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Person of Interest ou Personne d’intérêt au Québec est une série télévisée américaine créée par Jonathan Nolan et produite par J. J. Abrams.
PERSON OF INTEREST est diffusée en simultané depuis le 22 septembre 2011 sur CBS aux États-Unis et sur Citytv pour les deux premières saisons, puis sur le réseau CTV au Canada.
En Belgique, la série est diffusée depuis le 28 août 2012 sur La Une, chaîne du groupe de la RTBF, au Québec, depuis le 5 septembre 2012 sur le réseau V, en France, depuis le 6 mars 2013 sur TF1 et en Suisse, depuis le 30 juin 2013 sur RTS Un.
La série est aussi rediffusée dans le cadre d’une syndication sur la chaîne du câble américaine WGN America et également sur Netflix États-Unis, depuis l’automne 2015.
Person of Interest est souvent citée comme étant une des meilleures séries diffusées sur une grande chaîne américaine.
Les critiques soulignent entre autres la capacité que la série a à s’améliorer saison après saison, ses personnages très travaillés ou encore son ambiance réaliste d’une Amérique post-11 septembre.
Si la série est parfois désignée comme étant « la meilleure série de science-fiction actuellement diffusée », Person of Interest s’inscrit dans une thématique bien réelle, notamment depuis les révélations d’Edward Snowden sur la surveillance globale mise en place par les États-Unis, et soulève de nombreuses questions quant au respect de la vie privée. Elle a été nommée pour un Primetime Emmy Awards en 201211, 2012, 2013,2014.
John Reese, un ex-agent paramilitaire de la CIA présumé mort, est engagé par le mystérieux milliardaire Harold Finch. Dans le passé, ce dernier a conçu un système de surveillance de masse pour le gouvernement voulant éviter un nouveau 11 septembre. Le système est capable de prédire les actes terroristes dans le monde, en s’appuyant sur de nombreuses données comme les enregistrements des caméras de surveillance et des appels téléphoniques, ou les antécédents judiciaires.
Cependant, la Machine repère aussi les crimes entre citoyens ordinaires considérés comme mineurs par le gouvernement. Les autorités ayant décidé de ne pas tenir compte de ces données, Finch s’est laissé une porte de sortie et reçoit chaque jour les numéros de sécurité sociale des personnes impliquées à New York ou dans ses environs. C’est avec l’aide de Reese qu’il va tenter de retrouver ces « Persons of Interest » (trad. litt. : « Personnes d’intérêt ») et de découvrir si elles ont le rôle de victime ou de coupable dans l’affaire concernée.
Traqués par le lieutenant de police Jocelyn « Joss » Carter, ils sont aidés par un autre lieutenant, anciennement véreux, Lionel Fusco, qui leur fournit des informations et garde un œil sur sa collègue policière. Mais l’arrivée dans New York de deux justiciers va également contrarier plusieurs organisations criminelles.
Acteurs principaux
Jim Caviezel: John Reese
Michael Emerson: Harold Finch
Kevin Chapman: le lieutenant Lionel Fusco
Amy Acker: Samantha « Sam » Groves alias « Root » (invitée saison 1, récurrente saison 2, principale à partir de la saison 3)
Sarah Shahi : Sameen Shaw (récurrente saison 2 , principale à partir de la saison 3)
Person of Interest is an American science fiction crime drama television series created by Jonathan Nolan that premiered on September 22, 2011, on CBS.
It is produced by Nolan, alongside J.J. Abrams, Bryan Burk, and Greg Plageman. It stars Jim Caviezel as John Reese, a former CIA agent who is presumed dead.
He is approached by a mysterious billionaire named Harold Finch (Michael Emerson) who is trying to prevent violent crimes before they happen by using an advanced surveillance system dubbed “The Machine”, which turns out to have evolved into a sentient AI.
Their unique brand of vigilante justice attracts the attention of two NYPD officers, Jocelyn “Joss” Carter (Taraji P. Henson) and Lionel Fusco (Kevin Chapman), whom Reese uses to his advantage as he investigates persons of interest.
Reese and Finch are later aided by Samantha “Root” Groves (Amy Acker), a highly intelligent computer hacker and contract killer whom the Machine later identifies as its “analog interface”, and Sameen Shaw (Sarah Shahi), a former ISA assassin who unknowingly dealt with the “relevant” numbers found by the Machine.
From season 3, the series sees the advent of a new rival AI called “Samaritan”, which is brought into existence by Decima Technologies. Much of season 4 is centered on the struggle between the two competing AIs and their human agents.
The series was renewed for a fifth season to debut mid-season during the 2015–16 television season.
The fifth season, which consists of 13 episodes, is expected to premiere in spring 2016.
CBS has yet to announce whether it is the final season or not, although the writers have written it as a final season.
The series has received generally positive reception from critics, including an increase in acclaim when the series introduced more serialized storylines and its exploration of artificial intelligence.
John Reese, a former Green Beret/Delta Force operator and CIA operative, is burnt out and living as a vagrant in New York City after the death of the woman he loved; he is presumed dead.
He is approached by Harold Finch, a reclusive billionaire software genius who is living under an assumed identity.
Finch explains that, after September 11, 2001, he built a computer system for the government that uses information gleaned from omnipresent surveillance to predict future terrorist attacks.
However, Finch discovered that the computer was predicting ordinary crimes as well.
The government is not interested in these results, but Finch is determined to stop the predicted crimes.
He hires Reese to conduct surveillance and intervene as needed, using the repertoire of skills he gained in the military and the CIA.
Through a back door built into the system, Finch receives the Social Security number of someone who will be involved in an imminent crime, at which point he contacts Reese. Without knowing what the crime will be, when it will occur, or even if the person they were alerted to is a victim or perpetrator, Reese and Finch must try to stop the crime from occurring.
They are helped by NYPD Detectives Lionel Fusco, a corrupt officer whom Reese coerces into helping them, and Joss Carter, who in early episodes investigates Reese for his vigilante activities.
Michael Emerson aka Harold FINCH
Although Reese arranges for Carter and Fusco to be partners in the NYPD early in the series, for the entirety of season one neither is aware that the other is also working with Finch and Reese. Periodically, the team enlists the aid of Zoe Morgan, a professional “fixer” who applies her skills to particularly difficult tasks.
The series features several subplots. One significant story arc involves “HR”, an organization of corrupt NYPD officers who are initially in league with budding mob boss Carl Elias and later with the Russian mafia; in earlier parts of this arc, Fusco is forced to go undercover. Another important story line revolves around Root, a psychopathic hacker who is determined to gain access to The Machine. During season two, another organization of powerful business figures, Decima Technologies, is revealed to be attempting to gain access to the Machine.
AMY ACKER
Carter vows vengeance against HR after they have her boyfriend, Detective Cal Beecher, murdered. Reese and Finch encounter Sameen Shaw, an ISA assassin, on the run after being betrayed by her employers. Shaw learns about The Machine in the season two finale and subsequently becomes a member of Reese and Finch’s team. In Season three, Carter delves deeper into her investigation of HR, eventually uncovering its leader; but she is killed. In his grief, Reese briefly leaves the team. The team also battles Vigilance, a violent anti-government organization devoted to securing people’s privacy.
During the second half of season 3, Decima Technologies starts to acquire hardware to bring to life a new artificial intelligence called Samaritan, using the codes from Harold’s old college classmate, Arthur Claypool. In the season 3 finale, it is revealed that Vigilance was created by Decima to make them appear as domestic terrorists. This allowed Decima to obtain all the NSA feeds to make Samaritan operational.
KEVIN CHAPMAN
The Machine creates new identities for the Team so that they can fly beneath Samaritan’s radar.
The Machine
The Machine is an artificially intelligent mass surveillance system that is able to accurately predict premeditated violent crime by monitoring and analyzing all surveillance cameras and electronic communications worldwide.
It divides those crimes based on whether they are relevant to national security; those relevant cases are handled by the U.S. government, while the non-relevant cases in New York City are the focus of the show.
Built by Harold Finch following the events of 9/11, it was originally housed in two unoccupied floors of IFT, the company run by Harold and Nathan Ingram (his best friend from college).
When Finch discovered that the Machine was tracking all premeditated crimes (Episode 2, “Ghosts”), he programmed it to delete the personal, non-relevant cases every night at midnight, explaining to Ingram that the Machine is not built “to save somebody, we built it to save everybody.”
When delivered to the government, the finished Machine was installed in a fake nuclear reactor in Washington State.
SARAH SHAHI
During season two, it moved itself, piece by piece, to an unknown location or locations, and by the end of season four it is shown to have distributed itself to control boxes on utility poles.
An intense believer in privacy rights, Finch originally programmed the Machine so that it would be a complete black box, able to provide only the Social Security Number of people involved with the crime.
While this meant that the government was not able to use it without regard for privacy, it means that numbers Finch and his associates received could belong to a victim or a perpetrator.
Originally unknown to Finch, however, Nathan Ingram created a routine called “Contingency”, on the eve of the government handover, to access the non-relevant data (shown accessed in the Season 2 episode “Zero Day”). Finch is appalled that Ingram has the data sent directly to him and shuts down the routine, before reactivating it after Ingram’s death. To minimize detectability, The Machine feeds him numbers in coded messages through public telephones.
TARAJI HENSON AKA Lt Joss CARTER Season 1 to 3
Within the ISA, the program responsible for The Machine was known as Northern Lights before—after being leaked to the public, Northern Lights was shut down.
The private technology firm Decima Technologies steals some of the Machine’s original code and builds Samaritan, in season three, and replaces Northern Lights in supplying information to the government. Samaritan takes a much more active role in shaping society, and The Machine and its human associates go underground, spending season four under cover.
Much of the series is from the point of view of The Machine, with flashbacks framed as The Machine reviews past tapes in real time.
Over the course of the series, the internal workings of The Machine are shown, including the prediction models and probability trees it uses. In the Machine-generated perspective, individuals are marked by dashed boxes with different colors indicating, for example, what the person’s status is in relation to The Machine and whether they pose a threat. Season four features Samaritan’s point of view, using a different UI—though some episodes jump back and forth between the two UIs.
The Machine in its current iteration started running on January 1, 2002, following 42 failed attempts. During the season 4 episode “Prophets”, a previous generation of The Machine’s source code was shown on screen, which was that of the Stuxnet worm. It generated the first relevant number on February 8, 2005, following three years of training by Finch.
The film is an adaptation of the 1959 Broadway musical The Sound of Music, composed by Richard Rodgers with lyrics by Oscar Hammerstein II. The film’s screenplay was written by Ernest Lehman, adapted from the stage musical’s book by Howard Lindsay and Russel Crouse.
Based on the memoir The Story of the Trapp Family Singers by Maria von Trapp, the film is about a young Austrian woman studying to become a nun in Salzburg in 1938 who is sent to the villa of a retired naval officer and widower to be governess to his seven children.
After bringing love and music into the lives of the family through kindness and patience, she marries the officer and together with the children they find a way to survive the loss of their homeland through courage and faith.
The original Rodgers and Hammerstein stage musical score was enhanced by two new songs by Richard Rodgers.
Arranger and conductor Irwin Kostal prerecorded the songs with a large orchestra and singers on a stage prior to the start of filming, and later adapted instrumental underscore passages based on the songs.
Choreographers Marc Breaux and Dee Dee Wood, who had worked with Andrews on Mary Poppins, worked out all new choreography sequences that incorporated many of the Salzburg locations and settings. The Sound of Music was filmed from March 26 through September 1, 1964, with external scenes shot on location in Salzburg, Austria, and the surrounding region, and interior scenes filmed at the 20th Century Fox studios in California.
The team before and nowadays
The movie was photographed in 70 mm Todd-AO by Ted McCord and produced with DeLuxe Color processing and six-track sound recording.
The film was released on March 2, 1965 in the United States, initially as a limited roadshow theatrical release. The critical response to the film was widely mixed, with Bosley Crowther of The New York Times calling it “romantic nonsense and sentiment”, and Philip K. Scheuer of the Los Angeles Times describing it as “three hours of visual and vocal brilliance”.
The film was a major commercial success, becoming the number one box office movie after four weeks, and the highest-grossing film of 1965.
By November 1966, The Sound of Music became the highest-grossing film of all-time—surpassing Gone with the Wind—and held that distinction for five years. The film was just as popular throughout the world, breaking previous box-office records in twenty-nine countries.
Following an initial theatrical release that lasted four and a half years, and two successful re-releases, the film sold 283.3 million admissions worldwide and earned a total worldwide gross of $286,214,076. Adjusted for inflation, the film earned $2.366 billion at 2014 prices—the fifth highest grossing film of all time.
The Sound of Music received five Academy Awards, including Best Picture and Best Director.
Julie Andrews & Christopher Plummer (The sound of Music )
The film also received two Golden Globe Awards, for Best Motion Picture and Best Actress, the Directors Guild of America Award for Outstanding Directorial Achievement, and the Writers Guild of America Award for Best Written American Musical.
In 1998, the American Film Institute (AFI) listed The Sound of Music as the fifty-fifth greatest American movie of all time, and the fourth greatest movie musical.
In 2001, the United States Library of Congress selected the film for preservation in the National Film Registry, finding it “culturally, historically, or aesthetically significant”.
“Sources Wikipedia”
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Adrian James “A.J.” Croce (born September 28, 1971 in Bryn Mawr, Pennsylvania) is an American singer-songwriter. He is the son of singer-songwriters Jim Croce and Ingrid Croce.
Shortly before his father’s death in a 1973 plane crash, Croce’s family moved west to San Diego, California, where he was raised by his mother, Ingrid Croce.
At the age of four Croce was completely blinded as the result of serious physical abuse by his mother’s boyfriend. Between the ages of four and ten, Croce gradually regained vision in his left eye. It was during this difficult time in Croce’s life that he began to play the piano. “I learned to play music by listening and playing along to the radio and to records…” Croce says, “At some point I was given the music of Ray Charles and Stevie Wonder as inspiration, which it was, and has been ever since.”
Croce’s first paying gig was at the age of 12, when he was paid $20 to perform at a Bar Mitzvah party. By the age of 16, Croce was performing regularly at San Diego nightclubs as a sideman and band leader. Croce reflected, “I was into every kind of music… you might say I was unfocused, but I consider an eclectic taste in music to be the foundation of versatility.” His house burned down when he was age 15.
Croce and his wife Marlo have two children, daughter Camille and son Elijah.
Ron Goldstein and Peter Bauman of Private Music signed Croce to his first recording contract at age 19.
ADRIAN J CROCE
He recorded two albums for Private Music: his self-titled debut, A. J. Croce, produced by T-Bone Burnett and John Simon, and That’s Me in the Bar, produced by Jim Keltner, and featuring artists such as Ry Cooder, David Hidalgo, and Keltner himself. Croce is also the owner/operator of his own record label, Seedling Records.
Croce’s third release, Fit to Serve, was recorded in Memphis, and produced by Jim Gaines, who had previously produced Van Morrison, Santana, and The Steve Miller Band. Croce then took a musical turn with the release of his album Transit. He explained, “I had been playing blues-based music for a long time, and I was ready to try something new.
“Transit was compared by critics to the work of John Lennon, Elvis Costello, Bob Dylan, and Van Morrison. Glen Starkey of New Times labeled Croce “a song crafter of the first order”.
Croce’s next three albums were self-produced. Adrian James Croce (Croce’s only pop-oriented album) was the only independently produced album of 2004 to chart in Top 40 charts in America. In Europe it was on the charts for six months, sitting in between songs by U2 and Coldplay. That same year Adrian James Croce won Best Pop album at the San Diego Music Awards.
His 2006 release Cantos on his own label Seedling Records notably features Ben Harper. In 2009, his album Cage of Muses was released on Seedling Records, garnering a 4-start review from Rolling Stone Magazine.
In 2013, Croce signed with Compass Records and has since released his latest album, Twelve Tales. Croce considers Twelve Tales to be his most ambitious recording project to date. He recorded two songs with each of six legendary producers in five U.S. cities throughout a year long period, at the same time releasing one song per month exclusively on iTunes in 2013.
The full album was released on CD and LP in 2014. The album’s producers are: the late ‘Cowboy’ Jack Clement, famous for his work with Elvis Presley and Johnny Cash; Rock n’ Roll Hall of Famer Allen Toussaint, notable producer of classic New Orleans recordings by artists such as Dr. John and Irma Thomas; Golden Globe-nominated Mitchell Froom, whose work includes Randy Newman and Crowded House; Grammy winning engineer and producer Kevin Killen, who has produced multiple albums by Elvis Costello; Notable A&R executive and record producer Tony Berg whose sessions have included Bob Dylan and Fiona Apple; and Greg Cohen, avant-garde bass player and producer, known for his work with Tom Waits.
Croce co-wrote a few of the songs on Twelve Tales, including one song with legendary songwriter Leon Russell. Croce’s albums have charted on eight radio charts including AAA, Blues, College, Jazz, and Americana.
He has performed as an opening act for artists such as Carlos Santana, Rod Stewart, Aretha Franklin, Dr. John, Lyle Lovett, James Brown, B.B. King, Dave Matthews, Earth, Wind and Fire, Rod Stewart and Ray Charles. Croce has sat in with many notable artists live, including Willie Nelson, Ben Harper, Ry Cooder, the Neville Brothers, Waylon Jennings, and David Hidalgo (Los Lobos). He has also performed on national television, on shows including The Tonight Show with Jay Leno, Late Show with David Letterman, Late Night with Conan O’Brien, The Today Show, Good Morning America, MTV, CNN, and Austin City Limits.
In 2015 Croce’s performance on the show “Music City Roots” began airing nationwide on PBS, including in Los Angeles and Nashville. It will air on 85 stations across the country 2015. It was announced that later this year Compass Records will release a re-issue of Croce’s highly regarded sophomore album, “That’s Me In the Bar” for its 20th anniversary. All of Croce’s 2015 concerts will feature a set from that album.
Based in Austin, TX, Dena Taylor is a jazz vocalist who harkens back to the days of smoke filled clubs and smoky voiced chanteuses.
Her sound is solid; without a lot of vocal gymnastics in the Jazz Standards she covers. She inhabits the songs and makes them her own – feeling happiness, anger, joy, sorrow, love and hate. She draws listeners in and allows them to relate to these songs all over again. Dena was named “Best Female Jazz Artist of the Year” by Indie Music Channel in 2014. Her album “The Nearness of You” showcases her vocal talents and reminds us that even though she is a “seasoned” artist singing Standards, these songs don’t lose their ability to move and touch the audience just because they may have fallen out of vogue.
Dena is so full of passion for these songs that her jovial attitude can’t help but be contagious. An engaging personality, Dena wants to share her love of Jazz Standards and the American Songbook with her audience. She has honed her craft over the years – spending 12 years abroad serving her country in the US military and, whenever possible, performing with touring USO shows. Then, upon her return, Dena settled in Florida where she took to the stage as a member of the prestigious Cocoa Village Playhouse “Gold Star” company. She also began to reestablish her solo career and released her cd “Round Midnight” in 2008. With a voice that contains a bit of a knowing edge reminiscent of Gladys Knight in her prime, Dena became a “go to” vocalist for national Jazz and Blues groups touring in Florida.
After relocating to Austin, TX, Dena continued her collaboration with some of the best musicians in the jazz and blues genres including GRAMMY® Award Winners guitarist Redd Volkaert and keyboardist Floyd Domino and Gold Record drummer Ernie Durawa. Volkaert and Durawa both worked on her second album, “Certitude” in 2010. One of the tracks from this effort, “Song for My Father,” was rewarded with an IAIRA Certification of “International Top 100 Hit” shortly after its release.The team worked so well together that Dena chose to work with them for her next record in 2014, “The Nearness of You.” She was subsequently named one of the Top Five Vocalists in the SingersUniverse ” Best Vocalist Of The Month” Competition, in addition to the aforementioned IMC 2014 Best Female Jazz Artist of the Year Award.
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The path to success hasn’t been an easy one for Dena. In 1999 she suffered a horrific car crash, resulting in a traumatic brain injury. The damage was so severe that it took Dena two years to learn to speak and walk again. She persevered through that and a battle with breast cancer to come out on the other side with an outlook on life that allows her to pursue her music with even more zeal. Learning not to be paralyzed by the fear of what “might happen” has kept Dena moving forward and gives her vocals a ripened maturity that just isn’t found in the pop stars of today.
And, in advance of some serious surgery on her throat, Dena joined forces with Austin powerhouse friends to take a musical walk from her beginnings in country and ending where she most happily lives and that is tucked inside the American Songbook. No last minute throw-together, “You’ve Changed” (scheduled release is January 2016) is a carefully thought out project and, whether it’s the last music she records or not .. it will certainly be one of her best.
In a pre-release review, Bree Noble (CEO of Women of Substance Radio) said, “With the opening notes of “You’ve Changed,” it’s clear that what has changed is that Dena Taylor has confidently taken the reins of her music career and is making bold, risky decisions that are paying off.”
While she was initially going to keep her most recent health challenge to herself, she decided to share the journey to her “new” normal through a blog in the hopes that it will encourage others!
Dena continues to share her musical gifts and donates her time to various charities that are close to her heart including her own charity, The Lullaby Project. This charity is supported by the beautiful album, Lullabies, recorded and released in 2015.
Listen to Dena’s songs on RS2 : Every night between Midnight and 03h00 AM ( Paris Time) On http://radiosatellite.co & Also on our FREE APPS for smartphones/ tablets.
Sur RS2, “Spécial Laurie Leblanc” : Nous diffuserons toute cette semaine, les tubes de Laurie Leblanc et des extraits de son nouvel album.
Certains titres du nouvel album seront diffusés dès la parution de cet article, sur RS2 , en attendant, sur notre site: Voici des titres connus, des hits du continent Nord Américain des albums de l’artiste LAURIE LEBLANC ( Musique acadienne ) ( Tout connaitre sur les acadiens )
Leila Alaoui (en arabe) : ليلى علوي ; est une photographe et vidéaste franco-marocaine née le 10 juillet 1982 à Paris et morte le 18 janvier 2016 à Ouagadougou, au Burkina Faso, des suites des blessures reçues au cours des attentats du 15 janvier.
Patrick SIMONIN reçevant LEILA ALAOUI en 2014 (Sur TV5 ) video
PATRICK SIMONIN témoignant suite au décès de LEILA ALAOUI le 18 Janvier 2016
Leila Alaoui naît le 10 juillet 19821 à Paris d’un couple franco-marocain ; sa mère Christine est française et son père Abdel Aziz marocain.
Après une scolarité secondaire au lycée Victor-Hugo de Marrakech, elle part étudier la photographie et la sociologie à l’université de la Ville de New York (CUNY), où elle obtient un « Bachelor of Science » (BSc) en photographie4. Elle voyage ensuite en Europe et en Amérique avant de se réinstaller au Maroc à partir de 2008, tout en allant régulièrement à Beyrouth et à Paris.
RIP LEILA ALAOUI
Elle est grièvement blessée par balles à la terrasse du Cappuccino le 15 janvier 2016 lors des attentats de Ouagadougou, où elle réalisait un reportage pourAmnesty International8. À la suite d’« une défaillance cardiaque due à des complications post-traumatiques, d’après plusieurs témoignages concordants »9, elle meurt trois jours plus tard6, à l’âge de 33 ans.
Les travaux de Leila Alaoui montrent les réalités sociales et nationales dans un mode d’expression aux confins du documentaire et des arts plastiques. Elle travaillait sur les identités culturelles et les migrations en créant des installations vidéos, des reportages et des photographies de studio, notamment dans un studio mobile qu’elle installait au plus près des lieux qu’elle voulait illustrer
Sa série Les Marocains, inspirée par The Americans de Robert Frank et In The American West de Richard Avedon, regroupe des portraits pris sur le vif, sans artifice, pour montrer le vrai visage du Maroc
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L’artiste, l’acteur M Jean Rochefort explique l’histoire du “petit prince” ( d’Antoine de Saint Exupéry) en quelques minutes en mode language dit de “jeunes”
Sympa..Marrant…Même si pour notre part, ce n’est pas notre style, pas notre langage 🙂
En tout cas, Bravo M Rochefort… Grand talent connu et reconnu.
Faisons un petit tour du côté de Moscou. Un voyage en vidéo HD pour le plaisir audio visuel. Moscou grande capitale, capitale des grands hommes et des grands combats qui ont marqué l’histoire du monde. Поездка в Москву
Who is Aria Tesolin? Aria’s songs are currently on light to medium rotation on over 750 commercial FM and internet stations ( on Radio Satellite, of course ) in 17 countries. Aria’s new single The Key has been selected on Cool New Music, Hot/Mod/AC on AllAccess.com. Both The Key and Dolce were listed on…
PARAMOUNT CHANNEL : CARY GRANT Wikipedia sources: Cary Grant (born Archibald Alexander Leach; January 18, 1904 – November 29, 1986) was an English stage and Hollywood film actor who became an American citizen in 1942. Known for his transatlantic accent, debonair demeanor and “dashing good looks”, Grant is considered one of classic Hollywood’s definitive leading men. Notorious (1946), The…
Damien Michel est originaire des bouches du Rhônes. Depuis 2012, il vit à La Garde dans le var à Côté de Toulon.
pour écouter quelques échantillons musicaux , merci de cliquer sur la photo ci dessous
To listen to some musical samples, you can click on image below
Click on image to listen / Cliquez sur l’image pour écouter
Damien Michel a découvert l’accordéon à l’âge de 7 ans, lors de vacances familiales en Auvergne. Ce fut un coup de foudre.
Aujourd’hui Damien est professeur de piano à l’école de musique de LAURIS.
Damien Michel a participé à diverses émissions de télévisions. “La chance aux chansons” “chanter la vie” “Sur un air d’accordéon” “Top accordéon”
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Avis de notre équipe: L’album de Damien Michel “L’essayer c’est l’adopter” est une pure merveille. Pour celles, ceux qui aiment l’accordéon? C’est une oeuvre à suivre, à se procurer .
