Goran Bregovic has recorded one version on his album Champagne for Gypsies (2012).

German folk duo Zupfgeigenhansel recorded a free adaptation on their 1982 album Miteinander that, instead of glorifying the death of the partisan, paints him as a reluctant anti-hero who is scared and despises war, but feels he has no other choice because of the atrocities he has seen.

Thai anti-fascism band, “Faiyen” (ไฟเย็น, “Cold Flame”) recorded a Thai version of the song called “Plodploy Plianplaeng” (Thai: ปลดปล่อย เปลี่ยนแปลง, “Liberate and Change”). It has been used by the Red Shirts anti-fascism group since 2011.

Spanish punk rock band boikot recorded a modified version in Spanish.

An a cappela version was recorded by the Swingle Singers in 1991 on their album “Folk Music Around The World”

Belarusian folk punk band Dzieciuki recorded a modified version in Belarusian under the name “Трымайся, браце!” (“Hold fast, brother”)

Syriac (Aramaic) version created by Beith Souryoye Morounoye under the name “foosh bashlom (Bella ciao)”

Patric recorded Bèla Ciaò, a version in Occitan for his 2010 album, Colors.

Mike Singer recorded an Electro dance version in June 2018.

 

 

 

 

 

 

 

Source Wikipedia / Youtube

DEMIS ROUSSOS: Good bye…


 

Artemios “Demis” Ventouris Roussos  (June 15, 1946 – January 25, 2015)

Demis was a GREEK SINGER  and performer who had international hit records as a solo performer in the 1970s after having been a member of    Aphrodite’s Child , a progressive rock group that also included Vangelis. He has sold over 60 million albums worldwide.

Roussos was born and raised in Alexandira Egypt , in a family where his father George (engineer Yorgos Roussos) was Greek and mother  Nelly MAZLOUM  was Egyptian of Italian origin. His parents lost their possessions during the Suez Crisis and consequently decided to move to  greece  

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After settling in Greece, Roussos participated in a series of musical groups beginning with The Idols when he was 17, where he met Evangelos Papathanassiou (later known as  VANGELIS ) and Loukas Sideras, his future bandmates in of    Aphrodite’s Child  . After this he joined We Five (not the San Francisco, California folk-rock group), another cover band which had limited success in Greece.

Roussos came to a wider audience in 1967 when he joined progressive rock  band of    Aphrodite’s Child , with Vangelis and Sideras, initially as a singer but later also playing bass guitar, achieving commercial success in France and other parts of Europe from 1968 to 1972.

 

They set off for London to break into the international music scene but as a result of bad weather, the plane landed them in Paris – and they decided to stay there signing a record deal with Philips S.A. His operatic vocal style helped propel the band to international success, notably on their final album  666  , which became a progressive rock  cult classic.

After Aphrodite’s Child disbanded, Roussos continued to record sporadically with former bandmate Vangelis

 In 1970 the two released Sex Power (although the album has also been disputably credited to Aphrodite’s Child), also recording the 1977 album Magic together. Their most successful collaboration was “Race To The End” (also sung in Spanish as “Tu Libertad”), a vocal adaptation of the musical theme from the Oscar winning film  Chariots of fire , while Roussos also guested on the soundtrack to  Blade runner (1982), with a song entitled “Tales Of The Future”.

Roussos died early Sunday morning, January 25, 2015, while hospitalized at “Ygeia Hospital” in Athens, Greece. The news of his death where confirmed a day later by his friend and journalist Nikos Aliagas  who tweeted, on January 25, 2015, in both Greek and French ]. The death of the famous artist has been confirmed later the same day by his daughter, who spoke in Greek and French media.

 

 

Roussos also began a solo career with the song “We Shall Dance” in 1971. Initially unsuccessful, he toured around Europe and became a leading artist. His solo career peaked in the mid 1970 with several hit albums. His single “Forever And Ever” topped the charts in several countries in 1973 (1976 in U.K.).

 Other hits were “My Friend The Wind”, “My Reason”, “Velvet Mornings”, “Goodbye My Love, Goodbye”, “Someday Somewhere” and “Lovely Lady Of Arcadia”. His first UK single to chart was in 1975: “Happy To Be On An Island In The Sun” written by an Englishman David Lewis with the record reaching No. 5 in the charts.

His popularity in the rest of Europe, but not the UK, came to fascinate BBC-TV producer John King who made a documentary which he called ‘The Roussos Phenomenon’ in 1976. The programme was aired and Roussos’ scored a number one chart selling E.P. record of the same title and with three back catalogue albums entering the charts.

Roussos was mentioned in the television play Abigail’s Party (1977) and made one of his earliest appearances on English-speaking TV on the Basil Brush Show. Before appearing on the Basil Brush Show, he had appeared on the Nana Mouskouri TV show in the UK, singing a duet version of his hit single “Happy To Be On An Island In The Sun”.

 In 1980, Roussos had a hit with a cover of Air Supply’s “Lost In Love”, sung as a duet with Florence Warner. His UK career was now being managed by ex-Phonogram promotion man, Don Percival.

He re-recorded his songs in a number of languages, including Japanese, whereas The Roussos Phenomenon EP was the first No.1 hit for an African-born artist in the history of the UK Singles Chart. He was equally successful across Europe and Latin America, although a gold disc for the LP Demis remains his only success in the United States.

For years Roussos struggled with his weight. In June 1980 he weighed 147 kg. He then began a diet in which he lost 50 kg in 10 months.

 In 1982 he co-authored the book A Question Of Weight with his close friend Veronique Skawinska, in which he dealt candidly with his struggles with obesity. Roussos suffered a fallow period during the 1980s in terms of hits and his output dried up as he battled clinical depression.

In June 1985, he was amongst the hostages during the hijacking of TWA Flight 847.

In 1989, he recorded the song “Young Love”, a duet with German singer/songwriter Drafi Deutscher, which was released as a single in Germany and reached No.2 in the famous German music TV show ZDF Hitparade in October of the same year.

The 1990s saw even more substantial releases by Roussos. In 1993 he released Insight (also called Morning Has Broken) to general acclaim. After that he teamed up with BR Music in the Netherlands to produce Immortel, Serenade and In Holland, utilising a variety of ethnic and electronic styles..

Roussos continued to record and tour. The spring of 2002 saw him do a tour of England, whilst in recent years he has appeared in Russia and the United Arab Emirates. A committed follower of the Greek Orthodox faith, he has sung as a guest in a number of churches in Greece and worldwide.

In 2006, he released the acclaimed Live In Brasil, which documents his return to a country where his popularity led him to record “Você Você E Nada Mais” – a huge hit in Portuguese.

From 2006 to 2008, he was part of the Âge Tendre Et Têtes De Bois tour, a series of concerts featuring French singers from the sixties and seventies.

A comeback took place in 2009, with Roussos recording a new studio album produced by Marc di Domenico, released on May 11.

WIKIPEDIA  SOURCES